Body & Void: Echoes of Moore in Contemporary Art
This group show of contemporary art at the Henry Moore Foundation considers the interior and exterio...
Art and politics/art or politics: the political quandary of Manifesta 10
It is difficult to escape the topic of politics when discussing art in Russia now. On the level of i...
Bartosz Beda is a rising star whose torrid paintings reflect social anxieties, with and a keen eye t...
Back to Eden: Contemporary Artists Wander the Garden
Back to Eden: Contemporary Artists Wander the Garden at the Museum of Biblical Art (MOBIA) presents ...
In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the...
Ben Quilty’s first solo London show opened at the Saatchi Gallery on 4 July, celebrating his winni...
Bruegel to Freud: Prints from the Courtauld Gallery
I met Dr Rachel Sloan, curator of Bruegel to Freud, to discuss the Courtauld’s print collection an...
MAYA, a major exhibition by Anindita Dutta, is the second exhibition of the Dame Jillian Sackler Int...
It is all too easy to forget about folk art in the UK, to dismiss it as purely decorative, twee, or ...
Carl Andre: Sculpture as Place, 1958-2010
It has been more than 30 years since the last show devoted to Carl Andre was staged in America. As h...
Art made in the trenches of life
With funding from the Henry Luce Foundation as part of its 75th-anniversary initiative,1 the America...
Ancient Lives, New Discoveries
Ancient Lives explores the mortal remains and daily routines of eight of the British Museum’s mumm...
Born in Tehran in 1976, Ali Banisadr was three when the Islamic revolution took place. He and his fa...
Studio International visited the Alan Cristea gallery to talk to the painter Ben Johnson. This is hi...
Camille Henrot: The Restless Earth
Stepping out of the elevator on to the second floor of the New Museum, one walks into a gallery fill...
Nominees for this year’s Catlin art prize are exhibiting their work at the Londonewcastle Project ...
The Brooklyn Museum marks the final stop on this North American touring exhibition by Chinese artist...
Alexander James (b1967) is a photographer with a difference. Rather than capturing the moment sponta...
Alibis: Sigmar Polke 1963-2010
Changeable, impure, destructive, contrary – it is hard to read these adjectives as a list of compl...
Alice Hope likes working with small things, lots of them. They can be – and often are – tiny met...
Cézanne and the Modern: Masterpieces of European Art from the Pearlman Co...
In 1958, the first public exhibition of the Pearlman Collection went on display at the Baltimore Mus...
Alex Katz’s paintings are recognisable from their bold, flat and often colourful depictions of fig...
Alfredo Jaar was born in Santiago, Chile, in 1956. He attended the Chilean-North American Institute ...
Anna Raimondo is an Italian artist based in Brussels and working internationally. She describes hers...
Architecture Film and Postmodern Culture
In this enterprising move, long-term architectural publisher Axel Menges (whose list running from th...
Alex Warren and Tobias Ross-Southall, directors of Eleanor: interview
An extraordinary collaborative enterprise (displayed at the Cob Gallery Camden as a three-screen ins...
In 2013, exhibitions by London- and Berlin-based Artists Anonymous were held across Europe, in Essen...
Ana Mendieta in Rome: interview with Raquel Cecilia
Studio International talks to film-maker Raquel Cecilia about documenting Ana Mendieta’s last crea...
Agnes Denes (b1931) is a Budapest-born artist based in New York, whose career spans 46 years. A pion...
An intriguing fusion of coffee table and textbook, Exhibiting Fashion: Before and After 1971 apprais...
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