Archive - Results from #570

Published 30/11/-0001

Hans Op de Beeck – interview: ‘It’s about suspension of disbelief and how far you can take a spectator into something undeniably fake’

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Anish Kapoor. Untitled, 1987. Papier mâché and paint on paper, 45.5 x 61 x 4.5 cm (17 7/8 x 24 1/8 x 1 3/4 in). © Anish Kapoor. Courtesy the artist. Photograph: Sophie Baker.

Abstract Drawing

Sculptor Richard Deacon has selected works by more than 30 artists spanning the last 105 years to re...

Abigail McLellan

The portrait Rebecca and Matthew (1998), of the art historian Matthew Sturgis and gallery owner Rebe...

Chiharu Shiota. Letter of Thanks, 2014. © DACS 2013, The New Art Gallery Walsall, Photograph: Jonathan Shaw.

Chiharu Shiota: Dialogues

Anyone who hasn’t yet heard of Chiharu Shiota soon will have. Taught by Marina Abramović and infl...

Top left: Colin Self. Out of focus object and flowers no. 2 (The 1940s). Etching, 31 1/4 x 22 1/4 in. Edition of 75. Top right: Colin Self. Power and beauty no. 1 (Cat), 1968. Screenprint, 27 x 40 in. Edition of 75. Bottom left: David Hockney. Beautiful and white flowers (No. 12 from 14 poems of CP Cavafy). Etching/aquatint, 14 x 9 in. Edition of 75. Centre right: David Hockney. Pacific mutual life. Lithograph, 19 5/8 x 25 1/2 in. Edition of 20. Bottom right: David Hockney. In the dull village (No. 8 from 14 poems of CP Cavafy). Etching, 14 x 9 in. Edition of 75. Studio International Supplement 1968.

Colin Self and David Hockney discuss their recent work

Colin Self's latest suite is on show at Alecto Gallery, Albemarle Street, London; a major exhibition...

Anna Bella Geiger. História do Brasil - Little Boys & Girls series, 1975. Postcards mounted on gelatine silver prints, 21 x 18 cm (each). Collection of the artist, courtesy of Henrique Faria Fine Arts, New York. © Anna Bella Geiger, 1975.

América Latina 1960-2013

América Latina 1960-2013 is a vast and brilliant exploration of a continent looking at itself. It i...

John Robert Cozens (1752-1797). A ruined fort near Salerno, c. 1782. Graphite, watercolour and opaque watercolour (with scratching out) on laid paper, 251 x 368 cm. The Courtauld Gallery.

A Dialogue with Nature: Romantic Landscapes from Britain and Germany

“The artist should not only paint what he sees before him, but also what he sees in himself,” st...

Carrie Mae Weems.  Family Reunion (from Family Pictures and Stories), 1978–84.  Gelatin silver print, 30 x 40 inches (76.2 x 101.6 cm).  Collection of the artist, courtesy Jack Shainman Gallery, New York . © Carrie Mae Weems.

Carrie Mae Weems: Three Decades of Photography and Video

If there were one word to describe Carrie Mae Weems’s art in the exhibition at the Guggenheim Muse...

Christian Bonnefoi

In his first exhibition in Japan, French artist Christian Bonnefoi (b1948) shows his continuous sear...

Canan Tolon. Untitled (polyptych), 2001. Rust and pigment on canvas, 267 x 274 cm (105 x 108 in). Collection Pınar and Hakan Ertaç. Photograph: Hakan Aydog an.

Canan Tolon: Sidesteps

Sidesteps is Turkish artist Canan Tolon’s first major exhibition in London, bringing together thre...

Ancient Wisdom And Modern Knowhow: Learning to Live With Uncertainty

This is a magisterial volume by no less than the current leading transatlantic architectural histori...

Broche Oiseau libéré, Cartier Paris, 1944. Or, platine, diamants taille rose, un cabochon de saphir, lapis-lazuli, corail. Collection Cartier. Photograph: Nick Welsh, Collection Cartier © Cartier.

Cartier: Le Style et l’Histoire

At Christmastime, every street in Paris sparkles and glimmers. Shop windows are lit up with extravag...

Gagosian. Jeff Koons, Baroque Egg with Bow (Turquoise/Magenta), 1994 – 2006. High-chromium stainless steel with transparent colour coating, 212.1 x 196.9 x 152.4 cm. One of four versions each uniquely coloured.

Art Basel Miami Beach – 2013: the lowdown

For those of you who couldn’t make it, Jill Spalding has the inside information. Who was there –...

Christopher Wool

At first glance, Christopher Wool’s paintings are objects, complete and unequivocal. They stand in...

Bill Woodrow at the RA

Bill Woodrow talks to Studio International about his exhibition at The Royal Academy of Arts, London...

Marlene Steyn. The Handsome Pool Party, 2013. Oil and mixed media on canvas, Plasticine finger sculpture on top of the painting, 111 x 170 cm.

Bloomberg New Contemporaries 2013

Bloomberg New Contemporaries 2013 opened at the Institute of Contemporary Arts with the customary fa...

Dorothy Cross.  Relic,  2010.  Shark (Porbeagle), 21 carat gold leaf , 60 x 70 x 182 cm . Private Collection, London.  Courtesy of the artist and Kerlin Gallery, Dublin.

Aquatopia: The Imaginary of the Ocean Deep

Aquatopia: The Imaginary of the Ocean Deep occupies all of the spectacular spaces at Tate St Ives, a...

Chantal Joffe.  Walking Woman,  2004 . Oil on board , 305 x 124 cm. © Chantal Joffe, 2004. Image courtesy of the Saatchi Gallery, London.

Body Language

There are some loud voices vying for attention in this colourful celebration of the human figure. Br...

Sana Musasama in her studio. Photograph courtesy of Sana Musasama.

Crisis and Catharsis in Clay: an interview with Sana Musasama

Those who encounter Sana Musasama’s lovingly crafted wall sculptures in Body & Soul: New Internati...

Guerrilla Girls.  [no title], 1985–90.  Screenprint on paper ,  430 x 560 mm.  © courtesy www.guerrillagirls.com

Art Turning Left: How Values Changed Making, 1789 - 2013

On a single floor of Tate Liverpool, 200 years of art influenced by the Left is exhibited: a big ide...

James Abbott McNeill Whistler. Whistler with a hat, 1859. Etching, 283 x 200 mm. The British Museum, London.

An American in London: Whistler and the Thames

“Oh Fantin, I know so little – things do not go quickly!”, wrote James Abbott McNeill Whistler...

Bird pectoral, Popayan, gold alloy, AD100-1600. Copyright the Trustees of the British Museum.

Beyond El Dorado: Power and Gold in Ancient Colombia

Beyond El Dorado seeks to cut through the myth of the golden city, but the reality is no less captiv...

A Traveller in Time, from Standing Stones to the Distant Stars: an intervi...

In the 1990s, Japanese multimedia artist Mariko Mori became known for her performance-based photogra...

Arthur M. Sackler Museum of Art and Archaeology, Peking University, Beijing, China.

Anita Glesta: interview

After I had seen Brooklyn-based artist Anita Glesta’s travelling multimedia installation Gernika/G...

Oliver Cromwell (hung upside down). Highland Council.

Art Under Attack: Histories of British Iconoclasm

These days we take for granted the irony of using destruction as part of art, employed by movements ...

Andy Warhol. Vote McGovern, 1972. Founding Collection, The Andy Warhol Museum, Pittsburgh © 2008 Andy Warhol Foundation for the Visual Arts / ARS, New York.

Andy Warhol: Pop, Power and Politics

Warhol was one of the first artists to recognise the truly spectacular side of politics in the democ...

Chris Burden. Dos Equis, 1972. Laguna Beach, California: October 16, 1972. Photograph: Barbara Burden.

Chris Burden: Extreme Measures

Chris Burden, we learn from the flood of promotional material accompanying this fine show, his first...

EARTH AND SPACE. Winner and Overall Winner: Mark Gee (Australia), Guiding Light to the Stars. The skies of the Southern Hemisphere offer a rich variety of astronomical highlights. The central regions of the Milky Way Galaxy, 26,000 light years away, appear as a tangle of dust and stars in the central part of the image. Two even more distant objects are visible as smudges of light in the upper left of the picture. These are the Magellanic Clouds, two small satellite galaxies in orbit around the Milky Way. © Mark Gee.

Astronomy Photographer of the Year 2013

This is the fifth Astronomy Photographer of the Year exhibition. When Unesco held its International ...

Ana Mendieta. Imagen de Yágul (Image from Yagul), 1973. Colour photograph, 48.3 x 31.8 cm. Courtesy Glenstone Museum.

Ana Mendieta: Traces

Despite leaving behind an archive of over 1,000 slides and 60 films, as well as myriad drawings and ...

Australia

Australia at the Royal Academy is the largest and possibly most important exhibition of Australian a...

ArtRio 2013. Entrance. Photograph: Sergio Greif.

A picture of ArtRio 2013: An invitation to think about Art Fairs

The third ArtRio, which took place earlier this month, spanned five massive warehouses in Rio de Jan...

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