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Damien Hirst: Treasures from the Wreck of the Unbelievable

The YBA’s watery comeback dazzles with its extravagance, but the audacity of Hirst’s exhibition ...

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Delving into coding: the art of Harold Cohen

Harold Cohen, who developed Aaron, one of the first and most complex software programs for computer-...

Dreamers Awake

Filled with dark eroticism and witty visual puns, Dreamers Awake is a sprawling survey that explores...

Evgenia Arbugaeva: ‘I’m always making up stories and believing in magi...

Russian photographer Evgenia Arbugaeva spins gold from the light of desolate places, finding beauty ...

Esther Rolinson: ‘Light has an immediacy. We are literally woken up by i...

The multimedia artist Esther Rolinson talks about her exhibition Gravitate at Watermans Art Centre, ...

Fahrelnissa Zeid

This exhibition tells the story of the irrepressible spirit of a true artistic visionary who has bee...

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Frank Quitely: The Art of Comics

The Glaswegian comic-book superstar Frank Quitely is celebrated in this new exhibition of his famous...

Florian Hecker: Synopsis

Florian Hecker manipulates digital sound and our perception of it in this installation commissioned ...

Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...

After his recent solo exhibition at Parasol Unit in London, Elger Esser talks about the relationship...

Frieze New York 2017

The fair’s extensive list of programmes and projects, including a symposium on Latin American art,...

Frances Stark: ‘I am desperately trying to connect outside of the art wo...

Frances Stark, the Los Angeles-based interdisciplinary artist and writer, talks about her first oper...

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Eddie Martinez: 'I just want people to interpret the work how they want'

Eddie Martinez talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the in...

Enrique Martínez Celaya: 'The sense of past as memory always has force'

Enrique Martínez Celaya talks about his latest show, The Gypsy Camp, and his interest in nomadism a...

David Hepher – Grain of Concrete

Unusually for a landscape artist, David Hepher has for 40 years focused almost exclusively on the to...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Deanna Petherbridge sees ...

From Selfie to Self-Expression

Advertised as the world’s first exhibition dedicated to the history of the selfie, From Selfie to ...

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Drawing Biennial 2017

The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a r...

Edward Krasiński

As mercurial as this master of the Polish avant-garde might seem, a career-wide survey revealed some...

Deimantas Narkevičius: 20 July 2015

In the Lithuanian artist’s latest exhibition, contrasting public reaction to the dismantling of co...

Do Ho Suh: Passage/s

With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the ...

David Hockney

Celebrating 60 years of Hockney’s work, this exhibition charts the art of a modern great through d...

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David Brian Smith: ‘My cause is to fight for the plight of the English c...

The painter’s pop-coloured vision of the English countryside belies a sad truth, but as Smith demo...

Ed Webb-Ingall: ‘I am a product of lesbian history and a child of sectio...

The video-maker talks about working with communities, his current work, We Have Rather Been Invaded,...

Frank Stella: The Kenneth Tyler Print Collection

Focusing on the rich seam of Stella’s prints, this show gives an insight into the remarkable colla...

Fabienne Verdier: ‘I am an intrepid woman, a bit of a rebel maybe’

Verdier explains her unique method of vertical painting, using a handmade brush with a large reserve...

Franciszka Themerson: Lines and Thoughts

This exhibition reveals Themerson’s ability to conjure life and emotion out of a single line in he...

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David Kohn: ‘In trying to broaden what architecture could be, it feels l...

From a house extension modelled on a fox, to a new quad for an Oxford college, to a hotel in the air...

Emma Elliott: ‘Being human is the most important thing. Just being human...

The Passion For Freedom ambassador talks about her current project, which brings together the stigma...

Donna Huanca: ‘Memory is perhaps the most permanent architecture’

The Chicago-born artist discusses shedding skin, the idea of permanence, and being involved in Manif...

Daubigny, Monet, Van Gogh: Impressions of Landscape

A trail-blazing artist, largely lost from sight, is brought back into the limelight in this excellen...



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