Elizabeth Price: ‘I’m interested in music and the voice because it bri...
Studio International visited the artist in her studio in south-east London to talk to her about her ...
Ettore Spalletti: Every dawn, is first / Ogni alba, è la prima
His voice is singular, his pieces united in simplicity: painted columnar forms that point to classic...
David Claerbout: ‘I sculpt in duration’
The artist talks about duration, place and history in his practice, and how he sees his way of worki...
There were dogs, a screaming blow-up baby and a real donkey, but there were also museum-quality inst...
From the Collection: 1960-1969
From a shiny Jaguar E-Type, explosions of colour and a trip through a more muted palette, MoMA has s...
François Morellet: ‘Art is frivolous even when it takes itself seriousl...
Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...
Creative duo Kerstin Brätsch and Adele Röder’s transformative installation at the Serpentine Sac...
Eighth Asia Pacific Triennial of Contemporary Art (APT8)
Emphasising postcolonial themes of displacement, migration and return, privilege and exploitation, A...
Delacroix and the Rise of Modern Art
This exhibition includes some beautiful and touching examples of artistic hero worship, but the unde...
Francesca Woodman: On Being An Angel
Influenced by surrealism and the Gothic revival, as well as speaking to the contemporary 1970s femin...
Emilia Kabakov: ‘The idea behind this work is that reality can never bee...
Emilia Kabakov, who collaborates with her husband, Russian conceptual artist Ilya Kabakov, talks abo...
Eva Langret: ‘As more and more exhibitions are produced in Africa, by Af...
Eva Langret, head of exhibitions for London’s Tiwani Contemporary gallery, discusses the current s...
Elisabeth Frink: The Presence of Sculpture
Focusing, for the first time, on the challenges of making work, on the one hand privately and, on th...
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Francisco Vidal: ‘It’s an artist’s role to dream’
The artist’s colourful paintings and his relaxed persona belie the inspiration behind his work. Bu...
For the first time in the UK, the artist is exhibiting her award-winning Material for a Film. Alongs...
Danny Fox – interview: ‘My whole approach to my work can change in a s...
Danny Fox talks about trying to give up drinking, why politicians should force us all to be vegan, g...
This year’s Dutch Design Week in Eindhoven brought together established and up-and-coming designer...
As Stella is the first living artist to be shown at the Whitney Museum’s new downtown space, the e...
Frieze London 2015 reveals buyers’ anxieties, a swell in the Asian market and an increased focus o...
Derek Boshier: ‘I think I’ve turned from pop artist to popularist’
The artist rails against technology and right-wing newspapers, tells of his aspirations to create an...
Drawing in Silver and Gold: Leonardo to Jasper Johns
This, the first show ever devoted to metalpoint, includes works by some of the greatest artists and ...
Eileen Hogan: ‘I find out what really matters to me through working from...
The artist talks about being taught to draw in two very different ways by Euan Uglow and Frank Auerb...
Dineo Seshee Bopape: slow -co- ruption
For the artist’s first UK solo exhibition, she combines experimental video works and sculptural in...
Derek Michael Besant: ‘A stitching together of each person’s voice all...
The artist talks about his project, which involved 50 strangers from Scotland’s capital city sendi...
Facing History: Contemporary Portraiture
This show looks at how contemporary artists are influenced by the past as they seek to represent the...
Echigo Tsumari Art Triennale 2015
Japan’s contemporary art festival, the Echigo-Tsumari Art Triennale, despite being held in a regio...
Eloise Hawser: ‘This machine is all about contact and resistance’
The artist explains the complex mechanisms of a cinema organ and its colour-changer to Studio Intern...
Emma Cousin: ‘Humour is the most important thing’
Studio International visited Transition Gallery in east London to speak to Cousin about painting, in...
Fighting History, an exhibition examining 250 years of history painting, has received a torrent of a...
Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...
The artist talks about having a retrospective at the Royal Academy at the same time as showing in it...
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