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La Seine Musicale, Paris

Shigeru Ban has landed an ocean liner of a music venue at Paris’s westernmost edge. With two audit...

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Jay Heikes: ‘I've always loved the reminder that the natural world has t...

The Minneapolis-based artist discusses his experimental approach to materials, the significance of m...

Joseph Kosuth: ‘I was always interested in the limits of language and th...

On the occasion of his curated installation at Mazzoleni, the pioneer of conceptual art speaks to St...

Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...

The Australian artist explains how she made her installation Sea Country Spirits, and talks about di...

Lee Lozano: c 1962

Merging human organs and household objects, Lozano’s early miniatures are erotic and unsettling in...

Joyce Pensato: FORGETTABOUT IT

Batman, Donald Duck and Disney-style mice all loom large in the US artist’s second exhibition at t...

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Learning from Athens: Documenta 14 (Part one, Athens)

Despite multiple curatorial concepts, the first part of Documenta 14 is dominated by the decision to...

Joan Eardley: A Sense of Place

During her tragically short career, the painter concentrated on two contrasting areas of Scotland, w...

James Bridle: ‘There is a huge demand to humanise the technological view...

The artist talks about his current show at the Nome Gallery, Berlin, which centres around the self-d...

Lascaux IV: International Centre for Cave Art

With Lascaux IV, which contains a state-of-the-art simulation that brings to life the famous Lascaux...

John Latham: A World View and Speak: Tania Bruguera, Douglas Gordon, Laure...

Two concurrent exhibitions present a selective view of the career of renowned conceptualist John Lat...

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Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

The artist talks about the works in Drawings and Projects, her current exhibition at House of Illust...

Lygia Pape: A Multitude of Forms

The exhibition gives an insight into the development of modernism in Brazil, a country to which it w...

James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

Jean Painlevé

This is the first UK solo show for this fascinating artist, who chronicled key moments in the lives ...

Laura Oldfield Ford: ‘I map ruptures, such as the London riots’

Oldfield Ford spends a lot of time walking through the capital’s streets and, from the fanzine she...

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John Baldessari: Miró and Life in General

As he continues his late-career conversation with art history, the archetypical Californian conceptu...

Jamie Crewe: Female Executioner

Seeking ancestry in a controversial and pornographic 19th-century French novel, this queer, transfem...

Linda Stupart: ‘I’m interested in thinking about a world without men’

The writer, sculptor and performance artist talks about the power of crystals, witchcraft and using ...

Kerry James Marshall: Mastry

Taking over two floors of the Met Breuer, this stunning career retrospective insinuates the African ...

Kong Ning: ‘Being a witness mentally scarred me’

Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...

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Kate Fahey: interview

Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...

John Currin

In five new works at Sadie Coles HQ, the controversial American painter clothes the history of art i...

Jason Martin

The new minimalism at which Martin has arrived is obvious in the oil paintings on show here, and his...

Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life

Despite the vast differences in the style and intention of their work, this exhibition attempts to s...

Karen Russo: ‘I’ve always liked the idea of making films that were som...

The artists talks about her two most recent films, Haus Atlantis and TET-Stadt, which centre on the ...

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Jiang Dahai: ‘There are universal values shared among artists and schola...

The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...

Laura Owens

Laura Owens’s dynamic abstract paintings, accompanied her own quirky audio guide, ensure there is ...

Joel Shapiro: ‘As an artist, you are synthesising the stuff around you i...

The influential American sculptor, now in the fifth decade of his career, brings out his wood wall r...

Leah Raintree – Another Land: After Noguchi

This modest exhibition consists of 10 photographs by Raintree of the work of Isamu Noguchi. Manipula...



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