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Louisa Fairclough: A Song Cycle for the Ruins of a Psychiatric Unit

At the Danielle Arnaud gallery in London, Louisa Fairclough’s exhibition A Song Cycle for the Ruin...

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Light in motion: Balla, Dorazio, Zappettini

The latest in Mazzoleni’s series of exhibitions devoted to 20th-century Italian art enacts a vivid...

Jean Prouvé: Architecte des Jours Meilleurs (Architect of Better Days)

The French architect Jean Prouvé was a radical modernist whose graceful prefab buildings used cutti...

Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...

London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...

Kelly Richardson: The Weather Makers

The barren, dystopian landscapes of Kelly Richardson’s audiovisual installations are hypnotically ...

Julie Montgarrett: ‘I have always gravitated to the seductive character ...

Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...

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Jasper Johns: ‘Something Resembling Truth’

The first comprehensive exhibition of Jasper Johns to be held in the UK in the past 40 years looks b...

Louise Bourgeois: An Unfolding Portrait

MoMA’s expertly curated exhibition of Bourgeois’ prints rescue the artist from her legend, revea...

Jenny Holzer: Softer

In her current exhibition at Blenheim Palace, Holzer responds to the building’s military history w...

Jake and Dinos Chapman: The Disasters of Everyday Life

Among the casts of suicide vests, it is the Chapman brothers’ reworked etchings of Goya that hold ...

Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...

Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...

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John Hoyland: Stain Paintings 1964–1966

This, the first New York exhibition of John Hoyland’s work in 25 years, brings together seven of h...

James Richards: Music for the gift – Wales in Venice, 2017

Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...

Lucas Arruda: ‘The only reason to call my works landscapes is cultural’

On the occasion of his first London exhibition, at David Zwirner, Lucas Arruda discusses his almost ...

José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

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Klimt and Antiquity: Erotic Encounters

Bringing together works by Gustav Klimt with pottery, sculptures and texts from late classical antiq...

Julián Zugazagoitia: ‘Museums should generate interest and open a door ...

Since 2010, when Zugazagoitia joined the Nelson-Atkins Museum of Art, visitor numbers have soared. N...

Julian Lethbridge: Inside Out

The 13 new paintings by Julian Lethbridge, now on show in Berlin, are works of virtuosity and dedica...

Lluís Lleó: ‘It was important to me that the sandstone came from Spain...

Lluís Lleó talks about how, for his recent installation on Park Avenue, New York, he was inspired ...

Laura Youngson Coll: ‘The real catharsis was in the making process, beca...

Expanding on her fascination with the world of nature and natural sciences, Laura Youngson Coll has ...

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Jesse Jones: Tremble Tremble – Venice Biennale 2017

Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice ...

Learning from Athens: Documenta 14 (Part two, Kassel)

Returned to its traditional home in central Germany, Documenta 14 abounds with intelligent, well-cur...

Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...

Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...

La Seine Musicale, Paris

Shigeru Ban has landed an ocean liner of a music venue at Paris’s westernmost edge. With two audit...

Jay Heikes: ‘I've always loved the reminder that the natural world has t...

Minneapolis-based artist Jay Heikes discusses his experimental approach to materials, the significan...

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Joseph Kosuth: ‘I was always interested in the limits of language and th...

On the occasion of his curated installation at Mazzoleni, Joseph Kosuth, the pioneer of conceptual a...

Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...

Australian artist Jenny Crompton explains how she made her installation Sea Country Spirits, and tal...

Lee Lozano: c 1962

Merging human organs and household objects, Lee Lozano’s early miniatures are erotic and unsettlin...

Joyce Pensato: FORGETTABOUT IT

Batman, Donald Duck and Disney-style mice all loom large in US artist Joyce Pensato’s second exhib...



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