Jesse Jones: Tremble Tremble – Venice Biennale 2017
Gender inequality was one of many human rights issues that artists wrestled with at the 57th Venice ...
Learning from Athens: Documenta 14 (Part two, Kassel)
Returned to its traditional home in central Germany, Documenta 14 abounds with intelligent, well-cur...
Jodie Carey: ‘I like my works to be imbued with a silence and a stillnes...
Jodie Carey talks about her developing practice, the impact of motherhood, her concerns with mortali...
Shigeru Ban has landed an ocean liner of a music venue at Paris’s westernmost edge. With two audit...
Jay Heikes: ‘I've always loved the reminder that the natural world has t...
Minneapolis-based artist Jay Heikes discusses his experimental approach to materials, the significan...
![Joseph Kosuth. ‘Titled (A.A.I.A.I.)’ [colour] (O.E.D.), 1967. Mounted photograph, 122 x 122 cm. © Joseph Kosuth. Courtesy of the artist and Sprüth Magers.](/images/articles/k/099-kosuth-joseph-2017/smallpix/01-300.jpg)
Joseph Kosuth: ‘I was always interested in the limits of language and th...
On the occasion of his curated installation at Mazzoleni, Joseph Kosuth, the pioneer of conceptual a...
Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...
Australian artist Jenny Crompton explains how she made her installation Sea Country Spirits, and tal...
Merging human organs and household objects, Lee Lozano’s early miniatures are erotic and unsettlin...
Joyce Pensato: FORGETTABOUT IT
Batman, Donald Duck and Disney-style mice all loom large in US artist Joyce Pensato’s second exhib...
Learning from Athens: Documenta 14 (Part one, Athens)
Despite multiple curatorial concepts, the first part of Documenta 14 is dominated by the decision to...
Joan Eardley: A Sense of Place
During her tragically short career, Joan Eardley concentrated on two contrasting areas of Scotland, ...
James Bridle: ‘There is a huge demand to humanise the technological view...
James Bridle talks about his current show at the Nome Gallery, Berlin, which centres around the self...
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Lascaux IV: International Centre for Cave Art
With Lascaux IV, which contains a state-of-the-art simulation that brings to life the famous Lascaux...
John Latham: A World View and Speak: Tania Bruguera, Douglas Gordon, Laure...
Two concurrent exhibitions present a selective view of the career of renowned conceptualist John Lat...
Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...
Linda Kitson talks about the works in Drawings and Projects, her current exhibition at House of Illu...
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Lygia Pape: A Multitude of Forms
The exhibition gives an insight into the development of modernism in Brazil, a country to which it w...
James Capper: the making of Six Step
We visited James Capper over the course of four months, first filming him in his London studio where...
This is the first UK solo show for fascinating artist Jean Painlevé, who chronicled key moments in ...
Laura Oldfield Ford: ‘I map ruptures, such as the London riots’
Oldfield Ford spends a lot of time walking through the capital’s streets and, from the fanzine she...
John Baldessari: Miró and Life in General
As he continues his late-career conversation with art history, the archetypical Californian conceptu...
Jamie Crewe: Female Executioner
Seeking ancestry in a controversial and pornographic 19th-century French novel, this queer, transfem...
Linda Stupart: ‘I’m interested in thinking about a world without men’
The writer, sculptor and performance artist talks about the power of crystals, witchcraft and using ...
Taking over two floors of the Met Breuer, this stunning career retrospective insinuates the African ...
Kong Ning: ‘Being a witness mentally scarred me’
Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...
Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...
In five new works at Sadie Coles HQ, the controversial American painter clothes the history of art i...
The new minimalism at which Martin has arrived is obvious in the oil paintings on show here, and his...
Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life
Despite the vast differences in the style and intention of their work, this exhibition attempts to s...
Karen Russo: ‘I’ve always liked the idea of making films that were som...
Karen Russo talks about her two most recent films, Haus Atlantis and TET-Stadt, which centre on the ...
Jiang Dahai: ‘There are universal values shared among artists and schola...
The Chinese-born artist unfolds his search for abstraction in all art, his pursuit of musicality and...
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