Kusama: Cosmic Nature

In a joyous coupling of art with nature, Yayoi Kusama’s cheering and restorative polka dots and pu...

Jadé Fadojutimi – interview: ‘I bathe in the conversations between co...

Jadé Fadojutimi talks about how lockdown enriched her practice, her obsession with Japan, her Liver...

Julie Mehretu

Mehretu’s vision is both epic and intimate and this survey of 25 years of her craft is a measure o...

Lina Ghotmeh – interview: ‘Sometimes I wonder whether I am constructin...

Lina Ghotmeh, the Lebanese-born, Paris-based architect discusses her methodology of architecture as ...

Jens Fänge – interview: ‘I try to come to a painting from a different...

As Jens Fänge exhibits new work in Paris, the Swedish painter talks about assemblage, the structure...

Luiz Zerbini – interview: ‘I treat a painting as an oracle’

Brazilian painter Luiz Zerbini discusses urbanity and nature, the power of geometry and the secret l...

Jordan Baseman on turning mastectomy tattoos into the subject of a cartoon...

Jordan Baseman’s films deal with everything from embalming to post cancer surgery tattoos, and see...

Kandinsky | Guggenheim Bilbao

With 62 of Kandinsky’s paintings and works on paper, this exhibition charts the development of his...

Jim Dine – interview: ‘I never stop looking. I never stop examining. I...

Artist Jim Dine talks about his easily recognisable paintings, into which he embeds tools and incorp...

Lucy McKenzie: Prime Suspect

A mid-career survey of the Brussels-based Scottish artist conceals big questions in illusionistic ma...

Kai Althoff Goes With Bernard Leach

Juxtaposing a sprawling selection of Althoff’s works with a tribute to British studio pottery, the...

London’s Arts Labs and the 60s Avant-Garde

From a naked man flinging himself into a giant jelly to a 24-hour piano recital to John Lennon and Y...

Krištof Kintera – interview: ‘Humour helps us to survive’

Unable to install The End of Fun! at Ikon in Birmingham because of Covid-19 travel restrictions, Kin...

John Byrne at 80

This celebratory exhibition of Byrne’s screenprints, along with a companion show of portraits of t...

Jacqueline Poncelet – interview: ‘Uncertainty is all right; it gives u...

A major UK survey exhibition of her work reveals the restless creativity and curiosity of this talen...

Kate Mieczkowska – interview: ‘I have always loved being in front of a...

The artist talks about the development of her art practice and her curatorial debut, Goddess Now...

Lonnie Holley – interview: ‘I started doing my work with a knife, fork...

Following a traumatic childhood, his art saved him, says Holley. Here he talks about the environment...

Ken Done – interview: ‘We white blokes could learn from collaboration ...

Now 80, Done says you should be fearless as you age and take more risks. Here he talks about why a g...

John Newling: Dear Nature

Newling’s ecological artworks provoke questions about how we can work in harmony with nature and c...

Looking Up: Helaine Blumenfeld at Canary Wharf

The luxury corporate campus of Canary Wharf makes an unusual but strangely prescient setting for scu...

Lygia Clark: Painting as an Experimental Field 1948-1958

Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazi...

Johanna Unzueta: Tools for Life

Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...

Janet Laurence – interview: ‘White Australians didn’t have a way of ...

A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...

Julijonas Urbonas: Planet of People

In this fascination fusion of art and science, the Lithuanian artist imagines sending visitors into ...