Mick Peter – interview: ‘The project was pleasingly indulgent, a free ...

Amid the playful life-size figures at his new show, Gerroff!! (or User Feedback), Mick Peter discuss...

Mark Leckey – interview: ‘There’s this strange new limitless and ela...

Mark Leckey shares his circuitous journey to art-world success, his passion for music, film and outs...

Nicholas Pope: ‘We artists can speak and everyone can understand in thei...

To coincide with three major shows of his work, Nicholas Pope speaks about his successes, travels, t...

Michael Armitage – interview: ‘Not having a cultural hierarchy is libe...

As his show, Paradise Edict, opens at the Royal Academy in London, Michael Armitage talks about the ...

Night Fever: Designing Club Culture

With nightclubs facing massive uncertainty after more than a year of closure, the V&A Dundee’s exh...

Markus Lüpertz: Recent Paintings

A suite of new works by the German painter Markus Lüpertz, exploring the theme of Arcadia, mix insc...

Mika Tajima: Regulation

For her debut solo exhibition in the UK, the New York-based artist Mika Tajima focuses on the ways i...

Modal Painting

Through the works of Frank Bowling, John Hoyland, Reginald Sylvester II, John Golding and Sam Gillia...

Matt Jukes – interview: ‘You need to dream big, so you can shoot for t...

Matt Jukes talks about the pandemic, the effect of lockdown on our mental health, and his immersive,...

Mohamed Bourouissa – interview: ‘I see art as a playground’

Ahead of Mohamed Bourouissa's survey exhibition at Goldsmiths Centre for Contemporary Art, the Paris...

Nick Hornby – interview: ‘Liquefied photography is magical and mysteri...

British artist Nick Hornby talks about his shift from art history to personal histories, and combini...

Michael Visocchi – interview

Scottish artist Michael Visocchi talks about his commission to create a sculpture for South Georgia,...

Monica von Schmalensee – interview: ‘Architecture is an instrument for...

Von Schmalensee, former CEO and now partner of White Arkitekter, has advised the Swedish government ...

Michael Armitage: Paradise Edict

The British Kenyan painter’s first institutional show demonstrates his remarkable development, whi...

Nicole Eisenman: Where I Was, It Shall Be

Nicole Eisenman’s first solo UK presentation for Hauser & Wirth Somerset showcases her large sculp...

Michael Clark: Cosmic Dancer

Through film, sculpture, painting, costume and photography, this wild party of an exhibition celebra...

Not Without My Ghosts: The Artist as Medium

An exhibition of art inspired by the spirit world at Drawing Room London offers up some surprising v...

Michael Schmidt Retrospective: Photographs 1965-2014

A hometown survey of the Berlin photographer captures a city on the cusp of change, anxious and expe...

Nancy Holt: Points of View

Her enduring interest in language and visual perception, combine in this fascinating yet intimate ex...

Matisse: The Books – book review

This sumptuous publication brings together Matisse’s eight livres d’artiste with meticulous atte...

Nicole Schoeni: ‘We wanted to look at the psychological effects of the p...

Schoeni discusses the challenges of curating an immersive group exhibition in a London townhouse dur...

Nalini Malani – interview: ‘The future is female. There is no other wa...

Malani won the Joan Miró Prize last year and the resulting exhibition, You Don’t Hear Me, is now ...

Mami Kataoka – interview: ‘We need to look at long-term museum managem...

The director of the Mori Art Museum in Tokyo explains how it has used its online presence and social...

Matthew Burrows – interview: ‘I think as an artist and I make as a pai...

The artist talks about his strategies for thinking about painting, how his long-distance running is ...