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Pamela Schilderman: ‘I really wanted people to think about what it is th...

What makes a portrait? What defines a person’s identity? These are questions at the core of Schild...

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Paula Rego: The Boy Who Loved the Sea and Other Stories

Consummate storyteller Paula Rego brings her cast of mermaids and misfits to a town that seems forge...

Reflections: Van Eyck and the Pre-Raphaelites

This wishy-washy exhibition is a lesson in tenuous connections...

Russian Revolution: A Contested Legacy

The exhibition is unique as a form of intergenerational and intercultural dialogue. It brings togeth...

Pavel Brăila: 'Roots are the most important thing that we have’

After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...

Rachel Whiteread Retrospective

In the most substantial survey of Rachel Whiteread’s work to date, the Tate looks back over 30 yea...

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Portrait of the Artist: Käthe Kollwitz

Celebrated in her native Germany, Käthe Kollwitz, born 150 years ago this year, is sadly little kno...

Robert Longo: ‘I’m making artworks out of dust’

At his first solo exhibition in London, New York artist Robert Longo talks about charcoal, photograp...

Ross Birrell: ‘I saw a possible way to draw a relationship between art a...

Ross Birrell talks horses, endurance and taking risks in relation to two works for Documenta, his fi...

Peter Halstead: ‘People should have their own personal adventure with sc...

Cathy and Peter Halstead talk about Tippet Rise Art Center, the remarkable music venue and sculpture...

Portraying a Nation: Germany 1919–1933

A portrait of a nation, of an era, and, at heart, of humanity, this dual exhibition of two key artis...

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Raqib Shaw

A new show at the Whitworth Manchester combines Raqib Shaw’s paintings and sculptures with prints,...

Royal Academy Summer Exhibition 2017

The RA’s annual open submission exhibition presents a shifting ‘kaleidoscope’ of contemporary ...

Richard Smith: Work of Five Decades

This is the first posthumous exhibition of Richard Smith, who died last year, and whose work straddl...

Rachel Maclean: Spite Your Face – Venice Biennale 2017

Rachel Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale t...

Peter Dreher: ‘In my pictures I underline the act of seeing’

German artist Peter Dreher recounts the trauma of childhood under the Nazi regime, his autonomy from...

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Ruth Maclennan: ‘I realised that global warming was happening, and asked...

Visual artist Ruth Maclennan talks about what art can do in the face of climate change, her films of...

Queer British Art 1861-1967

To mark the 50th anniversary of the partial decriminalisation of sex between men, Tate Britain’s c...

Prabhavathi Meppayil

The Indian artist, brought up in a family of goldsmiths, adapts age-old techniques to make work that...

Rik Wouters: A Retrospective

More than 200 works mark the largest monographic exhibition to date devoted to the Belgian modernist...

Revolution: Russian Art 1917-1932

The fascinating and expansive exhibition provides an intriguing and rare insight into the dialogue b...

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Richard Wilson: Stealing Space

‘I’m just making the unknown real,’ says Wilson, about his new exhibition, Stealing Space at A...

Rezi van Lankveld: ‘I pour paint to make a “happening” in the painti...

The Dutch painter explains how her attitude to painting has changed and talks about her recent paint...

Painters’ Painters

There is a quiet revolution happening in paint. But, paradoxically, Painters’ Painters seems out t...

Paul de Monchaux: Ten Columns

In only his second solo show, the 82-year-old artist explores the potential of the column as a site ...

Peggy Franck: With no hands. Like a sea

For her first exhibition at Arcade gallery in London, Peggy Franck has installed her paintings, phot...

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Robert Rauschenberg

This exhibition, the first full-scale retrospective of Rauschenberg’s work since his death in 2008...

Roman Ondák: The Source of Art is in the Life of a People

In a show lasting 100 days and symbolising 100 years, the celebrated conceptual artist Roman Ondák ...

Roger Hiorns: ‘It isn’t enough to put an artwork in the world. You hav...

Roger Hiorns explains his methods of exploration and excavation, and why he believes art is not so m...

Pat Steir

This dramatic selection of the American artist’s painting from 1990-2011 marks her first London sh...



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