An enlightening and enriching insight into the juvenilia of the controversial photographer, showing ...
This retrospective exhibition displays Cain’s huge, forensic paintings of cars, strangely truncate...
Paul Carter: ‘There’s an invitation that only takes you so far’
Entering the gallery, visitors enter a new world – a liminal space, with an empty lift, piss-stain...
Regine Bartsch: ‘I’m drawn to these places where many people have live...
In her studio in southern Ireland, the German-born artist spoke about her recent exhibition and resi...
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Raqib Shaw: ‘I really don’t give a fuck about the so-called contempora...
In his converted home and studio in east London, surrounded by dogs, myriad staff, an exquisitely ke...
Paula Modersohn-Becker: An Intensely Artistic Eye
Following the artist’s progress from a small German artists’ community to the bright lights of P...
Celebrating moving image from the 1960s to the present day, this exhibition explores experimentation...
The new pavilion for the Musée National des Beaux-Arts du Québec is a glorious building that nearl...
Peter Howson: A Survey of Prints
This retrospective of prints produced over four decades by Scottish artist Peter Howson, one-time me...
The Icelandic artist’s first UK survey exhibition serves up a palimpsest of delights that gives co...
Philip Hunter: ‘I’ve developed an approach to painting that emulates t...
The Australian artists talks about the influence of Sidney Nolan, his most recent body of works, Geo...
Rana Begum: 'I love using readymade materials in the work'
Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...
Painters’ Paintings: from Freud to Van Dyck
The National Gallery sheds light on the personalities of some of the biggest names in painting, not ...
Robert Irwin: All the Rules Will Change
This exhibition looks at work the artist produced from 1958 to 1970, a time when he reconsidered the...
For his second exhibition at Sadie Coles, the young American artist eschews canvas and paper, drawin...
Random International: ‘There is a real collective power in this group of...
Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...
Philip Pearlstein: ‘I decided I didn’t want to express other artists...
The American artist has pursued an independent path for more than 60 years. Here, he talks about his...
Richard Sides: Invisible World
The artist’s latest exhibition confirms hisconfidence and ability to transform space and boundarie...
Picasso: The Great War, Experimentation and Change
The exhibition succeeds in introducing the complicated story of Picasso’s simultaneous exploration...
Russia and the Arts: The Age of Tolstoy and Tchaikovsky
This exhibition introduces visitors to the talents and turmoil of the Russian arts scene from 1867 t...
Peter Fischli David Weiss: How to Work Better
The Swiss duo play with viewers’ habits and expectations, but they demand to be taken seriously at...
Painting the Modern Garden: Monet to Matisse
The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens have inspired a...
Rose English: ‘Improvisation is present always, making anything’
The artist talks about her collaboration with composer Luke Stoneham and a troupe of Chinese acrobat...
Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...
In his first London show, the artist explores the Ethiopian traditions of honouring the spirit of a ...
Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...
Working on drawings after labouring over collages is like taking a gallop through a vast field, says...
Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...
The artist talks about his career, from visiting Robert Motherwell and Lee Krasner in New York in th...
From the work of Bas Jan Ader, who disappeared while crossing the Atlantic in a tiny boat, to the po...
Rose Blake: ‘I have always found it easier to express a thought through ...
The illustrator and artist talks about her recent exhibition at the Rebecca Hossack Gallery, drawing...
Ruth Root: ‘I love to see how artists create such a joy from colour’
The painter talks about her first US solo exhibition, at the Aldrich Contemporary Museum of Art, her...
Rachel Maclean: British Art Show 8
Feed Me is the first feature-length film work by Scottish artist Rachel Maclean. With Maclean playin...
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