Pope.L: Notations, Holes and Humour
Pope.L, the pioneering American performance artist, makes his London gallery debut with an explosive...
Peter St John – interview: ‘You can see how this building has develope...
The co-founder of Caruso St John Architects, behind such projects as Tate Britain’s refurbishment ...
Rebecca Salter – interview: ‘I believe that art thrives in a crisis an...
The first female president of the Royal Academy talks about the impact the pandemic has had on the i...
As the city holds the 2020 Olympics, architects and artists including Kazuyo Sejima, Terunobu Fujimo...
Rachel Kneebone – interview: ‘My work is concerned with our visceral l...
Sculptor Rachel Kneebone talks about her forthcoming exhibition at Yorkshire Sculpture Park and the ...
An ear-shredding, eye-rending survey of the audiovisual artist Ryoji Ikeda transforms data into engu...
Richard Hamilton: Respective – Key works and a wealth of fascinating archive material make this sm...
Rafael Pérez Evans – interview: ‘Food contains a lot of emotion’
Rafael Pérez Evans talks about growing up in a farming community in rural Spain, queer and rural sh...
Rubens to Sickert: The Study of Drawing
With a wide range of drawings, including works by Rubens, Charles Keene, Sickert and Whistler, this ...
Rachel Whiteread – interview: ‘I’ve always picked things up. I’m a...
Rachel Whiteread, whose new show is at the Gagosian in London, talks about the pandemic, dump-diggin...
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Private art museums – ‘I like to collect by myself and make decisions ...
It takes more than wealth and success to run a museum, so why do so many collectors decide to go it ...
Philip Hughes – interview: ‘Drawing captures the memory of a place lik...
Philip Hughes talks about his practice and what informed his new book, Painting the Ancient Land of ...
Peter Kennard – interview: ‘Montage is about allowing people to think ...
Peter Kennard, the celebrated political artist, talks of photomontage, protest, art schools and imag...
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happ...
Artist Prabhakar Pachpute talks about growing up in a coal-mining region in India, and how its assoc...
Robert Smithson: Hypothetical Islands
With works largely drawn from the collection of his wife, Nancy Holt, Smithson’s hypothetical isla...
Is the message of Rashid Johnson’s new show helped or hindered by the repetitive motifs and elabor...
Royal Academy of Arts Summer Exhibition 2020
For the first time ever, the Summer Exhibition falls in autumn and winter, but the RA’s galleries ...
Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on ...
Through multilayered works that merge vibrant female figures with fantastical landscapes, the South ...
Pat Steir – interview: ‘I want the paint to make the painting, to make...
She discusses a new, candid documentary of her life, and talks about her art practice and the influe...
Revamped Kyoto City Kyocera Museum of Art is soon to reopen
The original 1933 building, a mix of traditional Japanese design and 1920s western architectural sty...
Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...
The artist talks about the work in his latest show, now postponed, his interests and influences – ...
From rejecting cultivated gardens in favour of wild spaces to using traditional craft rather than mo...
Pacita Abad: Life in the Margins
Abad’s exuberant mixed-media trapunto works give a carnivalesque feel to the UK’s first solo exh...
Peter Fischli and David Weiss – Should I Paint a Pirate Ship On My Car W...
Three works from the duo’s career point up their concern with commonplace objects and the melancho...
Ruth Asawa: A Line Can Go Anywhere
Asawa, who was known for weaving sculptures with wire and studying at Black Mountain College under J...
Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...
While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...
Pio Abad – interview: ‘The backbone of my practice is family: personal...
The London-based Filipino artist talks about The Collection of Jane Ryan & William Saunders, 3D repl...
Paula Rego: Obedience and Defiance
Rego’s artworks are defiant and consuming. They depict suffering, oppression and cruelty, yet her ...
Robert Holyhead – interview: ‘I see each painting as a single, emerged...
The artist discusses his new work, No Movement, No Colour, at Galerie Max Hetzler, London, and why, ...
Radical Women: Jessica Dismorr and her Contemporaries
The radical politics of the early 20th century and the role of women in society coloured Dismorr’s...
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