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Tarsila do Amaral: Inventing Modern Art in Brazil

As revealed by this tightly curated exhibition at New York’s Museum of Modern Art, Tarsila do Amar...

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Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...

Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...

Threesome and 3X3

Curator Anna McNay has put together two exhibitions – Threesome, a collaboration between three fem...

The Land We Live In – The Land We Left Behind

With an extraordinary diversity of work, from medieval Korean ceramics to cutting-edge conceptual ar...

Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...

The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...

Torbjørn Rødland: Back in Touch

Secrets lurk in Rødland’s photographs, but in chasing the thrill of the secret, his images fall s...

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Sriwhana Spong: a hook but no fish

Spong explores the invented language of Hildegard von Bingen, a 12th-century mystic. Over the Pump H...

Solidary & Solitary: The Joyner/Giuffrida Collection

A museum committed to the art of the American South presents an exhibition that highlights the contr...

Sofia Stevi: Turning forty winks into a decade

Greek artist Sofia Stevi’s paintings ooze confidence, sensuality and an improvisational spontaneit...

Shirazeh Houshiary: ‘We can’t fix our identity or our borders, the onl...

Houshiary talks about evolution, Einstein and shamans, and how her work involves thinking in other d...

The East London Group and their Contemporaries

In the mid-20s, a group of largely working-class men came together in the East End of London and beg...

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The Lives of the Artists: 50 years of Gilbert & George

To coincide with the 50th anniversary of the artists’ meeting, we publish Gilbert & George’s Mag...

Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...

Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...

Tove Jansson (1914-2001)

Studio International visited the Dulwich Picture Gallery to view the Finnish artist Tove Jansson’s...

Soutine’s Portraits: Cooks, Waiters and Bellboys

Chaïm Soutine, who inspired many of the 20th century’s greatest painters, brought the strange and...

Thomas Schütte

Mixing familiar Schütte tropes with new ones, the great German sculptor’s first London show in fi...

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Sara Barker: The faces of older images

Sara Barker’s exhibition of five wall-based relief sculptures, which opens Mary Mary’s new space...

Suspended Animation

Nine contemporary artists ask what has become of reality and physicality in the age of the virtual ...

Shilpa Gupta: ‘I am always playing with the idea of the location in the ...

The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...

Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

Scythians: Warriors of Ancient Siberia

The Scythians are coming to the British Museum this autumn and we have more in common with these anc...

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Sol Calero: ‘It’s important that the aesthetics don’t eat the concep...

Beneath the colourful painted surfaces of Sol Calero’s immersive installations, there are deeper, ...

Santiago Sierra: Impenetrable Structure

The controversial Spanish artist returns to London with a new site-specific installation that contin...

Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...

Soul of a Nation: Art in the Age of Black Power

This is an exhibition of tragedy, celebration and defiance at a time of change and violence in the U...

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Tom Burr: Surplus of Myself

Running parallel to Münster’s Skulptur Projekte, notions of private and public are unsettled in t...

Serendipity Symposium 2017

Is serendipity entirely human – or human-driven – or can researchers into artificial intelligenc...

Skulptur Projekte Münster 2017

With artificial environments, app-led innovations and a preponderance of site-specific video art, th...

Tadaaki Kuwayama: ‘Here is only the art itself’

Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...



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