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Tadaaki Kuwayama: ‘Here is only the art itself’

The Japanese-born artist recounts his refusal to dictate how spectators should view his work, his vi...

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Samson Young: Songs for Disaster Relief

Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of compon...

Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

The artist talks about his love of words, the human drive to make marks and the more spiritual side ...

Tracey Emin and William Blake in Focus

While the similarities between the work of Tracey Emin and William Blake are tenuous, the latest ins...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

The artist talks about his academic origins, the delicate equilibrium he seeks between accident and ...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

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Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

The artist talks about his seduction by charcoal, his fear of being exposed, and his creation of min...

The Japanese House: Architecture and Life after 1945

Featuring more than 40 architects, this exhibition traces 70 years of small-scale innovation to cele...

Tony Oursler: Imponderable

This fascinating exhibition brings together some of the artist’s vast archive of ephemera concerni...

Tuneu: Hexacordo

This solo exhibition, which celebrates Tuneu’s 50 years as an artist, brings together his most rec...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...

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The American Dream: Pop to the Present

This exhibition pops and sparks, but ultimately goes out with a disappointing fizzle, leaving us to ...

The photographic works of Kishin Shinoyama: Picture Power

The Japanese photographer, famous for his portraits of celebrities and nudes, has selected about 120...

Toshiyuki Inoko: ‘We are exploring the ways in which the relationships b...

The founder of teamLab, an interdisciplinary group of ‘ultra-technologists’, explains how digita...

Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...

The Place Is Here

The 1980s were a fertile time for black British artists to interrogate their experience of racial di...

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Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...

Sussex Modernism: Retreat and Rebellion

Unravelling some of the interwoven and incestuous tales relating to the 20th-century modernist prota...

TeamLab: Transcending Boundaries

If there were a happiness index for exhibitions, then teamLab: Transcending Boundaries would score a...

Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Iran, Soleimani discusses the state-sanctioned m...

Terrains of the Body: Photography from the National Museum of Women in the...

Building on the legacy of feminist art from the 1970s, this exhibition includes photographic and vid...

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The Studio and the Arts and Crafts Movement

This article was first published in High Art and Low Life: The Studio and the fin de siécle, ...

Strange Worlds: Visions of Angela Carter

To mark the 25th anniversary of Carter’s death, this exhibition brings together works that influen...

Sergei Eisenstein: Drawings, 1931-1948

Known as a film-maker, Eisenstein also excelled at drawing. This exhibition presents a rare collecti...

Titus Kaphar: ‘My subconscious mind had created a fiction that masquerad...

For his current exhibition at Jack Shainman Gallery in New York, Titus Kaphar looks to historical po...

The founding of The Studio

This article was first published in High Art and Low Life: The Studio and the fin de siécle, a spec...

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Susannah Stark: ‘I like to create something that bears the trace of mult...

The artists talks about cultural memories, Spolia, swamps and Icelandic necropants...

Seungjo Jeong: interview

South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...

Sophie Jung: ‘I don’t trust language’

The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwright Elfriede...

South Africa: The Art of a Nation

This exhibition is packed with fantastic items that tell stories of resilience and resistance. But t...



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