Stalking the Image: Margaret Tait and her Legacy
In the centenary year of Tait’s birth, this exhibition of short films celebrates her pioneering le...
From storms thrashing lighthouses to mountaintops enveloped by cloud, from golden piazzas to the Ita...
Shen Fan: Works in Abstraction 1992-2017
This exhibition presents a survey of works by the Shanghai-based artist whose aim is to open up a di...
Nature, says Swartz, is her primary source of inspiration and her paintings are grounded in the incr...
With glimmers of a cloak-and-danger cold war thriller, this look at the US artist’s 1958 UK debut ...
This exhibition brings together the works of a formidable group of artists whose friendship has insp...
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The sky’s the limit: OMA and Bjarke Ingels reinvent Stockholm’s reside...
With two new luxury blocks of flats, OMA and Bjarke Ingels Group have added their architectural sign...
The Bunker Artspace – Art as autobiography
Given a test run last autumn and reopening on 2 December, The Bunker, a private venue fronting the c...
This immersive installation documents Sierra’s provocative planting of black flags – symbol of t...
Suspension: A History of Abstract Hanging Sculpture 1918-2018
From Duchamp’s Travelling Sculpture to a tiny work by Ruth Asawa, Suspension proposes a new catego...
Stephen Farthing on The Miracle Paintings
Farthing explains how his Miracle paintings, now on show at Salisbury Cathedral, came from a convers...
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From Ann Veronica Janssens’ Magic Mirrors to Anish Kapoor’s mind-bending sculptures, this playfu...
Nicolas and Frances McDowall started the Old Stile Press almost 40 years ago. They talk to Studio In...
Spellbound: Magic, Ritual and Witchcraft
Spellbound is an exhibition that not only examines the superstitious practices that governed our anc...
Tamsyn Challenger: Free the Pussy!
The artist-curator Tamsyn Challenger talks about Free the Pussy!, the exhibition she has curated to ...
The London-based artist Simon English talks about chance, addiction and the wilful act of drawing...
Tamara Henderson – interview: ‘You could say the maquettes were the hy...
Tamara Henderson discusses the transmigration of the soul, the transformative properties of clay, an...
Thierry Oussou: ‘I would like the discourse that I am developing in my w...
The Benin-born artist Thierry Oussou reflects on his artistic practice, the need for repatriation of...
This major retrospective of the work of Thomas Bayrle brings together works from the past 50 years a...
Tania Kovats and Kimathi Donkor discuss drawing practice and education
After the pop-up symposium Lines of Thought at Trinity Buoy Wharf, the new partner for what was form...
Tai Xiangzhou is committed to a traditional lexicon, his ink paintings magnificent, deeply indebted ...
Tacita Dean: Woman With a Red Hat
Centred around the theme of “performance”, this show cleverly connects the art, film and theatre...
Teresa Lawton: Tipping the Balance
Lawton’s paintings are inspired by her love of Dorset, where she explore the shapes and colours of...
Shelley Himmelstein: Soccerscapes – Fifa World Cup Series; Michael Sorga...
Gallery director Randall Harris explains how this double show came about, while Himmelstein talks ab...
Starting from the Desert: Ecologies on the Edge – Second Yinchuan Bienna...
There are some strong individual showings at the biennale, but its curatorial framework is a mystery...
Gates hopes to challenge and confront the prevailing European narratives of racial and religious aut...
Samaneh Moafi of Forensic Architecture: ‘We are taking something that is...
Forensic Architecture has never designed a building. Instead, it acts as an architectural detective ...
True Colours: Helen Beard, Sadie Laska and Boo Saville
True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...
New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...
A fresh look at the paintings of British émigré Thomas Cole reveals some eerily relevant messages ...
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