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Sanya Kantarovsky: Apricot Juice

Russian artist Sanya Kantarovsky has based this exhibition on Mikhail Bulgakov’s satirical novel T...

The New Whitney

As the Whitney opens its doors for the first time at its new building, it is clear that architect Re...

SP-Arte: The São Paulo International Art Fair 2015

SP Arte 2015 hosted work from more than 140 galleries and 170 countries. The glittering opening had ...

Shirin Neshat: ‘Nothing is more powerful than human expression’

The artist talks about her latest exhibition, for which she photographed ordinary people in Azerbaij...

Sarah Jane Moon: 'Painting is fundamentally the relationship between an ar...

Having trained in portrait painting at Heatherley School of Fine Art (2009-2011), Sarah Jane Moon we...

Tina Keane: ‘With film, you never quite know what you’re going to get...

Multimedia artist Tina Keane talks about her early work, the influences that have developed her prac...

The Plains Indians: Artists of Earth and Sky

This exhibition of the art of the Plains Indians reminds us about the native US population’s story...

Selective Memories

Paris comes to west London as the Griffin Gallery hosts an exhibition of works by the students of l...

Staging the Ukrainian Avant-Garde of the 1910s and 1920s

A beautiful exhibition of the Ukrainian avant garde’s theatre design from the 1910s and 20s is est...

The Sultan’s World: The Ottoman Orient in Renaissance Art

East meets west in this dazzling show, which focuses on the attraction the Ottoman empire held for w...

Sheila Hicks – interview: I’ve enjoyed a whole career of being an outs...

The American-born artist Sheila Hicks invited us to join her on her brightly coloured pigmented bale...

Sargent: Portraits of Artists and Friends

This latest exhibition at the National Portrait Gallery is an illuminating tour de force that opens ...

Thomas Hart Benton’s ‘America Today’ Rediscovered

The Metropolitan Museum of Art in New York is celebrating the acquisition and installation of Thomas...

Sonia Delaunay: Les Couleurs de l’Abstraction

A key figure of early 20th-century Parisian avant garde, Sonia Delaunay has often been cast in a sup...

Toyin Odutola: ‘I’m no longer interested in portraying what I think I ...

Toyin Odutola talks about why she loves pen and ink, where she gets the inspiration for her titles, ...

Unseen

The newly finished Gilbert and Ildiko Butler Drawings Gallery showcases the incredible breadth of th...

Saba Qizilbash: ‘I always attempt to speak from personal eye level’

The Pakistani-born artist says much of her works have been in response to stages in her personal lif...

Trish Wylie interview: ‘Wylie provides a hotline to the gods of the silv...

Studio International has come to north west London to visit the painter Trish Wylie in her studio....

Serge Poliakoff: Silent Paintings

Through his devoted exploration of abstraction, Russian modernist Serge Poliakoff not only establish...

Thomas Allen: ‘I want my cave to offer an escape’

Thomas Allen talks about his background in sociology, how his latest work relies on the scribbles of...

Samara Scott: Harvest

Using edible and chemical substances from hair gel to toothpaste to avocado skins and potatoes, Sama...

Sam Belinfante: ‘For galleries, sound is still a terrifying prospect’

Sam Belinfante talks about the role of listening in the visual arts and the challenges he faced in c...

Transfigurations: Modern Masters from the Wexner Family Collection

This exhibition, which revolves around Pablo Picasso, Jean Dubuffet and Alberto Giacometti, offers w...

Stan Douglas

Through photographs, film and video art, in his exhibition at Edinburgh’s Fruitmarket Gallery, Can...

Steven Appleby: interview

Studio International visited the artist Steven Appleby's studio in south London. Appleby, whose work...

The British Line: Group Show

What defines the British national character? The British Line, an exhibition at the Robin Katz galle...

Steve McQueen: Ashes

With his film Ashes, and an accompanying pair of sculptures, Steve McQueen highlights an uncomfortab...

Trajectories: 19th-21st Century Printmaking from India and Pakistan

Trajectories looks at printmaking from India and Pakistan and establishes a context for its developm...

The Nakeds

Egon Schiele’s iconic drawings are a starting point for this extensive group show at Drawing Room,...

Store your art in an egg

UOVO, a $70m state-of-the-art storage facility for high-end artwork, is to open in New York City nex...

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