Sensation and Sensuality: Rubens and his Legacy
This true gem of an exhibition shows not only Rubens’ vast creativeness, but the incredible artist...
The Present of Modernism at Vienna’s Mumok compares works from the original movement alongside ear...
The Real Tudors: Kings and Queens Rediscovered
The latest exhibition at the National Portrait Gallery seeks to strip back the layers of 16th-centur...
Sally Smart, known for her large-scale installations, talks about her recent project, The Pedagogica...
The Digital Revolution and the beginning of New Media Art
From the ICA’s landmark 1968 show Cybernetic Serendipity through Pac-Man and Mario Bros to the lat...
Stephen Farthing, Rootstein Hopkins Chair of Drawing, talks to Janet McKenzie about his obsession wi...
The lives of the women behind the Zero artists
Strong Women For Art: In Conversation with Anna Lenz is a celebration of women who have lived with m...
Susan Hiller’s exploration of anthropology and psychoanalysis sees her collecting, cataloguing, re...
Sapporo International Art Festival 2014
The first Sapporo International Art Festival is taking place in Sapporo city, which is on Hokkaido, ...
The exhibition at Blain Southern in London this summer represents the opportunity to experience the ...
Truth and Memory: British Art of the First World War
Truth and Memory at the Imperial War Museum in London is a major retrospective, comprising more than...
The Global Art Compass: New Directions in 21st-Century Art
Alistair Hicks’s new book, The Global Art Compass: New Directions in 21st Century Art, indicates t...
This is the second edition of the Berlin Art Prize, which was launched last year. The prize, which i...
Save Yourself! is an exhibition of small-scale drawings by seven artists from different generations,...
From the early days of its development two centuries ago, photography has been closely aligned with ...
Unravelling the Mystery and Mastery of America’s First Couturier
Harold Koda, curator-in-charge at the Costume Institute, discusses Charles James’s ingenious desig...
For as long as we have told stories, we have told them of the sea. For every culture on its shores, ...
United Visual Artists: Vanishing Point
United Visual Artists (UVA) was formed in 2003 by Matthew Clark, Chris Bird and Ash Nehru. Since the...
The multidisciplinary artist Shezad Dawood’s first solo London show opened at the Parasol Unit in ...
Untitled (Unconscious) Rachel Howard, Boo Saville, Gorka Mohamed, George Z...
Untitled (Unconscious) at the TJ Boulting Gallery in London presents the work of five contemporary a...
Tauba Auerbach and David Robilliard
The opening of two small solo shows by mixed-media artist Tauba Auerbach and poet-painter David Robi...
Seth Cluett: The Persistence of Traces
Seth Cluett: The Persistence of Traces includes stand-alone pieces, projection, sound and drawing, a...
Training to be an artist: art centres, residencies, collectives and subsid...
How many ways are there to train as an artist? Contrary to what you may think, perhaps not that many...
Sarah Raphael (1960-2001) was described as one of Britain’s finest figurative painters when she di...
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Tim Rollins and KOS’s Angel Abreu and Rick Savinon: interview
In 1981, when he was 26, Tim Rollins was asked to develop a curriculum for an intermediate school in...
Shiver Me Timbers! Nick Jeffrey
Shiver Me Timbers!, a new exhibition of work by Berlin-based British artist Nick Jeffrey, is the Han...
The Armory Show 2014 – The “Secondary” Market
First things first. The art came out from the gate running. Overflow was the word for this year’s ...
The Drawn Word is the product of a research project funded by an Arts and Humanities Research Counci...
Studio International Yearbook 2011
Studio International Yearbook 2011 Special issue 2011, Volume 210 Number 1033. Publisher: The ...
Strange Beauty: Masters of the Renaissance
Strange Beauty at the National Gallery presents some interesting ideas about British attitudes towar...
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