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Vermeer and the Masters of Genre Painting: Inspiration and Rivalry

The organisers of this exhibition are keen to show how the Dutch genre painters both drew inspiratio...

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Vic McEwan: ‘I played a paddle-steamer to an audience of 1,000 and used ...

The artist Vic McEwan talks about his project on the swan hoppers of the Murrumbidgee river in Austr...

Willow Hai: ‘The jade burial suit is the single most important object in...

The director of the China Institute in New York talks about its current show, Dreams of the Kings, a...

Wayne Thiebaud: 1962 to 2017

The quintessentially American artist Wayne Thiebaud is now 96 years old, and this impressive exhibit...

Whitney Biennial 2017

America loves firsts, and, following a hiatus of three years, the once-unruly Whitney Biennial, now ...

When the Heavens Meet the Earth

Showcasing works from Robert Devereux’s Sina Jina African art collection, this small but dense exh...

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Vanessa Bell (1879-1961)

While Vanessa Bell stands strong as an artist in her own right, her art can nevertheless not be sepa...

Vera Möller: ‘My father thought going to art school was like wanting to...

The German-born artist explains why she first studied biology rather than art, how her scientific ba...

Wael Shawky: ‘When you invert language, you make it even stronger’

With two exhibitions of his work opening in Italy this month, Wael Shawky talks about his film-makin...

Wendy Stavrianos: ‘I have always aimed for my work to be more akin to vi...

The artist talks about her concern with environmental degradation and mass migration, and her aim to...

Visual Wit and Social Critique. Satire from Goya to Grosz

With three centuries’ worth of satire, this exhibition offers an overview of things that have chan...

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William Kentridge: Thick Time

This remarkable show offers six of the South African artist’s most potent installations – and si...

Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave decision to ...

Winifred Knights (1899-1947)

Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now...

Venice Architecture Biennale 2016: Reporting from the Front

From the poster image for this six-month-long event to the immersive installations of exquisitely re...

William Eggleston: Portraits

The first exhibition devoted to the American photographer’s portraiture undersells the works’ be...

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Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France

Offering the quiet thrill of a cool oasis in the park, the Frick Collection has mounted a connoisseu...

Wolfgang Tillmans

What is lost is lost forever, says Tillmans in this politically charged exhibition, which includes p...

William Heath Robinson’s Life of Line

With a wit all of his own Heath Robinson captured everything from the sublime to the ridiculous, and...

Verónica Losantos: Screen Memories

To recreate memories of a father she hasn’t seen since she was a 12-year-old child, the artist tur...

Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling technique, her current collaboration, and explains w...

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When silence falls

This is a group exhibition of work by contemporary artists exploring humanitarian crimes. It present...

Who’s Afraid of Women Photographers? 1839-1945

The first of its kind in France, this exhibition shines a light on the great accomplishments of earl...

Vagrich Bakhchanyan: Accidental Absurdity

Vagrich Bakhchanyan was a follower of the Russian avant garde and a precursor of Moscow conceptualis...

Vanessa Baird wins Norway’s prestigious Lorck Schive Art Prize 2015

The Norwegian artist, an uncompromising but vital talent, was the deserving winner of one of Europe...

Vibha Galhotra: ‘I am a traveller, an observer of situations’

The New Delhi-based conceptual artist discusses the role of the environment in her practice, as well...

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Valera & Natasha Cherkashin: ‘There is no future without understanding o...

The Russian artist couple talk about the importance of history in their work and the beginnings and ...

Xavier Cha: ‘I’m attracted to manipulating the viewer’s sense of log...

The multimedia artists talks about exploring the physical and psychological relationships between th...

What Do I Need to do to Make It OK?

Curator Liz Cooper discusses this exhibition at London’s Pumphouse Gallery, which investigates rep...

Wilmer Wilson IV: ‘Moving between mediums is my way of remaining nimble...

The artist explains some of his performances, his interest in intervening in monuments in public spa...



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