search
Published  30/11/-0001
Share:  

Wayne Eager – interview: ‘In Central Australia, I was mesmerised by th...

A three-month stay in Central Australia with his partner, the artist Marina Strocchi, turned into a ...

William Blake’s Universe

The English eccentric William Blake meets his German peers in a treasure-strewn exhibition that make...

When Forms Come Alive

The Hayward Gallery’s spring exhibition is an effervescent playground of kinetically inclined scul...

Why contemporary art has to fight for survival in Cuenca

On the occasion of the Ecuadorian city’s 16th biennial, we look at how religion, deeply conservati...

William Pope.L: ‘There should be a porosity to the work when you’re bu...

At the opening of Hospital at the South London Gallery, William Pope.L's first major institutional U...

Weaving at Black Mountain College: Anni Albers, Trude Guermonprez and thei...

This book shows how Anni Albers and Trude Guermonprez, teaching at a small arts college for just a f...

Women in Revolt! Art and Activism in the UK 1970-1990

From women’s lib to the Greenham Common camps, this powerful show covers to two decades in which w...

Venice Architecture Biennale 2023: The Laboratory of the Future

This year’s curator, the Scottish-Ghanaian architect Lesley Lokko, has brought new insights and pe...

Visionaries: Making Another Perspective

Contemporary Japanese artists celebrate their country’s traditional ancient crafts using natural p...

William Klein: Yes – book review

William Klein won his first camera in a poker game and went on to become renowned for his skill in f...

Wu Tsang – interview: ‘I’m drawn to stories that have messy politics...

Wu Tsang trains a postcolonial lens on Herman Melville’s 19th-century novel Moby-Dick for her imme...

Vermeer

With three-quarters of Vermeer’s surviving paintings, this luminous exhibition is the largest gath...

Wilhelmina Barns-Graham: Paths to Abstraction

This show gives visitors the chance to follow Scottish artist Wilhelmina Barns-Graham from her early...

Xiyao Wang: A Carnival in the Forest

This colourful lyrical abstraction sweeps the viewer up in its kaleidoscopic eddies and perpetual vi...

Victoria Sambunaris: High and Dry

In panoramic scenes of the Californian desert, Victoria Sambunaris captures the vastness and grandeu...

Vanessa Baird – interview: ‘I don’t think art can rescue anything’

As two shows of her thrilling, carnivalesque drawings open in the UK, Oslo-based artist Vanessa Bair...

William Kentridge

The brutalities of daily life under apartheid in South Africa are exposed in this major exhibition s...

Winslow Homer: Force of Nature

Despite obvious sympathy for the emancipated black slaves he painted in America’s deep south, the ...

Vivienne Binns: On and Through the Surface

This comprehensive and fascinating show includes 60 years of eclectic and experimental work by Vivie...

What can we expect from Oslo’s mega new National Museum?

Oslo’s new National Museum opened in June, its 6,500 objects arranged to tell a refreshingly inclu...

Vivian Maier: Anthology

Vivian Maier, an amateur photographer who, while working as a nanny, captured the streets and people...

William Corwin – interview: ‘Marguerite Louppe experimented with ways ...

Married to the more well-known artist Maurice Brianchon, Louppe has long been overlooked. William Co...

Who Are You: Australian Portraiture

This inspiring show includes some of Australia’s best artists, past and present, and marks a shift...

Venice Biennale 2022 Roundup

This year’s citywide jamboree features riot and revolution, gyrating bodies, battling jet planes, ...

Whitstable Biennale

As artists squeeze themselves into the tiny fishing town for this year’s event, Brexit, migration ...

Whistler’s Woman in White: Joanna Hiffernan

This show explores how Whistler’s work was shaped by the Irish beauty who became his model, muse a...

Vlatka Horvat – interview: ‘I’m interested in trying to get beyond t...

During the lockdown last year, Vlatka Horvat decided to go on daily walks around her east London nei...

Van Gogh Self-Portraits

Vincent van Gogh’s green-blue eyes stare into ours as we look with him and at him in this intense ...

Women in Abstraction

With more than 100 artists and about 400 works, this huge, inclusive show celebrates women whose art...

Visions of Heaven: Dante and the Art of Divine Light by Martin Kemp – bo...

In this lavishly illustrated and intriguingly written book, Kemp explores how Dante influenced the w...

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA