Ruimteveldwerk: ‘It is more like an understatement that creates an exper...
A social experiment investigating themes of being offline, privacy, and silence in the city brings a...
Nevermore: Leonid Lamm, Selected Works
This retrospective of the artist, who died last year, shows the brilliance, courage and impeccable w...
Jene Highstein: Space and Place
Deborah Najar’s carefully considered and sensitive choice of Highstein’s works is accompanied by...
Joana Vasconcelos: I’m Your Mirror
Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...
John Powers: ‘Abstraction isn’t a technology or technique, it’s more...
Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...
Bruges Triennial 2018: Liquid City
For the duration of the summer, visitors to the liquid city of Bruges are invited to ponder a more m...
Starting from the Desert: Ecologies on the Edge – Second Yinchuan Bienna...
There are some strong individual showings at the biennale, but its curatorial framework is a mystery...
-300.jpg)
With its focus on the aerial image, At Altitude puts our terrestrial world into perspective with a b...
Dorothea Lange: Politics of Seeing
A photographer of fierce resolve and compassion, Dorothea Lange knew how to capture the very essence...
Katharina Sieverding: ‘I also make fake news’
Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...
Gates hopes to challenge and confront the prevailing European narratives of racial and religious aut...
This thoughtful and revealing survey of an artist the Guggenheim exhibited in 1955 with Giacometti...
Beyond Ophelia: A Celebration of Lizzie Siddal, Artist and Poet
Best known as Millais’ Ophelia, Lizzie Siddal was a Pre-Raphaelite artist and poet in her own righ...
Samaneh Moafi of Forensic Architecture: ‘We are taking something that is...
Forensic Architecture has never designed a building. Instead, it acts as an architectural detective ...
Alex Mirutziu: ‘I’m interested in error, misunderstanding, correction...
The Romanian artist talks about his latest exhibition, examining the life and work of Iris Murdoch, ...
Royal Academy of Arts 250th Summer Exhibition
Grayson Perry’s eclectic, irreverent approach in coordinating the 250th-anniversary exhibition pla...
Baldwin and Guggisberg: ‘If you’re not in a white cube it forces you t...
Having just installed 10, mostly blown-glass pieces around Canterbury Cathedral for their exhibition...
True Colours: Helen Beard, Sadie Laska and Boo Saville
True Colours, curated by Damien Hirst for his Newport Street Gallery in London, shows works by Beard...
Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...
New York-based Sadie Laska, who is both a painter and a drummer, brings her improvisation skills int...
Helen Beard’s striking and marvellously simplified, flat colour images, take you by surprise in a ...
A fresh look at the paintings of British émigré Thomas Cole reveals some eerily relevant messages ...
Surreal, witty and at times unsettling, Whitstable Biennale 2018 is full of surprises...
Catherine Parsonage: ‘I wanted to break things apart, let everything be ...
The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...
Eve Fowler: ‘Stein’s work really affected me’
The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...
Katharina Grosse: Prototypes of imagination
Across 11 portrait canvases and one enormous fabric hanging, Grosse’s complex, multilayered works ...
-300.jpg)
Manuel Mathieu: ‘Life experience sometimes forces you to see things that...
The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...
James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...
James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...
Junya Ishigami: Freeing Architecture
In his attempts to untether architecture from well-worn conventions, the Japanese architect liberate...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
