Inti Guerrero – interview: ‘I am trying not to fall into the cultural ...

Inti Guerrero, curator of this year’s EVA International, Ireland’s biennial, talks about how the...

Fashioned from Nature

As environmental changes affect more areas of the world, our lifestyles need to be more sustainable....

David Shrigley: ‘The quality of the work for me is about avoiding contri...

David Shrigley talks about his large-scale installation Life Model II at Fabrica Gallery in Brighton...

Mariele Neudecker: ‘I get labelled as a climate change artist at times, ...

Bristol based artist Mariele Neudecker talks about how Cern inspires her, why you shouldn’t call h...

Emil Nolde: Colour Is Life

With a riot of vibrant colours, German expressionist painter and printmaker Emil Nolde brings to lif...

Women Can’t Paint: Part 1

The title of the exhibition comes from a statement made in 2013 by Georg Baselitz, the German artist...

David Hockney: Something New in Painting (and Photography) [and even Print...

Coming off Hockney’s stunning retrospective at the Metropolitan Museum of Art celebrating his 80th...

Helen and Kate Storey: Neurogenesis – From Neuron Birth to All That We A...

An interdisciplinary and collaborative exhibition that fuses art, fashion and cell imaging to share ...

José Parlá: ‘It challenges me to work against the grain of the status ...

For his most ambitious project to date, commissioned by the Landmarks public art programme at the Un...

Wasp

Taking its name from Andrea Arnold’s award-winning short film Wasp, this group exhibition of 10 fe...

Creativity and Collaboration: Revisiting Cybernetic Serendipity

The two-day colloquium Creativity and Collaboration: Revisiting Cybernetic Serendipity, which explor...

America’s Cool Modernism: O’Keeffe to Hopper

As the US charged headlong into the 20th century, as its cities grew skywards and consumerism began ...

Clementine Keith-Roach: ‘I think of domestic objects and furniture as ph...

The artist and set designer discusses casting her mother’s breasts for one of her nipple urns, bre...

Cécile B Evans: Amos’ World: Episode One

Cecile B Evans’s video transports us into the surreal world of an architect who believes he can bu...

Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Andrzej Wróblewski

The spectre of conflict haunts the powerfully enigmatic oeuvre of one of Poland’s pre-eminent post...

Lee Lozano: Slip, Slide, Splice

A major figure on the New York art scene of the 1960s and early 70s, Lozano is not so well known the...

Paul Brown: Process, Chance and Serendipity: Art That Makes Itself

These radical works by Paul Brown highlight the wonders of computer programming in the realm of art-...

William Crozier: The Edge of Landscape

Working in the shadow of the second world war, the nuclear threat and the Irish Troubles, Crozier’...

Dawn Mellor: ‘It is not surprising that activism and resentments due to ...

Dawn Mellor, best-known for her parodic portraits of celebrities, talks about taking a year of from ...

Under Cover: A Secret History of Cross-Dressers

Based on found photographs collected by French film-maker Sébastien Lifshitz, this exhibition at th...

Chiharu Shiota: Beyond Time

Using 2,000 balls of thread, Chiharu Shiota’s installation of white woollen webbing in the chapel ...

Marino Marini: Visual Passions

At the home of his iconic equestrian sculpture, The Angel of the City, this retrospective of the Ita...

SUPERSTRUCTURES: The New Architecture 1960-1990

Forty years after it opened, the Sainsbury Centre plays host to an exhibition looking at the pioneer...