Yto Barrada: ‘The whole thing is a dance between a mad poet, children an...

Yto Barrada discusses her new exhibition at the Barbican Centre, which draws on a calamitous earthqu...

Lydia Ourahmane – interview: ‘Working with this personal history is so...

Lydia Ourahmane talks about her exhibition at the Chisenhale Gallery, allegiance, betrayal, drawing ...

Virtual Normality: Women Net Artists 2.0

This exhibition looks at how social media platforms and the digital manipulation of images are being...

Maija Luutonen: ‘I’m not a big fan of monuments’

Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...

Glenn Brown: Come to Dust

In a hulking presentation at Gagosian, the painter laureate of putrefaction continues to moulder old...

Tarsila do Amaral: Inventing Modern Art in Brazil

As revealed by this tightly curated exhibition at New York’s Museum of Modern Art, Tarsila do Amar...

Camille Claudel

Her legacy has often been dwarfed by her biography – as Rodin’s student and lover, who spent 30 ...

Andrew Lacon: Fragments – Kate V Robertson: This Mess Is Kept Afloat

Two exhibitions at Dundee Contemporary Arts confront and explore the relationships between the viewe...

After White: Michaela Zimmer and Peter Welz

Weaving a path in and out of Peter Welz’s awkward steel architectural intervention, the viewer com...

Encountering the Buddha and the Kandell Tibetan Buddhist Shrine Room – a...

The curator talks about Encountering the Buddha: Art and Practice Across Asia, the current exhibitio...

Andreas Gursky

This first major UK retrospective of German photographer Andreas Gursky, at the newly renovated Hayw...

Sophie Herxheimer: ‘I’m after precision in poetry … I’m after exac...

Poet, writer and image-maker Sophie Herxheimer talks about the ideas and inspiration that inform her...

Jason Brooks: ‘In a world that wants to eradicate detail by airbrushing ...

Ahead of his exhibition at Marlborough, London, Jason Brooks showed Studio International around his ...

Charles I: King and Collector

The Royal Academy of Arts celebrates its 250th year with a collection of riches fit for a king – a...

A New Era: Scottish Modern Art, 1900-1950

At a time when the UK’s relationship with the rest of Europe is at stake, this exhibition of the a...

Art Now: Marguerite Humeau: Echoes

French-born artist Marguerite Humeau resurrects an eerie voice from the ancient past at Tate Britain...

The Land We Live In – The Land We Left Behind

With an extraordinary diversity of work, from medieval Korean ceramics to cutting-edge conceptual ar...

Lumiere London 2018

Featuring works by 50 artists and digital / lighting studios and producers, this feast of light and ...

Cézanne Portraits

A deep humanity surfaces in this outstanding exhibition of more than 50 of Cézanne’s portraits...

A History of Drawing

The inaugural exhibition at the Camberwell College of Arts’ new space is a sensitive, nuanced look...

Tabita Rezaire: ‘Reclamation allowed me to glow into my blackness, woman...

The artist talks about ‘decolonial healing’, her response to cyber-racism and the distorted repr...

Edmund Clark: ‘The intervention, the control, the censorship is part of ...

Edmund Clark discusses his recent residency at the UK’s only wholly therapeutic prison, HMP Grendo...

Philip Pearlstein: Paintings 1990 – 2017

Philip Pearlstein’s nudes are a triumph of draughtsmanship and the product of a lifetime of learni...

Anne de Boer & ecksenis.net: System Attempt Contact

System Attempt Contact critiques the way today’s tech multinationals transcend the borders between...