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Imran Qureshi at the MET

The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...

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The Universal Addressability of Dumb Things

The exhibition’s title, The Universal Addressability of Dumb Things, comes from a concept in compu...

Witches and Wicked Bodies

“The witch is dead. Which old witch? The wicked witch! Ding Dong! The wicked witch is dead!” Fro...

George Gittoes

George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...

American Modern – A Canon Revived

The recently opened American Modern: Hopper to O’Keeffe in the Museum of Modern Art is arranged in...

Le Corbusier: An Atlas Of Modern Landscapes

The current exhibition at the Museum of Modern Art, New York, curated by Cohen and Barry Bergdoll, m...

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Gary Hume

Contemporary British painter Gary Hume’s current retrospective at Tate Britain is a both a dark an...

Man Ray

A major retrospective of Man Ray at the Scottish National Portrait Gallery in Edinburgh: a highlight...

All I Have Learned and Forgotten Again

This major exhibition of works by Jockum Nordström [b.1963] explores the breadth of his work in col...

Emma Hart

Emma Hart (b. 1974, London) lives and works in London and has presented solo exhibitions and perform...

Peter Doig – No Foreign Lands

Doig was born in Scotland, worked on oil rigs on the Canadian plains, studied in London, taught in D...

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Date with fate at the Tate

On Tuesday morning, 20 October 1970, the incipient but short-lived International Coalition for the L...

Kengo Kuma: Complete Works

Most recently the architect Kengo Kuma from Japan has been commissioned by the Victoria & Albert Mus...

Professor Mechal Sobel discusses her research on Bill Traylor

Studio International spoke with Professor Sobel about her interest in Traylor, the influence of Afri...

Bill Traylor

Since he was brought to public attention at the Corcoran Gallery in Washington DC with the 1982 exhi...

Bedwyr Williams: interview

Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He is als...

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David Whitaker Retrospective Part II: Waters of the Nile

David Whitaker (1938 – 2007) was one of the first artists to have a solo show at the Serpentine Ga...

Visions of the Universe

“Here we all are,” tweeted Marek Kukula, public astronomer at The Royal Observatory Greenwich an...

Sturtevant: Leaps, Jumps and Bumps

Strangely absent from most histories of Pop and Conceptualism, Elaine Sturtevant’s work is signifi...

Mayor Boris Johnson unveils large blue Hahn/Cock

Mayor of London Boris Johnson unveils Hahn/Cock by German artist Katharina Fritsch, the latest sculp...

Experience the city in four dimensions through the lense of an artist at B...

Staying and sleeping overnight in an artwork by Japanese artist Satoshi Hirose at Beppu in Japan is ...

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Stay of life in Venice

Survival is perhaps the message of the 2013 Venice Biennale, but confusion of aims, contradiction of...

Revitalising an old art – Interview with Fabricio Lopez

It is hard to imagine that innovation could be brought to the ancient tradition of printing from woo...

Club to Catwalk: London Fashion in the 1980s

With the explosive emergence of the London club scene in the 1980s came a new generation of fashion ...

Ibrahim El-Salahi: A Visionary Modernist

Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...

Chagall: Modern Master

Two exhibitions of Chagall’s paintings overlap this summer, though surprisingly they have quite li...

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Dennis Hopper: On the Road

Before joining the leagues of his subjects, entering into the world of celebrity as a cult director ...

Picturing Derry

Bringing together local and international photographers and artists, Picturing Derry covers the year...

Los Angeles takes Manhattan

It is a fine New York moment for California. For no reason that art-worlders can explain, six of Los...

With Great Force, Swiftly and Surely

During her life, Swedish mystic Hilma af Klint (1862–1944) believed the abstract art she made as p...



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