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Book review: The Raft of the Medusa: G

Albert Alhadeff. Munich, Berlin, London, New York: Prestel Publishing 2002. ...

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Book review: Figuring it out

In The Shape of Time (1962), George Kubler showed that our knowledge of the distant ...

Bridget Riley at Tate Britain

Tate Britain's important exhibition of Bridget Riley's painting ends later this month...

Monet: The Seine and the sea, 1878-1883

Of the best exhibitions at the Edinburgh International Festival this year, Monet is a...

Picasso's designs for Diaghilev's Les Ballets Russes

The Edinburgh Festival is not always as strong in the visual arts as it is in the ran...

Marc Chagall: Ceramic Masterpieces

Marc Chagall (1887-1985) was a storyteller with a magical dimension. His popularity ...

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Max Beckmann book reviews

To accompany the exhibition Max Beckmann, a collaboration between the Centre Pompidou, Paris, Tate M...

Book review: Where's My Space Age? The Rise and Fall of Futuristic Design

This beautifully designed book charts the influence of the space craze on Western cu...

Ando's progress

A recipient of numerous awards, including the prestigious Pritzker Prize in 1995 and the American In...

Adventures in Art: Frida Kahlo

Frida Kahlo: The Artist in the Blue House (published 2003) is the most recent title ...

Essential Art Deco

This compact and beautifully illustrated book concentrates on the essential aspects ...

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50th Venice Biennale

The 100th anniversary this year of the Venice Biennale will probably not be its last....

Frank Stella

Two new exhibitions of new work by Frank Stella recently opened in London and New York....

Mario Testino: Portraits

Last year the National Portrait Gallery in London put together an exhibition of over...

Outsider Art comes Full Circle – 'John the Painter'

Outsider Artists' are not only untrained, but have also avoided 'social conditioning...

Designer of the Year

I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintos...

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John Piper in the 1930s - Abstraction on the Beach

Dulwich Picture Gallery marks the centenary of John Piper's birth with a major exhib...

Titian

'Titian' is the first in a series of three exhibitions of Renaissance art to be held...

Masterpieces from Dresden

The superb exhibition now filling four rooms of the Sackler Wing at the Royal Academ...

Letter from Memphis

I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintosh...

Guy Bourdin at the V&A. Fashion photography as art

In the 1970s, fashion seemed to be at its lowest ebb. The 60s, when London was the style capital of ...

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London Review of Books — Shop, Bury Place, London, WC1

LRB has actually opened its own shop, in an amazing display of commercial acumen....

Achille Castiglioni: an obituary

The death of Achille Castiglioni towards the end of last year is a sad reminder that...

Antony Gormley: Field for the British Isles

Antony Gormley's 'Field for the British Isles' is one of the most riveting projects by a British scu...

Albrecht Durer and his Legacy: The graphic work of a Renaissance artist

The British Museum celebrates its 250th anniversary this year. If the present exhibi...

When Attitudes become Form

Eva Hesse at Tate Modern is a wonderful, enigmatic exhibition that inspires a wide range of interpre...

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Versace at the V&A

Versace at the V&A is the largest exhibition that the Victoria and Albert Museum, in London, has eve...

Aztecs at the Royal Academy

The Aztec exhibition at the Royal Academy opened on 16 November and will run until 11 April 2003....

Letter from Long Island

There have been some carping comments in British art magazines, such as 'The Museum ...

Howard Hodgkin: Large Paintings 1984-2002

Howard Hodgkin is regarded as one of the most important artists in Britain working t...



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