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Published  30/11/-0001
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Armory Week 2015

The thousands who braved the snow for this year’s Armory found no big surprises. Rather, there wer...

Marc Chagall: A Retrospective (1908-1985)

The long career of a colourful chameleon, Russian-born artist Marc Chagall, is shown off in more tha...

Birds of Metal in Flight: An Evening of Poetry with 5 + 5

In celebration of the year-long exhibition Phoenix: Xu Bing at the Cathedral, a night of poetry by s...

Andrea Mason: ‘If I had to be categorised really simply ... I am an arti...

Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Litera...

2015 Triennial: Surround Audience

Surround Audience includes some strong works, but the New Museum’s Triennial 2015 bombards you wit...

Moonstrips: Eduardo Paolozzi and the printed collage 1965-72

Sir Eduardo Paolozzi is considered to be one of the forerunners of British pop art. An exhibition of...

On Kawara: Silence

The Guggenheim’s retrospective of On Kawara brings to the fore the great richness of the artist’...

Ilana Halperin: ‘Drawing is a trace fossil of a moment, an idea, proof o...

The artist, whose work is bound up with geological phenomena, explains the excitement of holding a m...

Good Figures: An exhibition of the female form depicted by 30 contemporary...

Thirty contemporary female artists, ranging in age from 24 to 82, celebrate the enduring appeal of t...

Sheila Hicks – interview: I’ve enjoyed a whole career of being an outs...

The American-born artist Sheila Hicks invited us to join her on her brightly coloured pigmented bale...

Marlene Dumas: The Image as Burden

Challenging and provocative, this vast retrospective at Tate Modern charts Marlene Dumas’s long ca...

Sargent: Portraits of Artists and Friends

This latest exhibition at the National Portrait Gallery is an illuminating tour de force that opens ...

Helen Flockhart: ‘Art doesn’t have to be large to be powerful’

The Scottish painter on her time at Glasgow School of Art in the 80s, being influenced by convention...

Kehinde Wiley: ‘I think ideas are just as important as the material prac...

African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...

Thomas Hart Benton’s ‘America Today’ Rediscovered

The Metropolitan Museum of Art in New York is celebrating the acquisition and installation of Thomas...

Drawing as the catalyst for contemporary printmaking in the UK

We look at how printmaking has influenced the work of Arthur Watson, Paul Coldwell, Christopher Le B...

Cornelia Parker: interview

Known for her explosive works, crossing the line between science and art, Cornelia Parker spoke to u...

Luc Tuymans: The Shore

Luc Tuymans’s latest exhibition at the David Zwirner Gallery in London is the result of a diverse ...

Faces Then, Faces Now

This double offering explores the concept of identity through portraits in two opposing media and ag...

Danh Vō: Homosapiens

The work of the Vietnamese-born Danish artist Danh Vō explores colonialism and nationalism through ...

Motoi Yamamoto: Return to the Origin

In Japan, salt is used to exorcise the bad spirits that are said to haunt the dead. With his install...

Lynda Benglis: ‘I think artists create their own rules’

Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by ...

Morehshin Allahyari: ‘Suddenly, I had the opportunity of making art with...

The Iranian-born artist, who moved to the US in 2007, talks about important concepts in her work, in...

Sonia Delaunay: Les Couleurs de l’Abstraction

A key figure of early 20th-century Parisian avant garde, Sonia Delaunay has often been cast in a sup...

Janet Biggs: ‘This project traces my very specific memories of my family...

The video and installation artist talks about her latest exhibition, in which she worked with neuros...

David Weiss: Works, 1968-1979

This exhibition of Swiss artist David Weiss looks at the years before he and Peter Fischli became a ...

Mira Schendel: Monotypes

Mira Schendel is regarded as one of the most significant South American artists of the 20th century,...

Fernanda Chieco: ‘I go searching for stories’

The Brazilian artist talks about art residency programmes, and how one led her to look at haunted ho...

Haris Epaminonda: ‘I imagined the Cypriot landscape to be the main prota...

Haris Epaminonda talks about the making of her four-channel video installation Chapters, filmed in h...

David Birkin, Mouths at the Invisible Event

David Birkin makes socially and politically motivated art that is thought-provoking and challenging....

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