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Zoë Paul: La Perma-Perla Kraal Emporium

‘We need to have a connection to the place we live in. It’s an extension of ourselves and it’s...

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Frieze New York 2017

The fair’s extensive list of programmes and projects, including a symposium on Latin American art,...

Cornelia Parker

The new works of the often-brilliant Cornelia Parker act as a cautionary tale for artists who rush t...

Tracey Emin and William Blake in Focus

While the similarities between the work of Tracey Emin and William Blake are tenuous, the latest ins...

Berlin Gallery Weekend 2017

The biggest week of the year for Berlin’s contemporary art scene saw the opening of dozens of exhi...

Frances Stark: ‘I am desperately trying to connect outside of the art wo...

The Los Angeles-based interdisciplinary artist and writer talks about her first opera, an adaptation...

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Oliver Griffin: ‘The very act of photography makes something interesting...

The artist talks about drinking White Russians, his BMX bike, which he has named Susan, taking pictu...

Peter Dreher: ‘In my pictures I underline the act of seeing’

The German artist recounts the trauma of childhood under the Nazi regime, his autonomy from the soci...

Joan Eardley: A Sense of Place

During her tragically short career, the painter concentrated on two contrasting areas of Scotland, w...

James Bridle: ‘There is a huge demand to humanise the technological view...

The artist talks about his current show at the Nome Gallery, Berlin, which centres around the self-d...

Nathalie Djurberg & Hans Berg: Who am I to Judge, or, It Must be Something...

Lust, sexual desire, sin and guilt are explored in a series of short claymation films supported by a...

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Lascaux IV: International Centre for Cave Art

With Lascaux IV, which contains a state-of-the-art simulation that brings to life the famous Lascaux...

Art Brussels 2017

This 35th annual incarnation of Art Brussels was taglined ‘From Discovery to Rediscovery’. Here ...

Nicky Hirst: Real Size

Nicky Hirst's sculptures and installations quietly and skillfully explore the consonances and disson...

Eddie Martinez: 'I just want people to interpret the work how they want'

The artist talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the influe...

John Latham: A World View and Speak: Tania Bruguera, Douglas Gordon, Laure...

Two concurrent exhibitions present a selective view of the career of renowned conceptualist John Lat...

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Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

The artist talks about the works in Drawings and Projects, her current exhibition at House of Illust...

Lygia Pape: A Multitude of Forms

The exhibition gives an insight into the development of modernism in Brazil, a country to which it w...

Ruth Maclennan: ‘I realised that global warming was happening, and asked...

The visual artist talks about what art can do in the face of climate change, her films of Arctic Rus...

Queer British Art 1861-1967

To mark the 50th anniversary of the partial decriminalisation of sex between men, Tate Britain’s c...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

The artist talks about his academic origins, the delicate equilibrium he seeks between accident and ...

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Enrique Martínez Celaya: 'The sense of past as memory always has force'

The artist talks about his latest show, The Gypsy Camp, and his interest in nomadism and displacemen...

Heywood and Condie: Head Land

Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with pl...

David Hepher – Grain of Concrete

Unusually for a landscape artist, Hepher has for 40 years focused almost exclusively on the tower bl...

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

The Turkish artist discusses her work THEY/ONLAR, a multiscreen video installation previously seen a...

Brook Andrew: ‘I was challenged to unwind the histories that were told t...

History, identity and race dominate the Australian artist’s work, as he challenges stereotypical i...

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Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...

An exhibition at the Naiya Alexander Gallery in New York brings together Titarenko’s photographs f...

Constable and Brighton

A pivotal period of John Constable’s life was spent in Brighton, where he would repeat three favou...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Petherbridge sees drawing...

James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...



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