Bill Lynch: The Exile of Dionysus

Bill Lynch was overlooked in his lifetime, his career cut short by an early death, but this small ex...

Isaac Julien: Once Again … (Statues Never Die)

Isaac Julien’s immersive five-screen installation exploring the relationship of US art collector A...

Frank Bowling and Sculpture

An exhibition and monograph explore Frank Bowling’s near-forgotten sculptures, while discovering t...

Casa Balla

The futurist painter Giacomo Balla transformed his Roman apartment into a complete work of art. Now,...

Robin Greenwood

In this show of work by Abcrit.org’s founder Robin Greenwood, abstract paintings vie with sculptur...

Monika Fabijanska – interview: ‘I wanted Women at War to explain a war...

Curator Monika Fabijanska explains why, for her show at the Fridman Gallery in New York, she chose f...

Nick Merriman – interview: ‘Removing as many barriers as possible to p...

London’s Horniman Museum has just been awarded one of the art world’s biggest prizes. Nick Merri...

Lubna Chowdhary – interview: ‘Erratic is a useful analogy for a diaspo...

With swooping forms and blazing colour, Lubna Chowdhary explores the grey areas between east and wes...

What can we expect from Oslo’s mega new National Museum?

Oslo’s new National Museum opened in June, its 6,500 objects arranged to tell a refreshingly inclu...

Earth: Digging Deep in British Art 1781-2022

From Thomas Gainsborough and John Constable to Richard Long and Yinka Shonibare, what unites these a...

Céline Condorelli – interview: ‘The histories of work are really open...

The architecturally trained artist Céline Condorelli talks about her new show at Edinburgh’s Talb...

Milton Avery: American Colourist

In the first comprehensive exhibition of Avery in Europe, the RA brings together more than 70 works ...

David Batchelor: Colour Is

A long overdue survey covering 40 years of work by David Batchelor, an artist long interested in the...

Antonio Calderara: From Lake Orta

This show follows postwar Italian artist Antonio Calderara’s path as he journeys from figuration t...

Back To Earth

The Serpentine’s Back to Earth programme asked artists to consider how art can respond to the clim...

Emma Talbot: The Age/L’Età, Max Mara Art Prize for Women

Emma Talbot’s winning commission for the Max Mara Prize takes as its jumping-off point Gustav Klim...

Barbara Pollack – interview: ‘You don’t have to be Ai Weiwei to be a...

Writer and curator Barbara Pollack talks about the impact of the enormous social, economic, and poli...

The Real and the Romantic: English Art Between Two World Wars – book rev...

Art historian and biographer Frances Spalding leads us through a complex period in the development o...

Documenta 15

The latest edition of the venerable festival imagines art as a collaborative endeavour that transcen...

Yuki Kihara: Paradise Camp – Venice Biennale 2022

The artist, who is of mixed Japanese and Samoan heritage, talks about showcasing queer rights and re...

Daniel Silver: Looking

Prepare to look and to be looked at, as Silver’s dynamic sculptures and works on paper use differe...

Katie Paterson – interview: ‘It’s a living project, changing and sur...

Future Library is artist Katie Paterson’s prayer that trees, literature and the human imagination ...

Tanoa Sasraku: Terratypes

In her works on paper, photographs and bronzes, the young British Ghanaian artist conjures up memori...

Frank Brangwyn: The Skinners’ Hall Murals

The 2.5-metre-high murals overpower the confines of this small village museum. But it is a rare oppo...