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The impact of Covid-19 on artists, part 3: building communities and findin...

In the third part of this five-part essay, comprising conversations with artists around the globe, w...

Andy Warhol

There is a great deal of death in this exhibition but, ultimately, it is an overwhelming lust for li...

The impact of Covid-19 on artists, part 2: self-isolation, moving online a...

In the second part of this five-part essay, comprising conversations with multiple artists around th...

The impact of Covid-19 on artists

This five-part essay, comprising conversations with multiple artists around the globe, looks at the ...

Sol Calero, Zora Mann and Shailesh BR at Villa Arson

Three new solo exhibitions resulting from artists’ residencies at Villa Arson explore architecture...

A personal message: Anita Glesta

Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...

Lygia Clark: Painting as an Experimental Field 1948-1958

Best-known for her sculptural and interactive later works, a survey of the first decade of the Brazi...

Aubrey Beardsley

In the largest exhibition of Beardsley’s drawings for 50 years, we see evidence of his exquisite p...

From the archive: A New Illustrator – Aubrey Beardsley

This article was first published in The Studio, Vol 1, No 1, April 1893, pages 14–19...

From the archive: Aubrey Beardsley. In Memoriam.

Death has given Aubrey Beardsley the immortality of youth; and in future histories of illustration, ...

Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...

The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...

SCAD DeFINE Art 2020

Featuring artists including Marilyn Minter, Derrick Adams and Wong Ping, the Savannah College of Art...

Formafantasma: Cambio

From an ancient forest to an Ikea stool, from musical instruments to makeup brushes, Andrea Trimarch...

Johanna Unzueta: Tools for Life

Unzueta’s films, drawings and huge felt installations weave together traditional Chilean needlewor...

Tomás Saraceno: Aria

Saraceno’s utopian visions for a future without fossil fuel or boundaries – and his admiration f...

Janet Laurence – interview: ‘White Australians didn’t have a way of ...

A leading contemporary artist in Australia, Laurence talks about colonialisation and using her art t...

Pine’s Eye

From rejecting cultivated gardens in favour of wild spaces to using traditional craft rather than mo...

Julijonas Urbonas: Planet of People

In this fascination fusion of art and science, the Lithuanian artist imagines sending visitors into ...

Hans Hofmann – Fury: Painting After the War

A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...

David Hockney: Drawing from Life

In the first major exhibition of David Hockney’s drawings for 20 years, a focus on just a handful ...

Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...

Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...

Climate in Crisis: Environmental Change in the Indigenous Americas

This exhibition documents the hardships faced by Indigenous people from across the Americas as a res...

Mary Weatherford: Canyon–Daisy–Eden

This first survey show for the artist features work from 1989 to 2015 and reveals the experimental n...

Studio International Yearbooks

These publications are a diverse collection of our most exciting exhibition reviews that have appear...

Pacita Abad: Life in the Margins

Abad’s exuberant mixed-media trapunto works give a carnivalesque feel to the UK’s first solo exh...

Maurice Burns – interview: ‘I think musically when I compose my painti...

The artist talks about his current exhibition at Gerald Peters, his first show in New York, his comp...

Grayson Perry: The Pre-Therapy Years

If you can move beyond the small size of the venue and the incongruity of hermetically sealed displa...

Marguerite Humeau – interview : ‘I think art was born from a will to b...

Whether she is reconstructing the voice of Cleopatra or creating futuristic elephantine forms, Humea...

Masculinities: Liberation Through Photography

I had hoped this would be a show full of challenges and questions, but with its images of bodybuilde...

Vida Americana: Mexican Muralists Remake American Art, 1925-45

Following the Mexican Revolution of 1920, art that reflected the country’s traditions and social i...

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