Archive - Results from #870

Published 30/11/-0001

Marguerite Humeau – interview : ‘I think art was born from a will to become eternal, to leave a permanent trace’

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Hans Hofmann, The Virgin, 1946. Oil on board, 104.8 x 77.5 cm. Courtesy Bastian. With permission of the Renate, Hans & Maria Hofmann Trust / Artists Rights Society (ARS), New York.

Hans Hofmann – Fury: Painting After the War

A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...

David Hockney. Mother, Bradford. 19 Feb 1979. Sepia ink on paper, 14 x 11 in. © David Hockney. Photo: Richard Schmidt, Collection The David Hockney Foundation.

David Hockney: Drawing from Life

In the first major exhibition of David Hockney’s drawings for 20 years, a focus on just a handful ...

Ziba Ardalan talked to Studio International about her decision to close Parasol unit foundation for contemporary art, London, 2020. Photo: Martin Kennedy.

Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...

Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...

Alaska Native artist. Engraved Whale Tooth, late 19th century. Sperm whale tooth, black ash or graphite, oil, 6 1/2 × 3 × 2 in (16.5 × 7.6 × 5.1 cm). Brooklyn Museum; Gift of Robert B. Woodward, 20.895. Creative Commons-BY. Photo: Brooklyn Museum.

Climate in Crisis: Environmental Change in the Indigenous Americas

This exhibition documents the hardships faced by Indigenous people from across the Americas as a res...

Mary Weatherford. Nagasaki, 1989. Oil on canvas, 82 x 82 1/4 in. Collection of the artist.

Mary Weatherford: Canyon–Daisy–Eden

This first survey show for the artist features work from 1989 to 2015 and reveals the experimental n...

Studio International Yearbooks

These publications are a diverse collection of our most exciting exhibition reviews that have appear...

Pacita Abad: Life in the Margins

Abad’s exuberant mixed-media trapunto works give a carnivalesque feel to the UK’s first solo exh...

Maurice Burns. Junior Wells, 2017. Oil on canvas, 30 x 30 in. Image courtesy the artist and Gerald Peters Contemporary.

Maurice Burns – interview: ‘I think musically when I compose my painti...

The artist talks about his current exhibition at Gerald Peters, his first show in New York, his comp...

Grayson Perry. Claire as a soldier, 1987. Private collection. © Grayson Perry, courtesy the artist and Victoria Miro.

Grayson Perry: The Pre-Therapy Years

If you can move beyond the small size of the venue and the incongruity of hermetically sealed displa...

Marguerite Humeau. Photo: Florine Bonaventure.

Marguerite Humeau – interview : ‘I think art was born from a will to b...

Whether she is reconstructing the voice of Cleopatra or creating futuristic elephantine forms, Humea...

Catherine Opie. Bo from Being and Having, 1991. Collection of Gregory R. Miller and Michael Wiener. © Catherine Opie, Courtesy Regen Projects, Los Angeles; Thomas Dane Gallery, London; and Soloman R. Guggenheim Museum, New York.

Masculinities: Liberation Through Photography

I had hoped this would be a show full of challenges and questions, but with its images of bodybuilde...

Marion Greenwood. Construction Worker (study for Blueprint for Living, a Federal Art Project mural, Red Hook Community Building, Brooklyn, New York), 1940. Fresco mounted on composition board, 18 x 24 1/2 in (45.7 x 62.2 cm). Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York; gift of Mrs. Patricia Ashley.

Vida Americana: Mexican Muralists Remake American Art, 1925-45

Following the Mexican Revolution of 1920, art that reflected the country’s traditions and social i...

Hedda Sterne

Long-known as ‘the only female at the birth of abstract expressionism’, Romanian-born Sterne alw...

Museum

Museum focuses on the history of institutional critique and its contemporary manifestations, but fai...

Carmen Neely – interview: ‘I'm interested in the process of what is lo...

The artist talks about the role of collecting, (re)creating characters and identities, translation, ...

Naum Gabo. Head No. 2 1916, enlarged version 1964. Steel, 176 x 124 x 124.3 cm. The Work of Naum Gabo © Nina & Graham Williams / Tate, 2019.

Naum Gabo: Constructions for Real Life

This first major British survey of Gabo’s work in more than 30 years includes paintings, drawings,...

Michelangelo Merisi da Caravaggio, The Crowning with Thorns, Rome, c1603. Oil on canvas, 127 cm x 165.5 cm (50 x 65.2 in). Vienna, Kunsthistorisches Museum.

Caravaggio-Bernini: The Baroque in Rome

This is the first major exhibition to pair the greatest painter of the baroque period with its great...

Jake Wood-Evans talking to Studio International at his exhibition Relic, Winchester Discovery Centre, 11 February 2020. Photo: Martin Kennedy.

Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...

Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...

Ralph Griffin, Eagle, 1988. Photo: Stephen Pitkin, Pitkin Studio.

We Will Walk: Art and Resistance in the American South

Through the work of more than 20 African American artists, this show explores the soul-stirring art ...

Thomas Martine Ronaldson. Summer, 1928. Oil on canvas. © Manchester Art Gallery, purchased from the artist in 1929.

Art Deco by the Sea

This takes us to an interwar Britain where hope and modernism blossomed, changing the face of everyt...

Steve McQueen

The vision of artist and film-maker Steve McQueen is bold and thought-provoking in this challenging ...

Yasumasa Morimura performing over film screening, Ego Obscura, Tokyo 2020, Hara Museum of Contemporary Art, Shinagawa-ku.

Yasumasa Morimura: Ego Obscura, Tokyo 2020

In his search for ‘the self’, Morimura takes on the guise of well-known historical figures and c...

Nick Devison. Home VII, 2019. Photographic etching, Open and Variable Edition, paper and image size 38 x 28 cm. Copyright Nick Devison 2019.

Actinic – Photography in Print

As part of the Actinic Festival, Kristina Chan, Nick Devison, Itamar Freed, Morwenna Kearsley and Ma...

Denzil Forrester speaking to Studio International at the opening of Itchin & Scratchin, Nottingham Contemporary, 7 February 2020. Photo: Martin Kennedy.

Denzil Forrester – interview: ‘I needed that dark space to bring out t...

Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...

Gianfranco Zappettini: The Golden Age, installation view, Mazzoleni London, Courtesy London-Torino.

Gianfranco Zappettini – interview: ‘Painting always survives’

As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...

David Reed: New Paintings

In his second solo show with Gagosian, Reed displays his many strengths in 15 new and impressive wor...

Jan and Hubert van Eyck. The Adoration of the Mystic Lamb, 1432 (detail). Oil on panel. Saint Bavo’s Cathedral, Ghent. © www.lukasweb.be - Art in Flanders vzw.

Van Eyck: An Optical Revolution

Celebrating the first stages of restoration of the Ghent Altarpiece, as well as the incredible acade...

Portrait of An-My Lê. John D. & Catherine T. MacArthur Foundation.

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

Not Vital: SCARCH

Is there another living artist who has reimagined what architecture is or does quite so comprehensiv...

William Wissing. Queen Anne, when Princess of Denmark, c1685. Oil paint on canvas, 199.4 x 128.3 cm. National Galleries of Scotland, Edinburgh.

British Baroque: Power and Illusion

The Tate’s first survey of Britain’s late-17th-century art is a misshapen pearl, often glimmerin...

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