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Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...

The founder member of Assemble, which last year became ...

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Hector McDonnell: ‘My paintings have always been about personal experien...

As well as a realist painter of everything from Norther...

Andy Warhol: Works from the Hall Collection

“Andy took the world as it was and, in his own way, described it with amazing accurac...

Superflex’s Rasmus Nielsen: ‘I would not call us do-gooders, but maybe...

The work of the Danish collective has included everythi...

Collateral Drawing: ‘It’s like revealing the magic trick’

Co-curators and artists from the ongoing Collateral Drawing project...

Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...

The artist talks about her unique method of “memorisi...

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Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...

Known for his vibrant, large-scale, abstract paintings,...

Painting the Modern Garden: Monet to Matisse

The walls of this exhibition tremble with the vibrant blooms of summer days. Gardens h...

Rose English: ‘Improvisation is present always, making anything’

The artist talks about her collaboration with composer Luke St...

Koen Vanmechelen: ‘An artist is always arriving at something that was un...

The man who turned breeding chickens into an art explai...

Robel Temesgen: ‘Being an Ethiopian in Norway was a really interesting i...

In his first London show, the artist explores the Ethio...

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Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling techniq...

Aura Satz: ‘I think of all my works as conversations’

The artist reveals some of the hidden stories that inspire her film, perf...

Pat Sachs: ‘The small, intimate scale has felt ideally suited for my vis...

Working on drawings after labouring over collages is li...

Champagne Life

As the Saatchi Gallery marks its 30th anniversary with its first all-women exhibition, a new generation of female ar...

An artist who is changing sculpture: Katrina Palmer

Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tel...

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Liz Magic Laser: ‘I’m interested in throwing a well-rehearsed script i...

The multimedia artist talks about being critical of TED...

Carole Robb: ‘It was the harsh Scottish weather that shaped the internal...

As a child, she drew on her bedrooms walls. As an adult...

Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly...

The artist, known for his refined sculptures and relief...

Margaret Harrison: ‘You have to have a strategy to draw people into the ...

Pioneering artist Margaret Harrison shares memories of ...

Paul Huxley: ‘I have more fun making sculpture than making paintings, bu...

The artist talks about his career, from visiting Robert...

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Emilia Kabakov: ‘The idea behind this work is that reality can never bee...

Emilia Kabakov, who collaborates with her husband, Russ...

Yevgeniy Fiks: ‘Any utopia is queer by nature, because it takes you from...

Artist and curator Yevgeniy Fiks talks about his work w...

Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...

The artists talk about their year-long collaboration an...

Rose Blake: ‘I have always found it easier to express a thought through ...

The illustrator and artist talks about her recent exhib...

Niamh McCann: ‘I consider making a form of thinking’

The internationally acclaimed Irish artist talks about her latest show, Ju...

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Eva Langret: ‘As more and more exhibitions are produced in Africa, by Af...

Eva Langret, head of exhibitions for London’s Tiwani ...

Ruth Root: ‘I love to see how artists create such a joy from colour’

The painter talks about her first US solo exhibition, at t...

Jompet Kuswidananto: ‘I am dealing with a culture that is never really f...

The Indonesian artist explains his work for Sonica 2015...

Courtney J Martin: ‘Robert Ryman makes a lot of difficult things look in...

The curator of Dia: Chelsea’s Robert Ryman exhibition...



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