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Ryan Gander: ‘The best art provokes you without you even realising’

The artist discusses his latest exhibition, Fieldwork at th...

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Marie Kaus: ‘I have this inherent need to leap’

The artist discusses her current show with Adeline de Monseignat at the Cob Gal...

Ciara Phillips: British Art Show 8

Now in its eighth year, the British Art Show is the largest and most ambitious touring exhibitio...

Jordan Casteel: ‘My perspective is one full of empathy and love’

In her second solo exhibition, the American painter offers a n...

Derek Boshier: ‘I think I’ve turned from pop artist to popularist’

The artist rails against technology and right-wing newspap...

British Art Show 8

Now in its eighth year, the British Art Show is the largest and most ambitious touring exhibition of contemporar...

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Sculpture in the City 2015

Now in its fifth year, the public art exhibition Sculpture in the City is showing 14 works by contempora...

Eileen Hogan: ‘I find out what really matters to me through working from...

The artist talks about being taught to draw in two very...

What Do I Need to do to Make It OK?

Curator Liz Cooper discusses this exhibition at London’s Pumphouse Gallery, which investigate...

Matthew Darbyshire: ‘If I can’t get hold of what I want, I’ll fake i...

The artist talks about design and consumer culture, the...

Anj Smith: ‘The figure is a device on which to hang my concerns’

The artist talks about the collapsing of genres, her desire to...

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YARAT: The Union of Fire and Water

The Union of Fire and Water presents a historical and cultural superimposition of Baku and Venic...

Tamar Ettun: ‘I am using the structure of a religious practice as a fold...

The young Israeli-American sculptor talks about her Ort...

Anita Glesta: ‘I would like this work to be a vehicle of communication ...

The artist talks about the motivation behind her bright...

Shani Rhys James: ‘I love the luxuriousness of a flower’s abstract sha...

The artist talks about her dramatic paintings, the sign...

Petra Cortright: ‘I wanted to raise questions about the way we view wome...

The artist talks about moving from working on computers...

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Chudamani Clowes: ‘I wanted to show immigration and migration in a posit...

The artist talks about immigration, her personal connec...

The art behind the activist: Adrian Locke talks about Ai Weiwei

A rebel, an iconoclast and a playful symbolist – Ai Weiwei is all...

Judy Chicago: ‘I’ll leave it to others to change the world’

The artist talks about her career trajectory, the continuing need...

Jonas Mekas: ‘I have a need to film small, almost invisible daily moment...

The legendary independent film-maker talks about avant ...

Jennifer Campbell and Chloë Manasseh: ‘We’re both interested in the t...

The artists talk about how they explore the conflicting...

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Wilmer Wilson IV: ‘Moving between mediums is my way of remaining nimble...

The artist explains some of his performances, his inter...

Hank Willis Thomas: ‘Ideas crop up out of thin air, like bubbles, and I...

The artist talks about grabbing people’s attention to...

Anna Dumitriu: ‘Bacteria are living organisms that you can work with –...

Not many artists would want to work with bacteria, smel...

Vincent Meessen: ‘In the western world, we still think that we created e...

Eleven artists come together to reflect on colonialism ...

‘Oswaldo Vigas said he found the root of his work in ancient culture’

At an exhibition of Oswaldo Vigas’s work in Bogotá, hi...

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Larry Bell: ‘You have to trust what you’re doing, to trust the work’

The artist discusses his latest solo exhibition, at the ...

Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...

With his sailing background, Charles Lim explains, he s...

HeHe: ‘Pylons are quite beautiful structures in themselves. They’re li...

Helen Evans, half of the artistic duo known as HeHe, sp...

Richard Long: Time and Space

Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the Arn...



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