Studio International

Published 01/07/2011

Georgia O'Keeffe, Eagle Claw and Bean Necklace, 1934, from Some Memories of Drawings, 1974. © Georgia O'Keeffe Museum / DACS, London 2021. Photo: Anna Arca.

Georgia O’Keeffe: Memories of Drawings

References

1. Unless otherwise stated, all direct quotes from O’Keeffe ...

Risham Syed talking to Studio International about Each Tiny Drop, part of the Manchester International Festival 2023. Photo: Martin Kennedy.

Risham Syed – interview: ‘It’s an inward-looking invitation to conte...

172::/cck::
::introtext::

Risham Syed – inter...

Ryan Gander talking to Studio International about his latest work, The Find, at the Manchester International Festival 2023. Photo: Martin Kennedy.

Ryan Gander – interview: ‘The stuff outside in the world is way better...

171::/cck::
::introtext::

Ryan Gander – inter...

Tino Sehgal talking to Studio International about his latest work, This Entry, at the Manchester International Festival 2023. Photo: Martin Kennedy.

Tino Sehgal – interview: ‘It’s an invitation to think about skill an...

170::/cck::
::introtext::

Tino Sehgal – inter...

Yayoi Kusama, You, Me and the Balloons, installation view, Manchester International Festival 2023, Aviva Studios. Photo: Martin Kennedy.

Manchester International Festival 2023

169::/cck::
::introtext::

Manchester International Festival 2023

From a po...

Installation view of Aluaiy Kaumakan, Dear Earth: Art and Hope in a Time of Crisis (21 Jun –⁠ 3 Sep 2023). Photo: Mark Blower. Courtesy the Hayward Gallery.

Dear Earth: Art and Hope in a Time of Crisis

168::/cck::
::introtext::

Dear Earth: Art and Hope in a Time of Crisis

<...

Leonor Antunes, Discrepancies with M.S. #5 (detail), 2020. Courtesy the artist, kurimanzutto, Mexico City/New York. Photo: Nick Ash.

Leonor Antunes: The Apparent Length of a Floor Area

167::/cck::
::introtext::

Leonor Antunes: The Apparent Length of a Floo...

Alberta Whittle, Lagareh – The Last Born, 2022. Installation view ‘deep dive (pause) uncoiling memory’, Scotland + Venice, 59th Venice Biennale, 2022. Co-commissioned and produced by Scotland + Venice and Forma for the 59th International Art Exhibition – La Biennale di Venezia. Courtesy of the artist and The Modern Institute / Toby Webster Ltd., Glasgow. Photo: Cristiano Corte.

Alberta Whittle: Create Dangerously

166::/cck::
::introtext::

Alberta Whittle: Create Dangerously

In this immersi...

Han van Meegeren (1889-1947), Forgery in the manner of Dirk van Baburen (c1595-1624), The Procuress, around 1930, oil paint on canvas. The Courtauld, London (Samuel Courtauld Trust).

Art and Artifice: Fakes from the Collection

161::/cck::
::introtext::

Art and Artifice: Fakes from the Collection

Martin Wong, Cell Door Slot, 1986. Acrylic on canvas, 45.7 x 71.1 cm. Courtesy of the Martin Wong Foundation and P.P.O.W, New York. © Martin Wong Foundation.

Martin Wong: Malicious Mischief

160::/cck::
::introtext::

Martin Wong: Malicious Mischief

A survey of the Chinese...

George Gittoes, painting outside in Bucha, Ukraine, 2022. © the artist.

George Gittoes – interview: ‘The spirit of art cannot be suppressed by...

Janet McKenzie: You were at home at We...

Alice Neel, Puerto Rican Boys on 108th Street, 1955. Tate © The estate of Alice Neel. Photo: Tate.

Capturing the Moment: A Journey through Painting and Photography

159::/cck::
::introtext::

Capturing the Moment: A Journey ...