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Letter from Memphis

I was in Memphis, Tennessee earlier this year to lecture on Charles Rennie Mackintosh...

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Guy Bourdin at the V&A. Fashion photography as art

In the 1970s, fashion seemed to be at its lowest ebb. The 60s, when London was the style capital of ...

London Review of Books — Shop, Bury Place, London, WC1

LRB has actually opened its own shop, in an amazing display of commercial acumen....

Achille Castiglioni: an obituary

The death of Achille Castiglioni towards the end of last year is a sad reminder that...

Antony Gormley: Field for the British Isles

Antony Gormley's 'Field for the British Isles' is one of the most riveting projects by a British scu...

Albrecht Durer and his Legacy: The graphic work of a Renaissance artist

The British Museum celebrates its 250th anniversary this year. If the present exhibi...

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When Attitudes become Form

Eva Hesse at Tate Modern is a wonderful, enigmatic exhibition that inspires a wide range of interpre...

Versace at the V&A

Versace at the V&A is the largest exhibition that the Victoria and Albert Museum, in London, has eve...

Aztecs at the Royal Academy

The Aztec exhibition at the Royal Academy opened on 16 November and will run until 11 April 2003....

Letter from Long Island

There have been some carping comments in British art magazines, such as 'The Museum ...

Howard Hodgkin: Large Paintings 1984-2002

Howard Hodgkin is regarded as one of the most important artists in Britain working t...

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Cy Twombly: Philosophy in Paint

The exhibition was a survey of 50 years of Twombly's career in the different media he has explored: ...

The story of K&M

Despite the fact that Vitaly Komar and Alexander Melamid have already become world-c...

Documenta 11

Australia is often out of synch with much of the rest of the world....

Metamorphing: Transformation in science, art and mythology

For humans, change has always been essential, but difficult nonetheless. For most of...

Artist as Peacemaker - Beyond Conflict

Beyond Conflict is a natural extension of the work of Richard Demarco in Edinburgh; ...

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Unseen Vogue: The Secret History of Fashion Photography

Unseen Vogue, an exhibition shown recently in the Design Museum, London that is also...

Rapture: Art's seduction by fashion since 1970

Until visiting this exhibition I had, naively and unconsciously, assumed that contem...

StArt Artists in Malta

An old tenement building close to the harbour in Valletta seems an unlikely location...

Andrew Forge 1923-2002

Andrew Forge, who died on 4 September 2002 in New Milford, Connecticut, aged 78, was...

Barnett Newman at Tate Modern

Tate Modern, 21 September through 5 January 2003. The Barnett Newman exhibition has opened and is a ...

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Fabric of Vision: Dress and Drapery in Painting

Over the summer (19 June—8 September 2002) the National Gallery, London showed Fab...

Accountancy as terrorism: 'Christie Malry's Own Double Entry'

All over Hollywood, producers and screenwriters are pitching 'high concept' film pro...

David Blackburn: The Sublime Landscape

David Blackburn's exhibition at the Hart Gallery in London coincides with the public...

Matisse Picasso

Matisse Picasso at Tate Modern has just finished, but moves on to Paris and New York...

Kassel Documenta

Kassel Documenta is commonly compared to the Olympic games, but, being an inhabitant...

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Daniel Libeskind: Imperial War Museum at Salford, Manchester

Daniel Libeskind's new building, an adjunct to the Imperial War Museum in Lambeth, South London, is ...

Norbert Francis Attard

Next month (September) sees the figure of St Peter suspended face downwards between two Doric pillar...

Masters of Colour: Derain to Kandinsky

Only 30 years ago, Gabrielle and Werner Merzbacher began to form a collection of ear...

Ansel Adams at 100

Ansel Adams' images are as fundamental to the narrative of the American West as the ...



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