Antony Gormley: ‘Looking back at the paths you have taken is a really im...
The artist talks about collaborating on a major new book about his career, the evolution of his work...
Pamela Schilderman: ‘I really wanted people to think about what it is th...
What makes a portrait? What defines a person’s identity? These are questions at the core of Schild...
Maria Alyokhina: ‘The government media calls us enemies of the people ...
Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...
Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...
Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...
Grace Weir: ‘I often think through the camera’
In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...
Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...
London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...
Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...
Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...
Nicolás Herrera: Enchanted Nature – Deforestation and the Environment
Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...
Julie Montgarrett: ‘I have always gravitated to the seductive character ...
Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...
Pavel Brăila: 'Roots are the most important thing that we have’
After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...
Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...
In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...
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Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...
Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...
James Richards: Music for the gift – Wales in Venice, 2017
Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...
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Robert Longo: ‘I’m making artworks out of dust’
At his first solo exhibition in London, New York artist Robert Longo talks about charcoal, photograp...
Ross Birrell: ‘I saw a possible way to draw a relationship between art a...
Ross Birrell talks horses, endurance and taking risks in relation to two works for Documenta, his fi...
Lucas Arruda: ‘The only reason to call my works landscapes is cultural’
On the occasion of his first London exhibition, at David Zwirner, Lucas Arruda discusses his almost ...
José Pedro Croft: Uncertain Measure – Venice Biennale 2017
For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...
Peter Halstead: ‘People should have their own personal adventure with sc...
Cathy and Peter Halstead talk about Tippet Rise Art Center, the remarkable music venue and sculpture...
Shilpa Gupta: ‘I am always playing with the idea of the location in the ...
The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...
Studio Ben Allen: The Clearing
On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...
Jonathan Wright: Fleet on Foot
Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...
Emily Peasgood: Halfway to Heaven
Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...
Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...
Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...
Chris Alton: ‘By bringing different artists together, there is the possi...
Curator and artist Chris Alton talks about his latest venture, You’re Surrounded By Me, which weav...
Godwin Bradbeer: ‘the work must have both physical presence and an enigm...
Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...
Maryam Najd: ‘I became interested in reaching a certain perfectionism in...
Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...
Sol Calero: ‘It’s important that the aesthetics don’t eat the concep...
Beneath the colourful painted surfaces of Sol Calero’s immersive installations, there are deeper, ...
Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...
The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...
Julián Zugazagoitia: ‘Museums should generate interest and open a door ...
Since 2010, when Zugazagoitia joined the Nelson-Atkins Museum of Art, visitor numbers have soared. N...
Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...
Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...
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