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Ana Mendieta
Ana Mendieta, Bird Run 1974, installation view at Tate Modern 2026. Artwork © The Estate of Ana Mendieta Collection, LLC. Licensed by Artist Rights Society (ARS), New York. DACS 2026. Photo © Tate (Yili Liu).
The last of the great trilogy of female artists to have a retrospective at Tate Modern this summer – and by no means the least
Installation view of Machine Dreams: Rainforest, Dataland, Los Angeles, June 20, 2026 – January 31, 2027. © 2026 Refik Anadol Studio on behalf of Dataland. Photo: Refik Anadol Studio.
It’s all go in Los Angeles. On the heels of LACMA’s stunning new Geffen wing comes Dataland, the world’s first museum dedicated to omni-sensory, AI-generated art, George Lucas’s Museum of Narrative Art, which will open in September, followed in November by the the overhauled Samuel Oschin Air and Space Centre where the mighty space shuttle Endeavour will be on show to the public.
BorderLands, Lucy + Jorge Orta, Antarctica, 2015, installation view. Photo: Finn Beales.
The shadows of Brexit, the Scottish independence debate and many current border conflicts loom large as 20 artists works explore the personal, cultural and political dimensions of borders.
Project a Black Planet, The Art and Culture of Panafrica, Installation view, 11 Jun – 6 Sep 2026 © Thomas Adank, Barbican Art Gallery.
Barbican’s latest exhibition is a treasure trove of work by African-descended artists, hamstrung by obtuse organisation.
Glenn Brown, On the Way to the Leisure Centre, 2017. Image courtesy the Artist and The Brown Collection © Glenn Brown. Photo: Mike Bruce.
Enjoying a double bill in Bath, Brown has playfully inserted a selection of his fantastical grotesques into the Holburne Museum’s collection of 18th-century portraits, while at No 1 Royal Crescent his grotto-like installation is ostentatious and enjoyably camp.
Jamila Prowse, Flare: the muted outline of a body in bed as a camera flash overtakes the scene [still], 2025.
Giving voice to the shame of those with long-term illnesses and disabilities, this mixed exhibition is much needed and long overdue.
The Invisible Chord: Hans Hartung and Music, installation view, Querini Stampalia Foundation, Venice. Photo: © Tanguy Beurdeley. Courtesy of the Hartung Bergman Foundation, Querini Stampalia Foundation and Perrotin.
With about 80 paintings along with archival documents, this elegant presentation makes clear how Hartung’s love of music infused his art.
Henry Hering, Portrait of Richard Dadd, c1857. Photographic print, 20 x 15.5 cm. Courtesy of Bethlem Museum of the Mind. Alex Fox (Roy Fox Fine Art Photography).
The most promising student of his year at the Royal Academy Schools returns to his alma mater and, for the first time, is celebrated for his art, not his madness.
Daniel Buren: Pages in situ, installation view, Lisson, London, 11 June – 5 September 2026 © Daniel Buren, Courtesy Lisson.
This archival exhibition, curated by the graphic designer Fraser Muggeridge, charts appearances of the French conceptual artist’s work and trademark stripe in printed magazines, books and ephemera over the past 60 years.
Anni Albers: A Life by Nicholas Fox Weber, published by Yale University Press.
This intimate biography draws on the author’s friendship with Anni and her husband, Josef Albers, and is a wonderful addition to the legacy of her life and work.
Hulda Guzmán: Please awake – asked Nature kindly, 2026. Installation view. Courtesy Turner Contemporary. Photo: Jo Underhill © Turner Contemporary.
In the Dominican painter’s first European institutional solo exhibition, friends, family and the artist herself mingle with animals and chimerical creatures amid the lush vegetation of the tropical rainforest.
Ferdinand Georg Waldmüller, Self-portrait as a Young Man, 1828. Oil on canvas, 95 x 75 cm. © Belvedere, Vienna.
The delicate, meticulously observed landscapes of this Biedermeier master form a crucial bridge in the history of western landscape painting.
Antony Gormley: Geestgrond. Installation view, KMSKA Museum, Antwerp, 23 May – 20 September 2026. © Sanne De Block.
Including drawings and sketchbooks, models and maquettes, this retrospective is the largest solo exhibition of Gormley’s work to be staged in Europe.
Brusk Museum, Bruges. Image courtesy Brusk Museum.
This impressive new facility for temporary exhibitions sits in the heart of Bruges’ historic museum quarter, and with an unashamedly modern building, its Belgian architects have conjured something potentially transformative for the city’s culture.
Sandra Knecht, Sirocco, 2026. Commissioned by Biennale Gherdëina 10. With the support of the Swiss Arts Council Pro Helvetia and Kulturförderung Baselland. Thanks to Chemun de Urtijëi, Atelier 3DW, Hubert Ploner, Telfholz, F.lli Ciechi. Credits: Tiberio Sorvillo.
The 10th edition of this unique biennale in the spectacular landscape of the Dolomites explores ecology, climate change, children’s stories and play through the theme of the garden.
Maurice Sendak, Design for Scrim, Act 2 (The Magic Flute), 1979–80. Watercolour and graphite on paper, mounted to laminated paperboard. The Morgan Library & Museum, Bequest of Maurice Sendak, 2013, 2013.104:112. Photo: Janny Chiu; © Maurice Sendak Foundation.
Though best known as the author and illustrator of children’s books, in particular Where the Wild Things Are, he was also an opera aficionado who designed sets and costumes, starting with The Magic Flute.
Installation view of Raphael: Sublime Poetry, on view March 29–June 28, 2026 at The Metropolitan Museum of Art. Photo; Eileen Travell, Courtesy of The Met.
This mammoth show is huge, exhausting and dazzling and will dwarf any future exhibitions of the Italian master.
Installation view, The Joseph Hage Aaronson & Bremen Exhibition, Hepworth in Colour, Courtauld Gallery. Photo © Fergus Carmichael.
Exploring the sculptor’s commitment to colour, this exhibition covers an aspect of her work that has often been overlooked.
Installation view of Emily Kraus: In Relation, Luhring Augustine Tribeca, New York, April 11 – June 13, 2026. © Emily Kraus; Courtesy of the artist, Luhring Augustine, New York, and The Sunday Painter, London. Photo: Farzad Owrang.
Kraus talks about the purpose-built painting scaffold she uses and the challenges of working within it, the difference between working at large and small scale and the mistake of assuming analogue and digital are binary.
James McNeill Whistler, Whistler Smoking, 1856-60, installation view, Tate Britain, London 2026. Photo © Tate (Larina Fernandes).
This major exhibition is a once-in-a-generation opportunity to see the full extent of Whistler’s practice.
Ásta Fanney Sigurðardóttir, Courtesy of the artist, Icelandic Pavilion at 61st Venice Biennale, 2026.
The artist representing Iceland at this year’s Venice Biennale with her enchanting Pocket Universe talks about her practice – what she calls a form of ‘spiritual fluxus’ in which different worlds and disciplines intermingle – and explains why she is optimistic that we can change the world we now find ourselves in.
Chico da Silva (Francisco Domingos da Silva), Animais Fantásticos, 1973. Photo: Ding Musa, Courtesy Galatea.
Nottingham Contemporary offers a rare chance to discover a wonder of indigenous Brazilian art — as well as the tumultuous story of his life.
Cliff Rowe, The Fried Fish Shop, 1936. © Cliff Rowe Estate. Reproduced courtesy of Leicester Museums and Galleries.
A teeming exhibition tells the story of the Artists International Association (AIA), from radical union to the second world war-era exhibition powerhouse.
Monster Chetwynd, A Friends Making Machine, exhibition view. Courtesy: the artist and Middelheim Museum, Antwerp. Photo: Tom Cornille.
In her first solo outdoor exhibition, the artist plunges us into her imaginative universe of strange creatures, including her trademark salamander.
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