With many works exhibited for the first time, this comprehensive show also includes preparatory sketches and her tarot deck, reflecting her spiritual beliefs and radical, occult-influenced art.
The lesser-known of two successful sisters is given her rightful place in 20th-century history thanks to an assiduous gallerist and loyal friend.
This jewel-like exhibition showcases the work of the pioneering Bristol-born artist, who moved to Paris, changed her name, mixed with the likes of Sophie Taeuber-Arp, Wassily Kandinsky and Alexander Calder, and became a key figure in abstract art.
A survey of the late American painter honours his singular, otherworldly vision.
A generous survey captures the full range of the American photographer, who chronicled New York’s gay scene during the 1970s and 80s.
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In the 75th New Contemporaries exhibition – perhaps not surprisingly at a time of economic, political and moral uncertainties – recent UK arts graduates seem preoccupied with everyday life, family and what it means to feel ‘at home’.
There are no buts! This small exhibition at the Holburne Museum in Bath has considered every angle and every detail and the result truly is a bijou gem.
Parreno is a wizard weaving verbal and technological spells around us, but for those who would rather keep the machines at bay, it is a truly disturbing experience.
The film-maker collages found footage with the cinema of post-revolutionary Iran to explore censorship and prohibition. She discusses her life growing up in Iran, her parents’ refusal to let her attend art school, and what winning the 2024 Film London Jarman Award means to her.
Its opening coinciding with the sixth edition of 1-54 Marrakech, an exhibition at IZZA highlights nine artists from Morocco and beyond working wonders with textiles.
As she holds her first institutional UK solo show, at the South London Gallery, Kimeze explains why, after gaining a degree in biology, she enrolled at the Royal Drawing School, and how literature and roller-skating colour her work.
There is so much to be said, and much still to be learned, about this one astounding and complex painting, and this two-year evolving display at Compton Verney hopes to offer an enlightening introduction.
Ambiguous images and twisted and brooding forms rewrite the meaning of landscape in this exploration of subconscious desires, dreams and irrationality.
The monumental textiles, striking prints and tiny figurative works on show cement Beutlich’s place as a visionary textile artist and printmaker who eschewed traditional methods and materials.
A beguiling exhibition at Michael Werner Gallery places two distinctive artists into a balletic dialogue illuminating painting’s shifting relationship with the pilasters of classical art, figure and landscape.
The RA turns over its grand halls to an erudite, even academic look at half a century of Brazilian painting. There are some interesting finds amid the abundance.
As a major survey opens at Centro Pecci, the Italian artist discusses her lifelong struggle with the machismo of painting and why she has turned to robots.
In his first institutional solo exhibition in the UK, the American artist and activist shares stories, prints and films reflecting on connection, survival and contagion.
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Mahr’s work incorporates film, photography and installation with a rich language of layering, collaging and photographic experimentation. She discusses her artistic evolutions, her explorations of the female body as a ‘site of complexity’ and the studio space she and her husband, Max Richter, have built in Oxford to support musicians, artists and writers.
With 15 paintings and five works on paper, this show takes on a journey spanning 20 years of Schutz’s fantastical, often grotesque, figures.
This delightful if dark exhibition brings ‘Mrs Eric Ravilious’ out of the shadow of her husband, ensuring that, in future, she is known in her own right as Tirzah Garwood.
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In response to hearing the increasingly rare sound of a nightingale singing, Hambling has produced a new series of paintings in a striking palette of gold and silver laid over a dark black ground, evoking a mood, a feeling of wonder and vitality, a moment in time.
Well into its fourth month, the sprawling PST ART festival themed to explore the intersection of art and science is still in full swing, featuring science-facilitated art projects that engage aesthetics and manipulated materials to rethink abstruse cosmic questions and render them visually.
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