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Tadaaki Kuwayama: ‘Here is only the art itself’

The Japanese-born artist recounts his refusal to dictate how spectators should view his work, his vi...

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Samson Young: Songs for Disaster Relief

Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of compon...

Jay Heikes: ‘I've always loved the reminder that the natural world has t...

The Minneapolis-based artist discusses his experimental approach to materials, the significance of m...

Abou Farman: ‘I want the tragic to become an acceptable space’

Abou Farman, who co-wrote Icaros: A Vision with Leonor Caraballo, talks about the film, which is bas...

Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

The artist talks about his love of words, the human drive to make marks and the more spiritual side ...

Joseph Kosuth: ‘I was always interested in the limits of language and th...

On the occasion of his curated installation at Mazzoleni, the pioneer of conceptual art speaks to St...

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Jenny Crompton: ‘I enjoy sitting in the work for hours. It becomes a med...

The Australian artist explains how she made her installation Sea Country Spirits, and talks about di...

Nathaniel Mellors and Erkka Nissinen: The Aalto Natives

Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...

Greg Campbell: ‘I’d like people to get to know my friend a little thro...

Campbell talks about his film Hondros, which premiered at the year’s Tribeca Film Festival, and ab...

Elger Esser: ‘Beauty is not important; it’s a logical result in my opi...

After his recent solo exhibition at Parasol Unit in London, the artist talks about the relationship ...

Georgia Horgan: ‘Confident, working women were a threat to the social or...

The artist talks about her recent exhibition, All Whores are Jacobites, and how she became intrigued...

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Mithu Sen: ‘I constantly change my mediums so the market will not be abl...

Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...

Becky Suss: ‘Putting domestic spaces into the gallery says something abo...

In her exhibition Homemaker at the Jack Shainman Gallery in New York, the Philadelphia-based artist ...

Rachel Maclean: Spite Your Face

Maclean is representing Scotland at the Venice Biennale with her new film, a dark fairytale titled S...

NS Harsha: Charming Journey

The Indian artist explains some of the works on show at this retrospective, and why, despite once wo...

Frances Stark: ‘I am desperately trying to connect outside of the art wo...

The Los Angeles-based interdisciplinary artist and writer talks about her first opera, an adaptation...

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Oliver Griffin: ‘The very act of photography makes something interesting...

The artist talks about drinking White Russians, his BMX bike, which he has named Susan, taking pictu...

Peter Dreher: ‘In my pictures I underline the act of seeing’

The German artist recounts the trauma of childhood under the Nazi regime, his autonomy from the soci...

James Bridle: ‘There is a huge demand to humanise the technological view...

The artist talks about his current show at the Nome Gallery, Berlin, which centres around the self-d...

Eddie Martinez: 'I just want people to interpret the work how they want'

The artist talks about his latest show, Cowboy Town, at Timothy Taylor Gallery in London, the influe...

Linda Kitson: [Mine is] ‘a reactive sort of work – it’s a reaction t...

The artist talks about the works in Drawings and Projects, her current exhibition at House of Illust...

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Ruth Maclennan: ‘I realised that global warming was happening, and asked...

The visual artist talks about what art can do in the face of climate change, her films of Arctic Rus...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

The artist talks about his academic origins, the delicate equilibrium he seeks between accident and ...

Enrique Martínez Celaya: 'The sense of past as memory always has force'

The artist talks about his latest show, The Gypsy Camp, and his interest in nomadism and displacemen...

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

The Turkish artist discusses her work THEY/ONLAR, a multiscreen video installation previously seen a...

Brook Andrew: ‘I was challenged to unwind the histories that were told t...

History, identity and race dominate the Australian artist’s work, as he challenges stereotypical i...

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Alexey Titarenko: ‘I wanted to capture my inner perception of the world ...

An exhibition at the Naiya Alexander Gallery in New York brings together Titarenko’s photographs f...

Deanna Petherbridge: ‘Drawing can be a million different things, but I t...

Using pen and ink as a metaphorical means of interrogating human interest, Petherbridge sees drawing...

James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...



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