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Yuko Mohri: ‘I’m very curious about organic ecosystems’

The Japanese artist Yuko Mohri’s exhibition at White Rainbow is...

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Candida Powell-Williams: ‘Each object becomes more than just the narrati...

The artist shows us round her immersive installation, e...

Kong Ning: ‘Being a witness mentally scarred me’

Multidisciplinary artist and environmental activist Kong Ning is based in Beij...

Bloomberg New Contemporaries 2016

Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to th...

George Ridgway: interview

George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and instal...

Kate Fahey: interview

Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where our consum...

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Seungjo Jeong: interview

South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between viewer...

Roger Hiorns: ‘It isn’t enough to put an artwork in the world. You hav...

Roger Hiorns explains his methods of exploration and ex...

Jiang Dahai: ‘There are universal values shared among artists and schola...

The Chinese-born artist unfolds his search for abstract...

György Jovánovics: ‘A relief shows a dynamic promise, which is more th...

The Hungarian neo-avant-garde relief artist unravels hi...

Tim Benson: ‘I wanted my work to have more meaning’

The artist talks about storytelling through portraiture, and the human face...

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John Akomfrah: ‘The question of discourse is absolutely central’

The artist explains the inspirations for his new split-screen ...

Nicolás Herrera: ‘this mural is about life’

Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herre...

Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...

The Latin American art dealer explains the ethos of her...

Toby Ziegler: ‘In half an hour, you can undo an entire month’s work’

The artist explains his processes of painting and sandin...

Joey Holder: ‘I’d like to see a lot more collaboration between the sci...

The artist shows Studio International around her &lsquo...

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Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...

In the startlingly altered states of Blenheim Palace, t...

Zhao Zhao: ‘You cannot separate art from politics’

A prominent member of the post-1980s generation of Chinese artists and a for...

Cyril de Commarque: ‘I believe in a new renaissance of thinking’

The French artist has converted a grain barge into an artwork ...

Paul Carter: ‘There’s an invitation that only takes you so far’

Entering the gallery, visitors enter a new world – a li...

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Xu Yong: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer took the brave dec...

Cui Xiuwen: Light

Cui Xiuwen is a conceptual artist best known internationally as a video film-maker and photographer. A creator of...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plasti...

Jennifer Wen Ma: ‘Throughout history, humans have been trying to break i...

The artist talks about her new installation, Molar, at ...

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Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east Lond...

Cory Arcangel: ‘Making art is just basically dowsing’

The Brooklyn-based artist talks about his latest show at the Lisson Galle...

Elizabeth Price: ‘I’m interested in music and the voice because it bri...

Studio International visited the artist in her studio i...

Charles Richardson: ‘There must be some sort of desire in me to hold ont...

The artist talks about his show at Exeter Phoenix, coll...



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