The shadowy and sensuous world of Caravaggio was too tempting for contemporaries to ignore. But as t...
Amalia Ulman: ‘I learn things from the performances that I wouldn’t ha...
Having presented her fictionalised personas on her Instagram account and at the Tate Modern, the art...
Cecilia Brunson: ‘In the case of Willys de Castro, it’s also a percept...
The Latin American art dealer explains the ethos of her Bermondsey gallery and the importance of the...
Carla Rapoport: ‘I like to think we’re the Elvis of the art world’
The founder of the Lumen Prize says Elvis brought gospel and black music into the mainstream, and sh...
This is a disorienting exploratory playground for the imagination, a procession of surreal scenarios...
Arthur Watson: ‘What connected Nagoya and Chicago was the level of inter...
The artist talks about his current exhibition, Double Diablerie, in which he explores superstitions ...
Celia Paul: Desdemona for Hilton by Celia
In an exhibition dominated by self-portraits and seascapes, Celia Paul demonstrates the virtues of s...
The towering canvases of abstract expressionism crowd the main galleries of the Royal Academy in thi...
Amy Franceschini: ‘It’s kind of simple: I want to be alive and I want ...
The artist talks about her upbringing in the breadbasket of America, and how this taught her about t...
Conrad Shawcross: ‘It’s created a skin for the surface of this buildin...
The artist explains his use of the moiré effect in designing an optical cloak for a tall industrial...
Clare Jarrett: ‘It’s almost as though the work is already there somewh...
The Norwich-based artist talks about her recent residency at the Barbershop in Norwich, and her prac...
Cyril de Commarque: ‘I believe in a new renaissance of thinking’
The French artist has converted a grain barge into an artwork to sail the Thames, blasting out a sou...
Alice Channer: ‘The area in between the subject and the object is the ar...
The artist, who used everything from cigarette ash to microbeads to create her work, talks about cyb...
The focus of this exhibition, with work by canonical American and European artists, is less on the a...
Cui Xiuwen is a conceptual artist best known internationally as a video filmmaker and photographer. ...
Carlo Carrà: Metaphysical Spaces
The works presented here show some of Carrà’s key metaphysical works, charting his jettisoning of...
Alfredo Jaar: A Logo for America
The first UK screening of Chilean artist Alfredo Jaar’s iconic work, A Logo for America, at London...
Claire Shea: ‘We were really keen to look at an expanded definition of s...
As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...
Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my co...
The sculptor talks about the perpetual puzzle of the cosmos and its vastness, eternity and the meani...
Bhupen Khakhar: You Can’t Please All
Whether depicting the pathos of everyday tradesmen, the union of same-sex lovers, or the embattled d...
Anthony McCall: ‘I wondered if it would be possible to make a film that ...
The artist, a key figure in the avant-garde London Film-makers’ Co-operative in the 1970s, discuss...
Artists are the new plutocrats in Cuba and, with trade embargos with the US likely to be lifted soon...
Cory Arcangel – interview: ‘Making art is just basically dowsing’
Brooklyn-based artist Cory Arcangel talks about his latest show at the Lisson Gallery in London, bil...
Charles Richardson – interview: ‘There must be some sort of desire in ...
Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...
Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...
Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...
Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...
The Russian immigrant artists talk about the difference between art education in the former Soviet U...
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...
Controlled but creative, formulaic but somehow free, hypnotic in their undulation and unique in thei...
Paris is, as ever, a cauldron of art, but one breakout exhibition, expertly curated to challenge the...
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