Arnaldo Pomodoro: 'Sculpture is the appropriation of one’s own space wit...
As Italian sculptor Arnaldo Pomodoro has his first London exhibition for more than 50 years, he talk...
Bernard Jacobson: ‘I want to bring people back to art’
The art dealer talks about his current exhibition, Bonheur de Vivre, which he considers ‘a precis ...
Comix Creatrix: 100 women making comics
This is a groundbreaking exhibition of female comics artists, from Hogarth’s contemporary Mary Dar...
Becky Beasley: Lake Erie from the Northwest
The British artist’s new solo exhibition reflects her unwavering interest in physical and non-phys...
Barry Flanagan Animal, Vegetable, Mineral
Marking the 50th anniversary of Flanagan’s first solo show, this exhibition affords visitors a gli...
Colin Self – interview: ‘I want to be devoid of the art world and padd...
On the occasion of his exhibition at London’s Mayor Gallery, Colin Self, the most singular of Brit...
There was a feeling this year of tectonic shift, with black the current chic, and all things African...
This exhibition of more than 300 works explores the formal similarities and conceptual differences b...
Andrea Ponsi: ‘I draw, therefore I am’
The architect, designer, writer and painter on how he went from building his own shelter in a South ...
Botticelli and Treasures from the Hamilton Collection
Botticelli’s delicate illustrations of Dante’s The Divine Comedy steal the show in this exhibiti...
Three monumental sculptures of corten steel and granite, made in the closing years of Spanish artist...
Chantal Joffe: ‘I want to make the painting feel like the person’
The artist talks about what she seeks to capture in a painting, how motherhood changed her, and why ...
Conrad Shawcross: ‘It looks like a wonder of the world’
Conrad Shawcross talks to Studio International about his new public sculpture, Paradigm, and shows u...
Sound, music and history are brought together in this comprehensive look at Sala’s work, which inc...
Anthony Engi Meacock: ‘Bringing creative practice out of the art bubble ...
The founder member of Assemble, which last year became the first architectural practice to win the T...
Betty Woodman: Theatre of the Domestic
Breaking the boundaries between 2D and 3D works, Betty Woodman’s ceramic assemblages resemble stag...
Andy Warhol: Works from the Hall Collection
With more than 100 previously unseen works from the Hall Collection, this expertly curated exhibitio...
Art into Society – Society into Art: Seven German Artists
By revisiting a key exhibition of German artists from 1974, the ICA reflects on art, its relationshi...
Collateral Drawing: ‘It’s like revealing the magic trick’
Co-curators and artists from the ongoing Collateral Drawing project reveal insights into their worki...
Alice Anderson: ‘I don’t refuse this world, I just need to explore alt...
The artist talks about her unique method of “memorising” and “recording” objects in copper w...
Aura Satz: ‘I think of all my works as conversations’
The artist reveals some of the hidden stories that inspire her film, performance and installation wo...
As the Saatchi Gallery marks its 30th anniversary with its first all-women exhibition, a new generat...
An artist who is changing sculpture: Katrina Palmer
Lisa Le Feuvre, the head of sculpture studies at the Henry Moore Institute, tells the fascinating ta...
Carole Robb: ‘It was the harsh Scottish weather that shaped the internal...
As a child, she drew on her bedrooms walls. As an adult, she has won the Prix de Rome and a Fulbrigh...
Anthony Pearson: ‘I am seeking an inventive form as opposed to a clearly...
The artist, known for his refined sculptures and reliefs, explains why he moved from photography to ...
Amelia Critchlow & Evy Jokhova: ‘The conversation, in many ways, will pr...
The artists talk about their year-long collaboration and how they learned from each other’s differ...
Although its subtext was sales, fair week provided a swirl for the senses. A dizzying array of work ...
Crossing the Line 3: Global Drawing
Florence was the venue for the third of the Crossing the Line conferences, which explore the role of...
Courtney J Martin: ‘Robert Ryman makes a lot of difficult things look in...
The curator of Dia: Chelsea’s Robert Rymanexhibition, discusses the seminal American artist’s si...
Artist Rooms: Roy Lichtenstein
As part of the Artist Rooms series, the Scottish National Gallery of Modern Art in Edinburgh is show...
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