This exhibition brings together sculptures by US artist Carol Bove and furniture and sculptures by V...
Cy Twombly: Fifty Years of Works on Paper
An exhibition of more than 80 drawings by Cy Twombly is on show at the Hara Museum of Contemporary A...
In his latest major exhibition, Carsten Höller’s playful artwork turns the Hayward Gallery into a...
Conrad Shawcross: The Dappled Light of the Sun
As well as his epic, sprawling installation that greets visitors to the Royal Academy Summer Exhibit...
This major retrospective spans Martin’s career from the early 50s to the last drawing made before ...
Alighiero Boetti: Order and Disorder
As well as some of his best-known works of embroidery and ballpoint-pen drawings, this exhibition in...
Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become par...
Chloe Dewe Mathews’s Tate commission, Congregation, looks at south London’s African churches, ca...
Cecily Brown: ‘In a way you can see things more clearly when they’re s...
The artist talks about her latest exhibition, The English Garden, explains why it is a lot harder to...
ART15: London’s Global Art Fair
Galleries from 40 countries came together at this third edition of the London fair to celebrate art ...
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BGL: ‘In our installation, people play with money, and we like this game...
Canadian art collective BGL makes art that is playful and provocative, using irony and parodic inter...
Eight of the UK’s most promising arts graduates are picked each year to show at the Catlin Art Pri...
Brown & Son: Art That Makes Itself
Father and son Paul and Daniel Brown work together as Brown & Son, ‘Purveyors of digital images si...
All the World’s Futures: the 56th Venice Biennale
Under the African curator Okwui Enwezor, the 56th Venice Biennale attempts to bring together our dis...
Christopher Williams: The Production Line of Happiness
American photographer Christopher Williams uses his first UK retrospective to illustrate how comfort...
Ahmet Ogut: Happy Together: Collaborators Collaborating
Directing a chatshow featuring a host of friends and former collaborators, Kurdish artist Ahmet Öğ...
C4RD, the Centre for Recent Drawing
Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...
Andrew Hewish: ‘I’m interested in a process of drift, where things are...
Artist and C4RD director Andrew Hewish discusses how he makes objects and paintings using a broad va...
Andrew Hewish: ‘To introduce drawing as a category automatically produce...
Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...
Bryan Kneale: ‘I always liked the idea of being totally in charge of the...
From shrapnel from a second world war German bomb to early editions of Studio International, Royal A...
CUBISM 2.0: Post-Cubism in Europe
This rare and beautiful exhibition presents 18 works by artists from France, Hungary, Russia and the...
Anita Witek: ‘I am opening up a gap between image and reality’
As she was installing her first UK solo exhibition, How to work live better, Austrian artist Anita W...
Allora & Calzadilla: Intervals
In this exhibition of new and recent projects, Jennifer Allora and Guillermo Calzadilla explore the ...
Alexander McQueen: Savage Beauty
Fashion it may be, in that every item in this Alexander McQueen retrospective is for wearing, but ar...
The thousands who braved the snow for this year’s Armory found no big surprises. Rather, there wer...
Birds of Metal in Flight: An Evening of Poetry with 5 + 5
In celebration of the year-long exhibition Phoenix: Xu Bing at the Cathedral, a night of poetry by s...
Andrea Mason: ‘If I had to be categorised really simply ... I am an arti...
Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Litera...
Known for her explosive works, crossing the line between science and art, Cornelia Parker spoke to u...
Adventures of the Black Square: Abstract Art and Society 1915 – 2015
To measure the imprint that a century of abstract art has left on society, culture and politics, Adv...
Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...
Concentric circles: Wojciech Fangor and Peter Sedgely
London commentary by David Thompson
First published in Studio International, Vol 171 No 878...
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