Under the name of the biblical beast Leviathan, Anish Kapoor has devised a giant inflated structure ...
An Entirely Fresh View of Contemporary French Art
Willem de Kooning observed that although Marcel Duchamp had links to the Cubists, Surrealists, Dadai...
Anita Glesta, New York “Navigating Memory, the Universe and Nothing”
Born and raised in New York from a Russian/Polish Jewish family, Glesta sees herself as wholly a New...
A Symphony of Colours and Shapes: Color Moves: Art and Fashion by Sonia De...
Color Moves: Art & Fashion by Sonia Delaunay gathers more than 300 examples of garments and textiles...
Kapoor, who represented Britain at the Venice Biennale in 1990, won the Turner Prize in 1991, and wa...
British Art Show 7: In the Days of the Comet
Time is a man-made concept; as such it can be mapped, manipulated, reflected on. While much contempo...
Billy Childish: The Disruptive Betterment of Culture
Billy Childish (born Steven John Hamper, 1959, Chatham, Kent) has been variously described as a...
The Chinese artist Ai Weiwei, with his Sunflower Seeds exhibition, has set a mind-twisting game in t...
art + soul at the Art Gallery of New South Wales (AGNSW), Sydney, Australia, explores the diversity ...
Bill Viola: The Quintet of the Unseen
In Bill Viola’s piece The Quintet of the Unseen, exhibiting at Blain Southern, one can see a simil...
For Thomas More, ideal living arrangements were those that promoted the opening up of private life a...
ANALOG: Trends in Sound and Picture
The questions raised here are questions explored in the exhibition entitled Analog: Trends in Sound ...
An essay on sculpture. Studio International, 1969, Volume 177, No 907: 12-...
The emergence of a kind of sculpture in the last few years that is distinguished from previous sculp...
Cream Rising to the Top. 100 Dresses by The Costume Institute/The Metropol...
In his preface to this collaboration between the Met and Yale University Press, Met Costume Institut...
Book review: Unconcealed: The International Network of Conceptual Artists ...
In January 1967 Sol LeWitt, then an artist just starting to make his presence felt in Europe, wrote ...
Artists’ Laboratory 02: Stephen Farthing RA – interview
The Artists' Laboratory 02: Stephen Farthing RA is the second in the programme of exhibitions at the...
Are You A Lolita? Japan Fashion Now
From avant-garde bag ladies and Asian Ivy-Leaguers to folksy Forest Girls and fashion-eating Lolitas...
Having attended the Monet exhibition at the Grand Palais on a regular morning like any other paying ...
Barbara Kruger Site Specific Installation
Caught in the back and forth flow of the gaze. “… the AGO has commissioned renowned American art...
In 1984 Robert Mapplethorpe photographed Alice Neel, then in her 85th year. With her eyes closed and...
A Letter from Sydney: July 2010
Australians have long been aware of what Geoffrey Blainey called, The Tyranny of Distance. Overseas ...
Another World: Dalí, Magritte, Miró and the Surrealists
In Edinburgh this summer, coinciding with the Fringe Festival at first, and then extending into next...
Close Examination: Fakes, Mistakes and Discoveries
A great deal turns upon the evaluation of the authenticity and provenance of an art work. In today...
Colour Country: Art from the Roper River
Colour Country: art from Roper River is showing in its final venue in Darwin, in Australia...
Beauty that is Always Strange. Dead or Alive, Museum of Arts and Design, N...
The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...
ARCHITECTURE + CERAMICS = SCULPTURE
Nicholas Rena’s monumental, eloquent ceramics are exhibited alongside the painting of Matthew Smit...
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