AngloMania: Tradition and Transgression in British Fashion
Attracting those amorous of Englishness, the socialites and libertines who wear Westwood so well, th...
Constable: The Great Landscapes
This fascinating exhibition brings together several of Constable's best-known pictures in the form o...
A View of Africa, From the Inside Out
Africa is a vast region that now comprises more than 50 nations. Created through a long history of e...
John Bellany's (b.1942) paintings are among the most confrontational humanistic paintings produced i...
Albers & Moholy-Nagy: From the Bauhaus to the New World
Two of the great practitioner-teachers of 20th-century art, Josef Albers and L...
Paris, at the end of the 19th century, encompassed European tradition and the avant-garde. Having su...
Brussels Dispatch: A Review of Some Small and Unusual Spaces for Art
Built in 1663, the Brigittine Chapel has survived a bombardment that turned its surroundings to ashe...
Asian Traffic: Magnetism - Suspension
Shanghai is an international city known for its economic prowess and cosmopolitan culture. There is ...
China: The Three Emperors, 1662-1795
China: The Three Emperors, 1662-1795, Royal Academy of Arts,12 November 2005-17 April 2006. Painting...
Beyond the Visible: The Art of Odilon Redon
Since 1967, Richard Long has used walking as the basis of his artistic practice. What appears in the...
Changing Hands and Building Bridges: Tradition and Innovation in Native Am...
'Changing Hands: Art Without Reservation 2 - Contemporary Native North American Art from the West, N...
Anselm Kiefer: Heaven and Earth
Aspects of Vincent Van Gogh's oeuvre, comparatively unknown to date, have recently been presented in...
Berthe Morisot: An Impressionist and Her Circle
Berthe Morisot was the first woman to join the circle of Impressionist painters and it is through fo...
Blood Red Suns and Bright Yellow Moons – Henri Rousseau: Jungles in Paris
Tate Modern has shown great perception in mounting the current exhibition, 'Jungles in Paris'. It wa...
In New York, the queues have been forming at the Guggenheim. This is a momentous exhibition, which f...
Bloomberg New Contemporaries 2005
For art students, the graduation show can be a fraught affair, with a lack of space and last-minute ...
All the Fun of the Fair: Frieze Art Fair 2005
It is only in its third year, but Frieze is already one of the largest contemporary art events in th...
China's Artistic Evolution, Then and Now China: Crossroads of Culture Foll...
China's current rush to globalise its economy and, to some extent, its culture, is affecting all asp...
The first major exhibition in Britain of Cecily Brown was shown in Oxford and drew considerable medi...
Robin Spencer, Paolozzi's biographer and editor of his Writings and Interviews, ha...
The third London exhibition of Australian artist Cressida Campbell coincided with the London bombing...
Walking around Oxford today, it is remarkable how little the centre of the city has changed in the l...
Big Bang: Creation and Destruction in 20th Century Art
The Pompidou Centre does not usually present its art works thematically. But, as its latest exhibiti...
Coming Home! Self-Taught Artists, the Bible, and the American South
'Coming Home!' showcases 95 paintings, sculptures, wood carvings and assemblages by...
Basquiat, Brooklyn Museum, New York
On 11 March 2005, the Brooklyn Museum in New York opened its 'Basquiat' exhibition. Located in the M...
A Century of Ceramics: A Selection of 20th Century Potters and Potteries i...
This is an exceptional example, in the realm of crafts, of a small island community ...
On 11 May 2005, a celebration to mark the installation of 'Tulips', a painted aluminium sculpture by...
An Architecture of Invitation: Colin St John Wilson – book review
Sarah Menin and her co-author Dr Stephen Kite have produced a remarkable piece of work. The book tra...
Barbara Kruger, American artist and political activist, is exhibiting in Scotland f...
Andy Warhol is best known for his iconic portraits of Marilyn Monroe, Elvis Presley and Jackie Kenne...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|