The exhibition of the Italian artist Fausto Melotti (1901-86) at Waddington Custot Galleries in Lond...
Dennis Oppenheim: Thought Collision Factories
The first thing that struck me as I walked into the main gallery area of the Henry Moore Institute i...
Eileen Gray: Architect Designer Painter
One of the great strengths of Gray’s art, design and architecture was also her weakness; she defie...
Daumier (1808-1879): Visions of Paris
In the opinion of the writer Charles Baudelaire, the nineteenth-century French caricaturist and pain...
Frieze Art Fair London 2013: Reaching new audiences
Frieze Art Fair is the UK’s leading commercial art fair and has drawn an international audience of...
It might appear that we are miles away from civilisation. In fact, we are standing in the long derel...
From Power Lunches to Public Sculpture
When former Condé Nast editorial director Alexander Liberman, a fixture at the publishing company f...
Facing the Modern: The Portrait in Vienna 1900
Covering the period during the Austro-Hungarian Empire, 1867 to 1918, Facing the Modern charts the p...
Emma Hart (b. 1974, London) lives and works in London and has presented solo exhibitions and perform...
On Tuesday morning, 20 October 1970, the incipient but short-lived International Coalition for the L...
David Whitaker Retrospective Part II: Waters of the Nile
David Whitaker (1938 – 2007) was one of the first artists to have a solo show at the Serpentine Ga...
Experience the city in four dimensions through the lense of an artist at B...
Staying and sleeping overnight in an artwork by Japanese artist Satoshi Hirose at Beppu in Japan is ...
Before joining the leagues of his subjects, entering into the world of celebrity as a cult director ...
“…When we are moved and have discovered or learned to funnel the mucous of situations that happe...
Well, well, round two on our shores and London’s signet-ring art fair’s here to stay. They had p...
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Dancing Around the Bride: Cage, Cunningham, Rauschenberg and Duchamp
This is not the first time we have “danced around the bride”. It is now well acknowledged that s...
Elizabeth Price – 2012 Turner Prize winner
Had I been asked to place a bet upon who I thought would win the Turner Prize 2012, my money would n...
Francesco Clemente: Mandala for Crusoe
Francesco Clemente is a mediator between the visible world and the world of thought and emotion. A 2...
Curatorial Director, ANTHONY BOND, curator of Francis Bacon: Five Decades, describes his exhibition ...
South Korean artist Do Ho Suh’s exhibition at the 21st Century Museum of Contemporary Art, Kanazaw...
This exhibition from the Hermitage Museum in St Petersburg, Russia brilliantly celebrates the 250th ...
Fair is language: São Paulo Art Fair
I received an email from Miguel Benavides, a friend who runs Studio Trust. At the request of Studio ...
Édouard Vuillard: A Painter and his Muses, 1890–1940
Édouard Vuillard: A Painter and his Muses, 1890–1940. The Jewish Museum, New York 4 May–23 Se...
Dissent Popes and Swandown: a taste of Cafe Gallery Projects
Recent accolades likening South London to New York may be slightly exaggerated yet complimentary com...
Fashion’s Archeologist Excavates Her Past
A woman who shares her living space with a Mexican Huastec figure dated to 900 CE, Russian icons, In...
Elemental Extravagance: The Jewelry and Metalwork of Marie Zimmermann
Widely admired and acquired during her lifetime, Marie Zimmermann...
Extra Muros: Masterpieces at MAS, Five Centuries of Images from Antwerp
The first temporary exhibition set up in this industrial edifice, adorned by 3,000 legendary little ...
Paris in the springtime, more than any other city perhaps, compels its visitors and natives to dance...
David Hockney: A Bigger Picture
David Hockney: A Bigger Picture at the Royal Academy provides a feast of colour in mid-winter, and a...
The Pompidou's Munch retrospective entitled L'œil moderne stares defiantly at the Norwegian's life ...
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