logo studio international

Idris Khan: Absorbing Light

Reflections on the horrors of one of Syria’s most famous prisons have driven Idris Khan to new for...

<

It’s How Well You Bounce

In the grounds of the UK’s first hospital to treat people with mental illness, lie a fascinating m...

Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...

Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...

Godwin Bradbeer: ‘the work must have both physical presence and an enigm...

Bradbeer talks about his technique, why he works on a large scale and what drawing means to him – ...

Hannah Quinlan and Rosie Hastings: ‘Our work poses questions that bridge...

The collaborative duo talk about their film UK Gay Bar Directory, which is showing at the Walker Art...

Hans Hansen: Still Life

This survey of six decades of the work of German photographer Hans Hansen, perhaps best known for hi...

<

Harold Cohen: ‘I was probably the only person who considered the compute...

Pioneer of computer art Harold Cohen died last year at the age of 87. In 2015, in one of the last in...

Hélio Oiticica: To Organize Delirium

This inspiring retrospective at the Whitney captures the sensuous resonance of Brazilian artist Hél...

Guy Yanai: ‘Every work that leaves my studio is part of an inexhaustible...

The Israeli artist Guy Yanai explains the stories behind the bold, colourful oil paintings in Speak,...

Hanne Darboven: Korrespondenzen

An exhibition in Berlin uses a collection of correspondence to place the great German conceptualist ...

Ida Applebroog: Mercy Hospital

These drawings from the forgotten sketchbooks of the well-known feminist artist Ida Applebroog offer...

<

George Drivas: Laboratory of Dilemmas – Venice Biennale 2017

For the 57th Venice Biennale, Greek artist George Drivas offers his customary blend of architecture ...

Howard Hodgkin: Painting India

Radiating the heat and light of India, and expressing the artist’s love for the South Asian countr...

Henri Scars Struck: ‘It was interesting for me to have a physical space ...

Henri Scars Struck, the French music composer known for his meditative sonic experiences, discusses ...

Isaac Julien: ‘I dream a world’ Looking for Langston

A new exhibition focusing on the Isaac Julien’s hugely significant 1989 film delves into what made...

Gregory Crewdson: ‘I wanted the photographs to feel like a suburban wind...

American photographer Gregory Crewdson talks about loneliness and connection in his work and, in par...

<

Grayson Perry: The Most Popular Art Exhibition Ever!

This exhibition delivers everything you would expect from the colourful Grayson Perry, but it is als...

Into the Unknown: A Journey through Science Fiction

As we see from the Barbican’s science fiction exhibition, the genre has consistently looked to the...

Hokusai: Beyond the Great Wave

This exhibition brings to life the story of the Japanese artist Hokusai’s later, and arguably grea...

Geta Brătescu: The Studio – A Tireless, Ongoing Space

Camden Arts Centre’s exhibition provides an overview of Geta Brătescu’s artistic career and inc...

Greg Campbell: ‘I’d like people to get to know my friend a little thro...

Greg Campbell talks about his film Hondros, which premiered at the year’s Tribeca Film Festival, a...

<

Georgia Horgan: ‘Confident, working women were a threat to the social or...

Georgia Horgan talks about her recent exhibition, All Whores are Jacobites, and how she became intri...

Giacometti

Alberto Giacometti’s scrawny figures pulse with kinetic energy. This new retrospective at Tate Mod...

Heywood and Condie: Head Land

Tony Heywood and Alison Condie’s ode to Hastings attempts to combine psychedelic sculpture with pl...

Ipek Duben: ‘I’m suggesting, with this project, that we should stop to...

Turkish artist Ipek Duben discusses her work THEY/ONLAR, a multiscreen video installation previously...

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contempo...

<

Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

Australian artist Helen Johnson’s new exhibition at the ICA in London re-examines Britain’s colo...

İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...

Hello, Robot: Design Between Human and Machine

This exhibition is a provocative, disturbing, poignant and ultimately telling exploration of the imp...

Gluck and Modern British Women

During her lifetime, Hannah Gluckstein (Gluck) refused to show in group exhibitions. The Fine Art So...



studio international logo
Copyright © 1893–2017 Studio International Foundation.

The title Studio International is the property of the
Studio International Foundation and, together with
the content, are bound by copyright. All rights reserved.
studio international cover 1894
Home About Studio
Archive Yearbooks
Interviews Contributors
Video Contact us
twitter facebook RSS feed instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA