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Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market

Full of impressionist masterpieces, this exhibition looks at how art dealer Paul Durand-Ruel struggl...

Hadieh Shafie: ‘I take things from my culture and marry them to my weste...

Hadieh Shafie makes transformative objects that hover between painting and sculpture, integrating he...

Goya: The Witches and Old Women Album

Nightmarish visions and demonic passions fill the pages of Goya’s late drawings. But as this exhib...

Ilana Halperin: ‘Drawing is a trace fossil of a moment, an idea, proof o...

The artist, whose work is bound up with geological phenomena, explains the excitement of holding a m...

Good Figures: An exhibition of the female form depicted by 30 contemporary...

Thirty contemporary female artists, ranging in age from 24 to 82, celebrate the enduring appeal of t...

Helen Flockhart: ‘Art doesn’t have to be large to be powerful’

The Scottish painter on her time at Glasgow School of Art in the 80s, being influenced by convention...

Haris Epaminonda: ‘I imagined the Cypriot landscape to be the main prota...

Haris Epaminonda talks about the making of her four-channel video installation Chapters, filmed in h...

Gail Pickering: ‘I was interested in the histories of community video pr...

The London-based artist Gail Pickering talks about her recent major exhibition at Baltic Centre for ...

Giovanni Battista Moroni

In this major exhibition of the 16th-century Italian painter Giovanni Battista Moroni, the Royal Aca...

Gego and Gerd Leufert: a dialogue

This exhibition of works by Gertrude Goldschmidt – Gego – and Gerd Leufert demonstrates their ro...

Helena Rubinstein: Beauty is Power

Although her products have been unavailable in the US for decades, Helena Rubinstein – “Empress ...

Gretchen Bender

In a mesmerising and disquieting exhibition, Tate Liverpool showcases the prophetic work of video ar...

Hayal Pozanti interview: ‘Materials and processes are pushing the bounda...

New York-based painter Hayal Pozanti talks about her invented alphabet, working with digital media, ...

Glenn Adamson interview: ‘Webb saw clearly that human connection was the...

As New York’s Museum of Arts and Design celebrates its founder, Aileen Osborn Webb, with a superb ...

Glenn Ligon: interview

Glenn Ligon, who was born in 1960, is famed for his thought-provoking works, which combine text, sil...

GW Bot interview: ‘Living and working in Australia has meant coming to t...

GW Bot lives in Canberra, Australia’s bush capital, with the Brindabella Range on one side and sub...

Gego: Line as Object

German-born artist Gego once claimed that sculpture was never what she did, but the Henry Moore Inst...

Isa Genzken: Botanical Garden

The beautiful surroundings of Edinburgh’s Royal Botanic Garden provide the backdrop for German art...

Here and Elsewhere

Here and Elsewhere, the latest exhibition at the New Museum in New York, presents the work of 45 con...

I Must First Apologise …

For their latest exhibition, film-makers Joana Hadjithomas and Khalil Joreige explored scam emails. ...

Gustav Metzger: interview

Studio International was lucky enough to meet Metzger in his London Fields studio. After a brief cha...

Isabel Nolan: interview

Isabel Nolan’s exhibition at the Irish Museum of Modern Art, The Weakened Eye of Day, marks the la...

Henri Matisse: The Cut-Outs

There is little denying that Henri Matisse was a great artist, but therein lies the problem. Critica...

Ida Kerkovius: “Meine Welt ist die Farbe” (“My world is colour”)

Listed alongside Gabriele Münter (1877-1962), Käthe Kollwitz (1867-1945), Marianne von Werefkin (1...

Gustave Doré – Master of Imagination

Gustave Doré (1832-83) was immensely successful in his day. He was the highest paid illustrator in ...

Italian Futurism 1909-1944: Reconstructing the Universe

It begins with a car crash. Racing through the night, the vehicle swerves, overturning in a crash of...

Germany divided: Baselitz and his generation

In what forms part of a series of exhibitions and a public programme examining Germany, the British ...

Henri Cartier-Bresson

Capturing more than 500 of Cartier-Bresson’s “decisive moments”, the exhibition is almost over...

Hockney, Printmaker

“I am 23 years old and wear glasses,” one of the inscriptions on Hockney’s 1961 print Myself a...

Ink Art: Past as Present in Contemporary China

In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his success...

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