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Hannah Höch

Choosing, cropping, conjoining and composing are the intangible creative tools with which German art...

Interview with Mark Fox

The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...

Isa Genzken’s Objects: Life into Art

As we enter a large hall on the sixth floor of the Museum of Modern Art leading to Isa Genzken’s f...

Heaven and Earth: Art of Byzantium from Greek Collections

Go to see it and experience what it feels like to be inside a halo: radiance untrammelled. I would n...

Interview with John Mellencamp

The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...

Home Truths: Photography, Motherhood and Identity

In a new show entitled Home Truths: Photography, Motherhood and Identity, the concept of “motherho...

Interview with Dorothea Rockburne

How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...

Ian Hamilton Finlay: Poet, Artist, Revolutionary

The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...

Happy to scuff your floors for you, Murillo

In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...

How to be Contemporary? An interview with curator Charles Esche

The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...

Imran Qureshi at the MET

The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...

George Gittoes

George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...

Gary Hume

Contemporary British painter Gary Hume’s current retrospective at Tate Britain is a both a dark an...

Ibrahim El-Salahi: A Visionary Modernist

Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...

Global Clarion Call: Fiona Hall – Big Game Hunting

Fiona Hall: Big Game Hunting at Heide Museum of Modern Art is one of the most impressive exhibitions...

George Bellows (1882-1925): Modern American Life

Such is the historical window and nature of George Bellows’ rather short career that it seems unav...

Inside the Ordinary-Fantastic World of a Pop Artist

A new book published by the Museum of Modern Art (MoMA) in New York, Claes Oldenburg: Writing on the...

Godwin Bradbeer: Pentimenti

Pentimenti, Godwin Bradbeer’s new show in Melbourne presents work in a figurative mode, for which ...

Irene Barberis: Apocalypse/Revelation: Re Looking (Feminale: the edge of l...

Irene Barberis has been inspired and explored imagery for her art and research into the Book of the ...

Go Figure! Contemporary Chinese Portraiture

Go Figure! is a two location exhibition of Contemporary Chinese Portraiture, drawn from the Uli Sigg...

Innovating with the old – Frieze Masters 2012

Frieze Art Fair is now more than just one of the top international events of its kind. Creative busi...

I Spy: Photography and the Theater of the Street, 1938-2010

I Spy: Photography and the Theater of the Street, 1938-2010 is a wonderful new exhibition at the Nat...

Invisible: Art about the Unseen, 1957-2012

From the amusing to the philosophical, there are works you can observe and others you can take part ...

Grayson Perry. The Vanity of Small Differences

Grayson Perry’s current exhibition at Victoria Miro features his new series of six tapestries, The...

Giuseppe Cavalli: Master of Light

Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...

Helmut Newton

Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...

Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012

Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...

Giorgio Vasari: Dessins du Louvre

This winter, in celebration of the five hundredth centenary of Giorgio Vasari's birth, the Louvre op...

Gerhard Richter: Panorama

The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibi...

Homage to Michael Spens. The Royal Academy Summer Exhibition, 2011

The Royal Academy Summer Exhibition is, and always has been, a major event, a showcase of recent wor...

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