This is a substantial selection of work, a broadly chronological arrangement from throughout his car...
Interview: Independent curator and author Kohle Yohannan on 'the legend of...
From artfully obscured beginnings in Russia, to her full-blown commercial success by the end of the ...
Gerhard Richter: Paintings from private collections – book review
Reviewing the catalogue is to appreciate a valuable tool to understanding the more salient tendencie...
The paintings of Gerhard Richter were first exhibited in Britain as part of the official 1970 Edinbu...
Gustav Klimt: Painting, Design and Modern Life in Vienna 1900
To celebrate 2008 as European Capital of Culture, Tate Liverpool is presenting the first, 'comprehen...
Gathering into gospel order: the Shaker approach to design
A consideration of Shaker-made architecture, furniture and commercial wares - items of remarkable be...
Right on time to contribute to the national discussion on what it means to be British, comes Tate Br...
French fashion designer Paul Poiret made his mark on fashion history in, typically for him, dramatic...
Georg Baselitz is a powerful and rebellious painter who admits to being a painter of ...
Italian Paintings and Drawings: The Royal Collection
The Queen's Gallery, Buckingham Palace has opened on 30 March an exhibition of Italian old master pa...
Home and Garden: Paintings and Drawings of English Middle Class Urban Dome...
On 20 February 2007, a remarkable exhibition opened at the Geffrye Museum in East London, accompanie...
Gilbert and George: Major Exhibition
Gilbert and George has arrived at Tate Modern (and not at Tate Britain, at their own insistence). Th...
In the darkest hour, there may be light: Works from Damien Hirst's murderm...
A range of symbols spring to mind when thinking about death: the hooded figure wielding a sickle, th...
Hans Holbein the Younger was an artist and painter by profession, and a humanist intellectual by inc...
In the Playground of a Master Alchemist
Playful and provocative, whimsical and ironic - these are some adjectives that might come to mind wh...
Hilla von Rebay: the Artist Behind the Guggenheim
Hilla von Rebay is perhaps best known as Solomon R. Guggenheim's art adviser and the person who comm...
Interview: Kim Thomas Reflects On Art, Music, Poetry and Life
Kim Thomas has been painting, writing poetry and singing for most of her life. Perhaps that is why t...
Tate Britain is celebrating the career of Howard Hodgkin this summer. Regarded as one of the most im...
In the Kingdom of the Gods and Goddesses
In 1950, Jawaharlal Nehru, India's first Prime Minister, invited one of the greatest proponents of M...
Gothic Nightmares: Fuseli, Blake and the Romantic Imagination
What fascinates us in an artwork? One answer to this question is content that conveys a sense of har...
The first comprehensive retrospective of Japanese artist Hiroshi Sugimoto's work to take place in hi...
Gauguin's Vision – One of the finest paintings in the collection of the National Gallery of Scotla...
Artists have only one life - yet Gerald Laing seems to have nine. During one of Laing's previous inc...
Inventing Race: Casta Painting and Eighteenth Century Mexico
'Inventing Race' is the intriguing title. But I first went to LACMA West. It was of particular inter...
Interview with David Elliott, Director of Mori Art Museum, Tokyo
Since it opened in October 2003, the Mori Art Museum in Tokyo has attracted 750,000 visitors for its...
Helen Frankenthaler: Paintings on Paper (1949-2002)
Helen Frankenthaler: Paintings on Paper (1949-2002) – Until the 1970s and 1980s, drawings (and ind...
Giorgio Armani: a retrospective
The question posed by numerous critics in response to Giorgio Armani: A Retrospective has been, 'is ...
Guy Bourdin at the V&A. Fashion photography as art
In the 1970s, fashion seemed to be at its lowest ebb. The 60s, when London was the style capital of ...
How cities renew, rebuild & remember
Perhaps it was just a little ironic that, at a time when the bombing of Baghdad was in the offing, a...
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