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Published  30/11/-0001
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Lee Ufan

This solo exhibition is made up of two bodies of work first conceived near the start of Lee’s care...

Lee Miller and Picasso

The close and long-lasting friendship between American photographer Lee Miller and Pablo Picasso is ...

Jackson Pollock: Blind Spots

Jackson Pollock’s black paintings have been unjustifiably dismissed by many. Tate Liverpool’s ex...

Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...

The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...

Joseph Cornell: Wanderlust

Wanderlust explores the art of a man who crossed oceans in his imagination and explored fairytale ca...

Julian Opie: ‘I’ve always used movement as much as colour or imagery’

The artist talks about his current exhibition at the Alan Cristea Gallery, playing with the way we i...

Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...

The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, tal...

Jake Chapman: ‘Show me a Hitler and I’ll draw on it’

Having unveiled the sinister Sturm und Drang at Ekebergparken Sculpture Park, Oslo, one half of arti...

Listening to the Lines

Through the work of eight groups of international artist and architects who explore the versatile bu...

Klaus Staudt: interview

A leading practitioner of concrete-constructivist art for some 50 years, Klaus Staudt was also part ...

Kate Downie and Susan Winton: Drawing on the landscape

Both these painters are engaged in defining their place within the landscape. From the Forth Bridge ...

Louise Cattrell: ‘I think you can use your memory to create that 360-deg...

Landscape artist Louise Cattrell shares her secrets for bringing the viewer into the landscape and e...

Life of Cats: Selections from the Hiraki Ukiyo-e Collection

Cats came to Japan from China in the sixth century, aboard ships carrying Buddhist texts. An enchant...

Lee Ufan

Channelling the principles of Japan’s Mono-ha Group, Lee Ufan’s latest collection of reductive p...

Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...

Film-maker and experimental publisher Jonn Herschend explains why Don Quixote has been such a major ...

Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...

The British artist says her work is a continually generating material mass that is more about trying...

Jason Rhoades, Four Roads

From smoke machines to salmon roe, Jason Rhoades’s art of the bizarre and the ‘gleefully vulgar...

Ken Kiff: The Hill of Dreams

In the Hill of Dreams, which includes encaustic paintings, monotypes, lithographs, etchings, woodcut...

Kehinde Wiley: ‘I think ideas are just as important as the material prac...

African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...

Luc Tuymans: The Shore

Luc Tuymans’s latest exhibition at the David Zwirner Gallery in London is the result of a diverse ...

Lynda Benglis: ‘I think artists create their own rules’

Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by ...

Janet Biggs: ‘This project traces my very specific memories of my family...

The video and installation artist talks about her latest exhibition, in which she worked with neuros...

Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...

The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...

Lynn Hershman Leeson: Civic Radar

A dedicated feminist who came of age in the tumult of the 1960s, Lynn Hershman Leeson was born in 19...

Jessica Stockholder: ‘Art changes, taking account of the present moment...

Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...

Jim Campbell: Indirect Imaging

American artist Jim Campbell uses LED technology for his light installations in this stunning explor...

Kennedy Browne: ‘With the internet there is no final cut’

Irish artist duo Kennedy Browne talk about how their work has been shaped by free-market triumphalis...

Janenne Eaton: ‘My work is deeply political’

Melbourne-based artist Janenne Eaton talks about the inspiration behind her recent installation, Roa...

Jockum Nordström: ‘There’s a self-portrait in every single thing I do...

Having travelled from the island of Gotland where his latest solo exhibition was composed, Swedish a...

John Keane interview: ‘Art shouldn’t be sensationalist, but at the sam...

John Keane, artist in residence at the University of St Andrews, talks about the political influence...

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