Luca Signorelli: ingenuity and pilgrim spirit
Mind your lessons, little Kinsman’, that is the advice the eight-year-old Giorgio Vasari received ...
Jenny Holzer: Sophisticated Devices
“When you’ve been someplace for awhile you acquire the ability to be practically invisible. This...
Walking into the Lisson Gallery on one of the hottest days of the year, I already feel as if I am me...
Jazz-Age Style with an Asian Twist. Deco Japan: Shaping Art and Culture, 1...
Japanese art deco is the subject of a new travelling exhibition...
To commemorate the life and career of Lucian Freud, and coinciding with the National Portrait Galler...
Late Modern or Postmodern? New Architecture by Trevor Dannatt
Comparisons and parallels will inevitably be drawn about this new, and very private house designed b...
The current exhibition of Lucian Freud at the National Portrait Gallery is quite awesome and unmissa...
Lygia Pape once said that her primary interest, when she embarked upon a career in the arts in the e...
Leonardo da Vinci: Painter at the Court of Milan
According to the famously unreliable Giorgio Vasari, when Leonardo...
John Martin: Apocalypse, at Tate Britain is the largest display of his work in public since 1822. In...
Kitaj: Portraits and Reflections
Kitaj: Portraits and Reflections is the first major solo exhibition in the UK of the American artist...
-a4-b-300.jpg)
Although the works on display have all been produced within the past year, allegedly in secrecy from...
Joan Miró: The Ladder of Escape
Long awaited, the first large-scale Miró exhibition in Britain for 50 years does not disappoint; it...
The undoubted architectural event of 2011 has been this selection of key items from the Stirling Arc...
Home of the Future, one of the prominent and current projects by Laboratory for Visionary Architectu...
In John Hoyland’s paintings from the 1960s, thick crisply defined blocks of paint dominate the can...
Louise Bourgeois, Tracey Emin: Do Not Abandon Me
When French-born American artist Louise Bourgeois handed over her set of 16 gouache male and female ...
John Makepeace: Enriching the Language of Furniture
The exhibition, John Makepeace: Enriching the Language of Furniture, at the Collins Gallery in Glasg...
The most celebrated of Mies van der Rohe’s aphorisms was Less is More and just how this principle ...
Clay or soil is all around us but we hardly take notice. But in the hands of this Indian artist, suc...
Joseph Beuys 40th anniversary journey
No journey with Richard Demarco would be complete without reference to Joseph Beuys, an artist whose...
1970 was something of an annus mirabilis for John Baldessari, the so-called Godfather of Conceptuali...
Now in its final year, Jerwood Contemporary Painters opens a window on to the diverse practice of 24...
Less and More – The Design Ethos of Dieter Rams
The exhibition, Less and More - The Design Ethos of Dieter Rams, at the Design Museum in London is t...
_b-300.jpg)
Lucy Stein: Creemie Myopic Fables/Group Show: Purpling
In her third exhibition at Gimpel Fils, Lucy Stein’s ‘Creemie Myopic Fables’ challenges the pe...
Luis Barragan: Il Poeta Del Silenzio
The year 2002 commemorated the centenary of the birth of Luis Barragan, one of the great architect-p...
Klaus Moje: A Love Affair with Glass
Considered to be the founding father of the contemporary glass movement in Australia, Klaus Moje has...
In October 2008 I visited Jörg Schmeisser in his studio in Canberra, Australia. He had just returne...
There is good reason this month in London to revisit Cranach. Last year saw the Courtauld Institute ...
John Bellany, Exhibition of Portraits
The human image is central to the work of John Bellany. In his treatment of the figure, and in his r...
Copyright © 1893–2024 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|