This exhibition tells the story of Matisse’s collecting habits, but fails to conjure up the joy of...
Marlie Mul: ‘It’s not a refusal. It’s that, basically, nothing was p...
Until the end of October this year, there will be no exhibition in Gallery 1 of Glasgow’s Gallery ...
Maggie’s Centre for cancer care, Oldham
An enchanting matchbox on stilts, with a garden below and a tree at its centre, there is poetry, sym...
The fair is a theatrical display of extravagance, peppered with instantly recognisable works by big ...
Nathaniel Mellors and Erkka Nissinen: The Aalto Natives – Venice Biennal...
Mellors and Nissinen represent Finland at this year’s Venice Biennale. They discuss handmade puppe...
Mithu Sen: ‘I constantly change my mediums so the market will not be abl...
Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...
Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...
Oliver Griffin: ‘The very act of photography makes something interesting...
Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...
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Nathalie Djurberg & Hans Berg: Who am I to Judge, or, It Must be Something...
Lust, sexual desire, sin and guilt are explored in a series of short claymation films supported by a...
Nicky Hirst's sculptures and installations quietly and skillfully explore the consonances and disson...
Premiering at the Chisenhale Gallery, Brennan’s film The Drift (2017) depicts restorative labour a...
Naeem Mohaiemen: It is Not Necessary to Understand Everything
Tensta Konsthall is showing Bangladeshi artist Naeem Mohaiemen’s 2011 film, United Red Army, about...
Norman Hyams: ‘I very much believe in losing a painting and finding it’
Norman Hyams talked to Studio International about his painting process before the opening of his fir...
Capping a series of pioneering shows at the Met Breuer that, force majeure, will serve as the new wi...
Oliver Beer: ‘We are very fortunate to live in a time when there is comp...
Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...
This fascinating exhibition tells the story of two Renaissance greats and their unlikely collaborati...
MOA Museum of Art: Grand Reopening Exhibition
The museum reopens its doors after a renovation by artist Hiroshi Sugimoto that combines modern tech...
Mahmoud Bakhshi: ‘I was focusing on the people who died, and on an artis...
Turning the gallery at narrative projects, London, into a 1970s cinema, Bakhshi places his audience ...
Michael Andrews: Earth Air Water
Best known for his party scenes, Michael Andrews’ later landscapes reveal him as a master of persp...
Mai-Thu Perret: ‘I had this urge to portray these female warriors’
The multi-disciplinary artist talks about her continuing fictional narrative The Crystal Frontier, h...
The Zabludowicz Collection sets the stage for a shrewd reflection on the real versus the created sel...
Maria Nepomuceno: ‘I want to create a place where people can be suspende...
Brazilian artist Maria Nepomuceno talks about her fascination with hammocks, her novel way of amalga...
Manifesto (by Julian Rosefeldt with Cate Blanchett)
This superb cinematic production, in which Cate Blanchett brilliantly conjures 13 varying personas, ...
Mette Edvardsen: ‘If forgetting is important, then so is remembering’
The dancer, choreographer and performer talks about memorising books and then retelling them, and ex...
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Magnus Plessen: ‘I try to undo or confuse any preconceived ideas while w...
The German artist talks about his latest show at White Cube in London, which includes paintings done...
Monica Bonvicini: ‘It is not merely a display of sculptures and objects ...
The Italian artist talks about her survey show at Baltic and how bringing together her works in new ...
Maureen Gallace: ‘I wasn’t straining to do anything clever with such a...
For her third solo exhibition at Maureen Paley, London, the New York-based painter shows a group of ...
![Olga Chernysheva. Untitled [A Play…], 2016. Charcoal and collage on paper, 21 1/4 x 33 in (54 x 84 cm). Courtesy Gallery DIEHL, Berlin; Foxy Production, New York; and Pace London. Image © Olga Chernysheva.](/image_archive.php?image=images/articles/c/chernysheva-olga-2016/Untitled-A-Play.jpg)
Olga Chernysheva: Vague Accent
This series of drawings depicting urban life in New York was made while Chernysheva was on a month-l...
Nicolás Herrera: ‘this mural is about life’
Studio International travelled to Cuenca, Ecuador, to talk to Nicolás Herrera about his new work, E...
Michelangelo Pistoletto: ‘The mirror is always part of one unique mirror...
In the startlingly altered states of Blenheim Palace, the multifarious Michelangelo Pistoletto spoke...
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