Manuel Mathieu: ‘Life experience sometimes forces you to see things that...

The Haitian artist talks about coming to terms with his country’s turbulent history and some perso...

Nigel Shafran: Work Books 1984-2018

Newly established gallery project Sion and Moore combines the creative experiences of its two founde...

New York hosts Frieze, Tefaf and more

Leading the pack of satellite fairs crowding contemporary art week, Frieze, revamped under a new dir...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of be...

Neil Gall: ‘As an artist, you are almost trying to find a new kind of beauty’ For his current...

Nancy Fouts: ‘I once made a slingshot out of Jesus and had his head worn...

Nancy Fouts brings her trademark baroque theatricality, dada mischief and love of a good pun to Flow...

Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Marino Marini: Visual Passions

At the home of his iconic equestrian sculpture, The Angel of the City, this retrospective of the Ita...

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Małgorzata Markiewicz: interview

Małgorzata Markiewicz talks about her video The Resistance Kitchen (2017), part of the exhibition H...

Maija Luutonen: ‘I’m not a big fan of monuments’

Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...

Michael Armitage: ‘Can an art space function in the same way as a chapel...

The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talk...

Merrie Albion: Landscape Studies of a Small Island

From the diamond jubilee to the ruins of Grenfell Tower, Simon Roberts captures the events that have...

Music From The Balconies – Ed Ruscha and Los Angeles

Moving to Los Angeles at 19, having grown up in Oklahoma City, Ed Ruscha was always an outsider. His...

Modigliani

This extraordinary retrospective unites Modigliani’s portraits and sculpture with the largest coll...

Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...

Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...

Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...

Through her latest work, a multichannel video installation entitled Faith in friction that features ...

Nicolás Herrera: Enchanted Nature – Deforestation and the Environment

Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...

Matthias Dörfelt: There are not many people using code and technology as ...

The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, ...

Monica Bonvicini: 3612,54 M³ VS 0,05 M³

In her latest exhibition, the rather unwieldy title of which refers to the volume of space in the ga...

Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...

In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...

Maryam Najd: ‘I became interested in reaching a certain perfectionism in...

Iranian-born artist Maryam Najd talks about identity and culture in her practice, her love of materi...

Matisse in the Studio

This exhibition tells the story of Matisse’s collecting habits, but fails to conjure up the joy of...

Marlie Mul: ‘It’s not a refusal. It’s that, basically, nothing was p...

Until the end of October this year, there will be no exhibition in Gallery 1 of Glasgow’s Gallery ...

Maggie’s Centre for cancer care, Oldham

An enchanting matchbox on stilts, with a garden below and a tree at its centre, there is poetry, sym...