Miguel Chevalier: ‘I feel that I live in what’s happening today’

Ahead of two simultaneous solo shows in London, pioneering computer artist Miguel Chevalier invites ...

Marino Marini: Visual Passions

At the home of his iconic equestrian sculpture, The Angel of the City, this retrospective of the Ita...

Michele Oka Doner: ‘We can’t repair the Earth if we don’t fall in lo...

American artist and author Michele Oka Doner shares some of her explorations of nature and ritual fr...

Murillo: The Self-Portraits

A small number of Murillo’s rare portraits are brought together at the National Gallery to celebra...

Maija Luutonen: ‘I’m not a big fan of monuments’

Maija Luutonen is the inaugural recipient of the Kiasma Commission by Kordelin, a project to promote...

Michael Armitage: ‘Can an art space function in the same way as a chapel...

The artist weaves multiple narratives to evoke the complexity of East African society. Here, he talk...

Merrie Albion: Landscape Studies of a Small Island

From the diamond jubilee to the ruins of Grenfell Tower, Simon Roberts captures the events that have...

Museum Gift of the Year: The Tibetan Buddhist Shrine

As 2017 Museum Gift of the Year, Studio International has chosen the Tibetan Buddhist Shrine, a magn...

Modigliani

This extraordinary retrospective unites Modigliani’s portraits and sculpture with the largest coll...

Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...

Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...

Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...

Through her latest work, a multichannel video installation entitled Faith in friction that features ...

Maria Alyokhina: ‘The government media calls us enemies of the people â€...

Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...

Matthias Dörfelt: There are not many people using code and technology as ...

The Los Angeles-based German digital artist talks about computer programs, his interest in bitcoin, ...

Monica Bonvicini: 3612,54 M³ VS 0,05 M³

In her latest exhibition, the rather unwieldy title of which refers to the volume of space in the ga...

Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...

In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...

Martin Puryear

This retrospective is nicely paced to reflect the breadth and depth in Martin Puryear’s sculptures...

Matisse in the Studio

This exhibition tells the story of Matisse’s collecting habits, but fails to conjure up the joy of...

Marlie Mul: ‘It’s not a refusal. It’s that, basically, nothing was p...

Until the end of October this year, there will be no exhibition in Gallery 1 of Glasgow’s Gallery ...

Maggie’s Centre for cancer care, Oldham

An enchanting matchbox on stilts, with a garden below and a tree at its centre, there is poetry, sym...

Masterpiece Fair 2017

The fair is a theatrical display of extravagance, peppered with instantly recognisable works by big ...

Mithu Sen: ‘I constantly change my mediums so the market will not be abl...

Indian artist Mithu Sen has a quicksilver practice that is difficult to categorise or maintain as a ...

NS Harsha: Charming Journey

Indian artist NS Harsha explains some of the works on show at this retrospective, and why, despite o...

Oliver Griffin: ‘The very act of photography makes something interesting...

Oliver Griffin talks about drinking White Russians, his BMX bike, which he has named Susan, taking p...

Nathalie Djurberg & Hans Berg: Who am I to Judge, or, It Must be Something...

Lust, sexual desire, sin and guilt are explored in a series of short claymation films supported by a...