Nadav Kander is an award-winning photographer with an international reputation. He has photographed ...
Maryam Najd: Accuracy & Balance – West
In her work, painter Maryam Najd, who was born in Iran but now lives in Belgium, explores whether th...
Micro-Events: Tsuneko Taniuchi
Blurring the line between reality and fiction, performance artist Tsuneko Taniuchi tries to change o...
Mark Soo interview: ‘The object of observation changes by being observed...
Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...
Jake Yuzna, curator of the Museum of Arts and Design’s first biennial of New York City “makers...
![Moses Harris. The Natural System of Colours Wherein is displayed the regular and beautiful Order and Arrangement, Arising from the Three Premitives [sic], Red, Blue and Yellow, The manner in which each colour is formed, and its Composition, 1769/1776. Royal Academy of Arts, London.](/images/articles/m/making-colour-2014/smallpix/X8384-300.jpg)
Now, the National Gallery is hosting an exhibition dedicated to the history of making colour in west...
It is thrilling, with this superb exhibition at Tate Liverpool, to see the work of Nasreen Mohamedi ...
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The exhibition of “paper sculpture” taking place in the Marble Palace of the Russian Museum feat...
Marc Desgrandchamps: interview
In this exhibition of vivid beach scenes, Desgrandchamps has turned up the opacity on his figurative...
As observers, we might be tempted to approach the work of Piet Mondrian as we would the scene of a c...
We spoke to her ahead of the opening of 512 hours about why, for her, presence is so important, what...
This exhibition of new work by Meschac Gaba marks his first solo show in the US. Exchange is central...
Opening to coincide with the first Russian Art Week during the UK-Russia Year of Culture, Russian Co...
The French painter Odilon Redon (1840-1916) was a visionary artist in many senses of the term. He wa...
The most disturbing thing about Mathieu Pernot’s powerful, compassionate and subversive The Crossi...
Meg Hitchcock, a Brooklyn-based artist, celebrates the human need to reach outside ourselves, throug...
Lilly Wei talks to the director of Eli and Edythe Broad Art Museum at Michigan State University. Des...
Nika Autor: Newsreel – The News Is Ours
Autor’s use of multimedia art is both connective and immersive. She delves down through the histor...
The architect, writer, and former publisher/editor of Studio International, Michael Patrick Spens of...
Matthew Barney: River of Fundament
Matthew Barney (b1967), best known for his CremasterCycle (1994-2002), comprising five films, with a...
Modern Nature: Georgia O’Keeffe and Lake George
Georgia O’Keeffe (1887-1986) is one of America’s thumbtack artists, those whose posters are pinn...
Marrakech Biennale: fifth edition – Where are we now?
The fifth Marrakech Biennale takes place in locations across the city. Founded by Vanessa Branson in...
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Michael Craig-Martin has three exhibitions opening this month, one at Chatsworth House in Derbyshire...
Martin Creed (b1968) became the Marmite subject of much art-world discussion when he won the Turner ...
Michael Snow’s Times (1979) is a simple exercise in reproduction: a large photograph of one of the...
Making Painting: Helen Frankenthaler and JMW Turner
The first exhibition of 2014 at Turner Contemporary brings big canvases, bright colours and a return...
Mikhailov’s Russia: From Eden to Hell
Boris Mikhailov is perhaps the most prominent photographer to emerge from the former Soviet Union in...
Matisse: The Essence of Line, Selected Prints: 1900-1950
The draughtsmanship of Henri Matisse is celebrated by Marlborough Fine Art’s Matisse: The Essence ...
Mira Schendel: “You shall see the difference now that I am back again”
Schendel (1919-88) settled in Brazil in 1949, a Jewish refugee from fascist Italy, becoming known as...
Mad, Bad and Sad: Women and the Mind Doctors
Mad Bad and Sad: A History of Women and the Mind Doctors From 1800 to the Present, the Freud Museum ...
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