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Mary Kelly: Projects, 1973

There is a lot more to Mary Kelly’s work than just dirty nappies. Nevertheless, no retrospective w...

Misericord: Cathie Pilkington and Jay Cloth

Based in south-east London, the artist-run Space Station Sixty-Five (SS65) has been co-directed by a...

Modern British Sculpture

The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...

Mario Testino: Kate Who?

Kate Who? at the Saatchi Gallery, London examines Mario Testino...

Marina Abramovic: The Artist Is Present

The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...

MAVEN Commission: Jenny Holzer Collaboration

Jenny Holzer’s conceptual works Blue Purple Tilt (2007), Protect, Protect, Shape the Battlefield (...

Obituary: Raymond Mason

The sculptor Raymond Mason has died, aged 87, on 13 February in Paris, where he had worked for 64 ye...

New Contemporaries 2009

A global recession and faltering art market did not make 2009 a great year to wriggle free of the ar...

Making Art in Paradise. Serizawa: Master of Japanese Textile Design

Designated in 1956 as a 'Living National Treasure' by the Japanese government, textile artist Seriza...

One Collector's Delightful Passion

Buriki: Japanese Tin Toys from the Golden Age of the American Automobile An Exhibition of the Yoku ...

Materiality and Memory. An interview with Cildo Meireles

Born in Rio de Janeiro, Brazil in 1948, Cildo Meireles spent most of his adolescence in Brasilia, th...

Mark Rothko: The Retrospective

Although 2008 does not mark a centennial birth date or major anniversary in the career of one of the...

Mark Rothko: the 'end of philosophy, the beginning of art'

The current exhibition at the Tate Modern enables Studio International to focus on the critical and ...

Nine Green Bottles: 'Giorgio Morandi, 1890-1964'

The exhibition now opened at the Metropolitan Museum of Art displays over 100 works by Giorgio Moran...

Medium or rare: the art-market grill

It has been a curious coincidence that the extraordinary Damien Hirst sale took place just before gl...

Museums in the 21st century

The Louisiana Museum in Denmark offers a quiet, liminal space for contemplation, isolated from every...

Oscar Munoz: the Presence of the Absence

Colombian artist Oscar Mu...

New Tent Architecture – book review

Tented architecture has been around since prehistory. But only recently has it been recognised as te...

Mars Collects! The Martian Museum of Terrestrial Art: Barbican Art Gallery...

'The Mayan civilisation was ruled by a caste of peace-loving astronomer priests' ...

Modern Painters: The Camden Town Group

To most people who live in London the name Camden Town means a busy interchange on the Northern Line...

NeoCraft Conference

The NeoCraft Conference held in the Nova Scotia College of Art and Design University in Halifax, Nov...

Millais

The autumn grand exhibition at Tate Britain is on the work of John Everett Millais (1829-1896), prom...

Matthew Barney: Drawing Restraint

When we speak of executing something - an article, a work of art, a musical composition - we speak o...

Migrant architects from Britain: the RIBA Stirling Prize 2007

As we digest the results of the annual celebration of the Royal Institute of British Architects (RIB...

Mind and Body

Antony Gormley (b.1950) is best known for his massive sculpture Angel of the North (1998) and Field ...

MAD's Chief Curator Makes An Art of Making Connections

David Revere McFadden's career could function as a case study. With more than 35 years of experience...

Non-refusals in Rubbish: Return of the Rubbish Aesthetic

Refuse has become a key artist's material, as if it ever ceased to be. Today, Colombian artist Doris...

Martin Ramirez Masters the Secret of Time

The works of self-taught artist Mart...

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